Houston, We Have a Squeaker

houston we have a squeakerBoldly go where no mouse has gone before. We created a rad rodent rocket, then flew it across the library on a mission to the moon! If you are ever looking for an excuse to bust out a pair of walkie-talkies at story time, this project is for you.

We read Mousetronaut, written by real-life astronaut Mark Kelly, and illustrated by C.F. Payne (Simon & Schuster, 2012). Meteor is smaller than the rest of the mice training at NASA. Imagine his surprise when he is selected for the next mission! From floating in zero gravity to gazing at Earth in the distance, Meteor loves everything about his journey. But when the key to the control panel is stuck between the monitors, the mission is in peril. Luckily, undersized Meteor can squeeze in and save the day. When the crew returns to earth, Meteor is given a hero’s welcome and a new title…Mousetronaut! Aspiring astronauts should definitely check out Mark’s essay in the back of the book. I especially enjoyed the bit about space bathrooms (including space showers, air toilets, foamless soap, and dry shampoo!).

You’ll need:

  • 1 toilet paper tube
  • Grey construction paper
  • 1 mouse spacesuit template, printed on 8.5″ x 11″ paper
  • 3 piece of string for whiskers (mine were 1.75″ long)
  • 1 mini pom-pom
  • 1 box (I used a 4 ½” X 4 ½” x 9” box, a large tissue box works too!)
  • A box cutter
  • 1 cone water cup
  • A 5oz cup
  • A 9oz plastic cocktail cup
  • 1 rocket wings template, printed on 8.5″ x 11″ card stock
  • A selection of color masking tape
  • Red and yellow squares of cellophane (approximately 5″ x 5″)
  • A selection of metallic dot stickers
  • 1 Moon Mission game (more on this below!)
  • A selection of foil star stickers
  • Scissors, and tape for construction
  • Markers for decorating
  • Hot glue

First, the mouse! Wrap a toilet paper tube with grey construction paper. Use extra bits of the paper to fashion some ears. The uniform from the template gets colored in, then wrapped around the tube as well. Draw the eyes and mouth with markers. If you’d like whiskers, tape 3 pieces of 1.75″ string to the tube. Then hot glue a pom-pom nose on top (you can also just draw the nose and whiskers with markers).

finished space mouseSet the mouse aside for a moment. It’s time for the rocket!

finished mouse rocketThe trickiest part of constructing this rocket? Finding the right plastic cups for the “seat” and “cockpit.” The seat cup needs to hold mouse snugly, while still allowing it plenty of head room. I found some 5oz plastic cups that were just perfect.

mouse in cupUse a box cutter to cut a square hole in the lid of your box (if you’re using a tissue box, flip the box over and cut the square in the bottom). You want the hole to be big enough to slide the cup into, but not so big that the cup is in danger of dropping through (mine was 2.5″ x 2.5″). Slide the cup into the hole, then secure it to the box with tape. Place your mouse in the cup.

hole for seat cupThe cockpit cup needs to be wide enough to cover the hole, yet tall enough for your mouse’s ears. This 9oz clear plastic cocktail cup did the job very nicely.

mouse in cockpitIn the image above, you’ll notice that the cockpit cup is attached to the box with a single piece of tape. This is so you can open and close the hatch of the rocket. If you’d prefer your mouse to be sealed in, add more tape. Next, print and cut the wings template, fold along the dotted lines to create a tab, and attach the tab to the side of the box with tape or hot glue.

tabbed wing for mouse rocketTo make the rocket’s boosters, twist squares of yellow and red cellophane together, then tape the twists inside a pair of plastic cups (I used white, 3oz plastic cups). Hot glue the cups to the back of the ship.

boosters of mouse rocketThe nose of the rocket is a cone water cup. We hot glued our cones to unused, 3.5″ paper lids (the kind you get when you buy hot soup). But you can just go with the cone if you’d like.

nose of mouse rocketDecorate the ship with metallic dot stickers, color masking tape, and whatever else strikes your fancy (we flashed things up with silver holographic tape). Also, did you notice the awesome bubble tea straw pipes down the side of the rocket?

finished mouse rocketBut wait, what about those red foil star stickers along the top of the rocket? Ahhhh! The star stickers were the prize for playing our Moon Mission game! Here’s how the game worked. Marissa made a big moon (22″ in diameter) out of poster board and a silver metallic marker (to make sure it stayed upright, I taped it to a plastic display stand – a book end might work too).

