Our Studio Snapshot tours have taken us far and wide, but today we’re introducing an artist who is local to lovely New Jersey! We recently discovered Adriana Saipe when Princeton University commissioned her to create the cover of the Princeton Alumni Weekly‘s 2026 Reunions Guide. You can read the PAW interview with her here.
Adriana’s original piece, “Tiger Crossing the Delaware,” is an absolutely breathtaking feat of paper engineering, It will be on display in Firestone Library lobby (right outside of Cotsen) through July 12th. In the meantime, let’s visit Adriana’s studio for a personal tour!
Images courtesy of Adriana Saipe
I’m very lucky that my studio is in my house. This is great for being able to work after my three daughters are in bed. The downside is that my three daughters like to sneak in and get creative with all my supplies. And they are always ALWAYS stealing my tape.
I hoard bits of colorful paper like a squirrel gathers nuts. A few years ago, I bought a large metal flat file set of drawers from another artist. I’ve since filled all the drawers with colorful scraps of things which I then use in my paper cutting and collage projects. I also really like to make paper flowers, so I often have bins of those lying around.
I collect prints and original artwork from some of my favorite illustrators. The bottom piece here is one of my favorites – it’s an original graphite and gouache study by the great Carson Ellis for her amazing book Du Iz Tak?. I find it so inspiring to see what her process is like up close. And I get to enjoy the company of these small, charismatic bugs while I work.
When I’m not paper-cutting, I often work on digital illustrations for clients. I draw on a Wacom Cintiq. It’s big and heavy, so I can’t take it on the go, but it’s one of my favorite studio tools. What I can take on the go is my sketchbook, which comes with me just about everywhere. With three small kids at home, finding time for fun drawing is a challenge, so I try to sneak it in during swim lessons and soccer practice.
My commercial work often involves large format printing and laser cutting, and for that I rely on my Epson P6000 and my Epilog Fusion Edge respectively. I’m not very technologically-competent, but I’ve had to learn quite a bit in order to service and maintain these two big machines.
Working from home wouldn’t be the same without my trusty studio assistant, “Scribbles”. He helps by eating small bits of paper off the floor, and sighing loudly when he thinks I could benefit from getting outside for a walk.
Psssst did we mention that Adriana wants to try illustrating children’s books???
Welcome to Brooklyn, and the lovely little studio space of illustrator Olivia de Castro! You might recognize her from 
Vibrant and full of color and characters, Olivia’s illustrations capture moments and interactions with tremendous joy and energy (check out her portfolio 
To start my day I always need a fresh mug of hot tea and a glass of ice cold water. If I don’t have at least 2 liquids on my desk at all times, I can’t get any work done! I work in mixed media and I start my illustrations with traditional mediums at my desk. My rolled pencil case includes a variety of tools that I can reach for in order to get the textures I want, including various watercolors, gouache, micron pens, colored pencils and markers.
My studio is a small room at the back of my house, in a residential neighborhood on the outskirts of Buenos Aires. To get to it, you have to cross a patio that we filled with plants.
There is a split glass window with blue and orange borders, which is what I like the most about that space, because it lets in the light and looks right at a monstera with impressively large leaves.
Since I have small children and I like to change places to work, sometimes I move around the house and take “my studio” to different spaces. I like to share my materials and the creative process with them, so we often draw together, at the kitchen table or at a table in the patio. In that sense, it is common to see brushes and pencils in the kitchen, sketchbooks on the coffee table, Indian ink in the room where I sleep.