poster board moonMarissa also crafted this awesome Moon Base out of a tissue box, poster board, a sparkle stem, and a mini tin foil pie plate. Stashed inside the moon base were strips of foil star stickers, waiting to be claimed.

moon baseMarissa and I equipped ourselves with a couple of walkie-talkies. Marissa was Mission Control, stationed in the story time area…

marissa at ground controlAnd I was at Moon Base, waaaaay across the library’s cavernous lobby. Marissa and I couldn’t see each other and definitely couldn’t hear each other without using walkie-talkies. This was intentional. We wanted the kids to feel like they were traveling far away.

dr. dana at moon base

The astronauts (and mousetronauts) lined up at Mission Control.

ready for take offOne-by-one, they were treated to some “walkie-talkie space banter:”

Moon Base, do you read? This is Mission Control. Over.

Moon Base here, roger that Mission Control. Over.

Astronaut (kid’s name) is ready for take-off. Over.

Roger that. Good luck (kid’s name). See you on the moon! Over.

There would be a countdown and then the rocket would blast off out of the gallery, exit our library’s front door and enter the vast regions of outer space (i.e. the main library’s lobby)…

mouse in flightThe rocket would navigate the long journey across space…

the vastness of spaceAnd successfully touchdown at Moon Base! The pilot could then could select some star stickers to further decorate his/her rocket. I radioed back that the mission had been a success, and requested that the next astronaut prepare for launch.

touch down at moon baseOf course, while waiting for my next rocket to arrive, I couldn’t help treating Marissa to a few songs through the walkie-talkie: This is Ground Control to Major Tom…You’ve really made the graaade!

Because you know the folks at NASA sing in their headsets like that. And are Bowie fans.

Sweet Dreams (Are Made of This)

sweet dreams are made of thisTravel through a cloud-covered dream tunnel which doubles as a magical oven for a pie full of sweet dreams. Dreams and pie…is there a book than can connect the two? Oh my yes.

We read Sweet Dream Pie, written by Audrey Wood, and illustrated by Mark Teague (Scholastic, 1998). Pa Brindle can’t sleep, so he begs Ma Brindle to dust off her magical, oversized pie-making equipment and bake a sweet dream pie. Despite repeatedly warning Pa that things could get out of control, Ma finally agrees to do it. The enormous pie is stuffed with sweets of all kinds, and the giant oven (which is set to “Special”), causes a heat wave on Willobee Street. Neighbors gather, ignore Ma’s warnings, and eat way too much pie. The result? Some of the wildest, out-of-control dreams imaginable (as only Mark Teague can illustrate!). Sighing, Ma Brindle takes her broom and sweeps the tempestuous dreams away. Ah well. She did warn them.

You’ll need:

  • 1 sturdy paper plate (approximately 8.5″ in diameter)
  • 1 rectangle of tin foil (approximately 12″ x 13″)
  • 1 circle of tagboard or poster board (approximately 6.25″ in diameter)
  • 1 circle of brown packing paper (approximately 11.25″ in diameter)
  • 1 paper bowl
  • Dream pie decorating supplies (more on that below)
  • Scissors, tape, and glue for construction
  • Markers for decorating
  • 1 dream oven (more on that below)
  • Hot glue

First, the pie! Place a paper plate on top of a rectangle of tin foil, then wrap the tin foil up and around the sides of the paper plate. The tin foil should just cover the edges of the plate, not the entire thing.

pie pan step 1Hot glue a tagboard or poster board circle to the center of the plate.

pie pan step 2Decorate the tagboard circle with your dream scene! First, we gave kids a quarter of a sheet of paper and asked them to draw a dream character or scene.

Once that was glued (or taped) in place, we offered supplies to fancy things up: iridescent cello, colored cotton balls, tissue paper circles, iridescent fabric shapes, self-adhesive foam, fabric flowers, foam beads, large gemstones, self-adhesive butterflies, pom-poms, small feathers, bits of embossed foil paper, mesh tubing, and metallic dot stickers.

Here’s Marissa’s dream scene, which involves stars, dusk, flying, and and ice cream clouds. Be-a-u-ti-ful.

marissa's dream sceneAnd here are the dream pies the kids made! We asked the kids to describe the dreams for us, but I must admit, those who did offer their interpretations were still somewhat vague. Below, see if you can spot a ballerina, Valentine’s Day, flying, unicorn wonderland, ghost, mountains, butterflies, Spider-man, a birthday party, “purple,” “Antiga,” “shy,” and hippo.

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When the inside of the pie is done, set it aside for a moment. Use scissors or a box cutter to cut slits in the center of a 11.25″ circle of brown packing paper (or brown wrapping paper). These are the “ventilation slits” for your pie.

pie crust step 1Next, roll the edges of the circle upwards and inwards (about 0.25″ should do it). These are the edges of your “pie crust.”

pie crust step 2Now to add the “dome” to the top of your crust. Flip a paper bowl upside down and press and smooth the crust over the top of the bowl. You’ll need some height here to cover that crazy dream scene you created.

pie crust step 3Place the crust on top of the paper pie plate. It’s very cool to see the dream scene through the little ventilation holes of the pie crust!

finished dream pieYou can stop the project there, or you can take it a step further and go through a dream oven! This doesn’t have to be fancy. You can drape a sheet over a table, or head into a darkened closet with some blue lights or glow sticks. But if you’d like to replicate our dream oven, here’s how we did it. Basically, it was a big box with door flaps cut out on both ends. On the outside, the box looked like an oven set to “Special.”

dream ovenBut inside, it was a fantastic dreamscape! Marissa lined the box with blue paper, hot glued white felt clouds to the walls, rigged up dangling polyester fill clouds, and dotted the whole thing with mirror board stars. She used packing tape to attach a strand of blue LED rope lights to the ceiling. It was…so…awesome.

inside the dream ovenGrasping their dream pies, the kids entered the oven and scooted through the tunnel, “cooking” their pies amidst clouds and stars. Some kids charged through the tunnel and lined right back up for another turn. Others meandered slowly through the tunnel, pausing to take in the dreamy atmosphere. Sweet dreams to one and all!

meandering dreamer

Aliisa the Artist

self portrait_artwork by aliisa leeFor the past four years, I have had the privilege of working with an extremely talented Princeton University student artist. Her name is Aliisa Lee, and she has loaned her tremendous abilities to a whole host of artistic endeavors at our library – project templates, event posters, logos, illustrations for children’s stories and poetry, and more.

summer announcement logo_artwork by aliisa lee

Summer announcement logo

hungry caterpillar food drive logo_artwork by aliisa lee

Very Hungry Caterpillar food drive logo. Food drive title and art inspired by the work of Eric Carle.

bad hair day_artwork by aliisa lee

Illustration for “Bad Hair Day”

the dragon princess_artwork by aliisa lee

Illustration for “The Dragon Princess”

Below you can see some steampunk templates she designed for a Journey to the Centre of the Earth event (later, I used the templates for a Rube Goldberg-esque mechanism and a fanciful steampunk airship story time).

steampunk hat

And how about these delightful vanilla-scented French pastry ornaments? Mmmm.

ornaments

Aliisa’s also worked on completely random (and sometimes rather strange) projects. She didn’t, for example, bat an eye when asked to make 80s paint splatter background.

welcome to the 80s

Or create a police line up of book damage perpetrators

lineup of book baddies

Or depict Hiccup and Toothless at the movies…?

hiccup and tootheless at the movies_artwork by aliisa lee

Last month, Aliisa graduated from Princeton University with a major in English and a minor in Visual Arts. I caught up with her to chat about her experience at Cotsen, her process for illustration, and what she’s going to do next (including – and this is important – continuing to freelance for us).


Tell us a little about yourself!

I grew up in the sunny state of Hawaii, but have since moved abroad several times. I am the fourth of six crazy kids, and all of our names start with A. It makes for some fun confusion when we are all together! In my free time, I love reading, writing, and (you guessed it), drawing. I especially enjoy drawing digitally by using my computer, Photoshop, and a Wacom pen and tablet.

Name a few of your favorite artists / inspirations.

I really look up to the artists of my favorite childrens’ books, like Clement Hurd, Mary Blair, Bill Peet, and Henry J. Ford. I am also a huge fan of Pixar and Studio Ghibli, with all their inspiring storytelling and fantasy elements. I follow many digital artists on tumblr, but I also just I love getting ideas from literature, dreams, and of course, my family and friends!

What have been some of your favorite projects for the Cotsen Children’s Library?

Hmmmm, that’s such a hard question. I’m a bit of a podcast nerd these days, so I loved doing the album art for the BiblioFiles.

bibliofiles artwork by aliisa lee

I am also a huge fan of Alice in Wonderland and The Phantom Tollbooth, so the Alice thaumatropes and the Digitopolis posters and logo were a great way to pay tribute to some of my beloved texts.

thaumatrope demo

digitopolis by aliisa lee

My favorite type of project is probably illustrating for our time’s new generation of writers and poets. If I have to choose one assignment that I especially treasure, it would be the art for “The Sun Lifted Me Away.” The young author’s father wrote to us later that his daughter loved the drawing for her poem; hearing that the young author was so happy with what I drew makes that illustration one of my favorite projects!

the sun lifted me away_artwork by aliisa lee

Illustration for “The Sun Lifted Me Away”

You’ve illustrated kids poems and stories. What’s your process for selecting and illustrating specific scenes or phrases?

It varies piece to piece! Sometimes Dr. Dana will have a fairly specific suggestion for a scene, which has trained my eye and always helps with the process. When the illustration is more up in the air, I often read for specific lines and imagery that stand out, and draw fairly literally from that. (For example, a line from “The Pit,” that says “He clasped the edge and began his ascent.” A very dramatic, specific scene gets a very dramatic drawing.)

the pit_artwork by aliisa lee

Illustration for “The Pit”

Or, if the piece has more atmosphere than narrative, I brainstorm for scenes or visuals that reflect that feeling. (For example, the poem “Autumn is a Color, Not a Season” is all about the feel of autumn. The drawing and colors reflects this.)

autumn is a color, not a season_artwork by aliisa lee

Illustration for “Autumn is a Color, Not a Season”

What surprised you the most about the process of developing, editing, and finalizing a drawing for Cotsen?

Before working for Cotsen, most of my art was just kept to myself or my personal site. When you are doodling in your notebook or drawing just to show your family and friends, you “finish” an art piece when you are satisfied or just get tired of it. One of the greatest things about working with Cotsen and an art director (Dr. Dana!) is having another pair of eyes to help look critically at a piece, then develop it with the ultimate goal of publication. I’ve been pleasantly surprised to see how that process and push to make polished illustrations has just made me a better critical thinker and artist. Plus, it is a ton of fun to draw for Cotsen!

storm_artwork by aliisa lee

Illustration for “Storm”

In your opinion, what’s the most difficult thing about illustration?

This has probably happened to anyone who has tried to make art: you get a beautiful, inspiring image in your head and you just think, “I NEED to draw this.” But after you sit down and draw, you realize your art just doesn’t measure up to the image your mind conjured up.

This happens to me a lot, especially since the poems and stories I read have such beautiful and creative moments. But it makes we want to work hard to be a better illustrator, since I want to close that gap between what my mind can create and what my hand can draw.

Still, I know that even if I was the best illustrator in the world, I could never quite pin down exactly what my mind envisioned. That could seem frustrating, but it is also kind of beautiful! The imaginations we are given are actually the best artists we could ask for, you know?

the enchanted machine_artwork by aliisa lee

Illustration for “The Enchanted Machine”

Tell us a little about your senior show!

I would love to! My show was entitled “to wake” and included 80+ digital drawings, printed out in various sizes and placed around the space of the gallery. As you walked around left to right, the images sequentially told the story of a mother and daughter, plus a little bit of the fantastic as they traveled in the subway.

to wake 1_artwork by aliisa leeto wake 2_artwork by aliisa leeto wake 3_artwork by aliisa leeto wake 4_artwork by aliisa leeIt was very, very cool to have my own show, and to use the gallery space for both art and storytelling (two things I love!)

What are you going to do next?

I’m hitting the real world and getting a job. As a Princeton Project 55 Fellow, I’ll be working in communications at the non-profit International Schools Services, not that far from Princeton’s campus, actually. I can’t stop making art, so I will also be illustrating for Dana (and maybe a few other clients if I’m successful in expanding my freelance network). You haven’t seen the last of me yet! :)

poets_artwork by aliisa lee

Illustration for “Poets”


If you’d like to see Aliisa’s amazing portfolio, it’s online here. If you’d like to read a little more about her artistic process, she wrote a great post for Princeton University’s admissions blog here.

Thank you for 4 tremendous, tremendous years Aliisa! And here’s to many more!