Tag Archives: studio

Studio Snapshots: Adriana Saipe

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Our Studio Snapshot tours have taken us far and wide, but today we’re introducing an artist who is local to lovely New Jersey! We recently discovered Adriana Saipe when Princeton University commissioned her to create the cover of the Princeton Alumni Weekly‘s 2026 Reunions Guide. You can read the PAW interview with her here.

Adriana’s original piece, “Tiger Crossing the Delaware,” is an absolutely breathtaking feat of paper engineering, It will be on display in Firestone Library lobby (right outside of Cotsen) through July 12th. In the meantime, let’s visit Adriana’s studio for a personal tour!

Images courtesy of Adriana Saipe

I’m very lucky that my studio is in my house. This is great for being able to work after my three daughters are in bed. The downside is that my three daughters like to sneak in and get creative with all my supplies. And they are always ALWAYS stealing my tape.

I hoard bits of colorful paper like a squirrel gathers nuts. A few years ago, I bought a large metal flat file set of drawers from another artist. I’ve since filled all the drawers with colorful scraps of things which I then use in my paper cutting and collage projects. I also really like to make paper flowers, so I often have bins of those lying around.

I collect prints and original artwork from some of my favorite illustrators. The bottom piece here is one of my favorites – it’s an original graphite and gouache study by the great Carson Ellis for her amazing book Du Iz Tak?. I find it so inspiring to see what her process is like up close. And I get to enjoy the company of these small, charismatic bugs while I work.

When I’m not paper-cutting, I often work on digital illustrations for clients. I draw on a Wacom Cintiq. It’s big and heavy, so I can’t take it on the go, but it’s one of my favorite studio tools. What I can take on the go is my sketchbook, which comes with me just about everywhere. With three small kids at home, finding time for fun drawing is a challenge, so I try to sneak it in during swim lessons and soccer practice.

My commercial work often involves large format printing and laser cutting, and for that I rely on my Epson P6000 and my Epilog Fusion Edge respectively. I’m not very technologically-competent, but I’ve had to learn quite a bit in order to service and maintain these two big machines.

Working from home wouldn’t be the same without my trusty studio assistant, “Scribbles”. He helps by eating small bits of paper off the floor, and sighing loudly when he thinks I could benefit from getting outside for a walk.

Psssst did we mention that Adriana wants to try illustrating children’s books???

Studio Snapshots: Olivia de Castro

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Welcome to Brooklyn, and the lovely little studio space of illustrator Olivia de Castro! You might recognize her  from this recent library event, where she and other artists joined us to celebrate Ulises Carrión.

pcm 2_1Vibrant and full of color and characters, Olivia’s illustrations capture moments and interactions with tremendous joy and energy (check out her portfolio here!). Her newest release, Great Idea Malia! (Holiday House, 2024) comes out this September. Here’s a sneak peek of the cover…

My commute to work every morning is pretty short, since my workspace is in my living room. Even though it’s small, I enjoy the coziness of my prewar apartment in Bay Ridge, Brooklyn. I seem to be allergic to hanging up my art prints on the wall, so I like to prop them up along my desk instead. My goal is to eventually hang them all up in the style of a gallery wall; they are a great source of inspiration.

To start my day I always need a fresh mug of hot tea and a glass of ice cold water. If I don’t have at least 2 liquids on my desk at all times, I can’t get any work done! I work in mixed media and I start my illustrations with traditional mediums at my desk. My rolled pencil case includes a variety of tools that I can reach for in order to get the textures I want, including various watercolors, gouache, micron pens, colored pencils and markers.

My favorite tools at the moment are a simple mechanical pencil and my trusty Pentel brush pen. I always finish my pieces digitally after scanning in my textures and brushwork.
Even though I’m working in a smaller space, I am able to fit everything I need in my little corner. My desk and chair were passed down to me from my grandfather, and working at his desk makes me feel closer to him and my family. Having the flexibility to work from home is incredibly useful, it allows me to work comfortably in my living room or I can take my work on the road.

When I am not illustrating in my apartment, my favorite spots are my local coffee shop, the library, and even Prospect Park for a change of scenery and some fresh air.

Images by Matthew DePrizio, and courtesy of Olivia de Castro

A Pen By Any Other Name…?

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It seemed like such a good idea. In fact, it seemed like a GREAT idea. But alas, I tested the Westcott hot glue pen, and it was not to be!

When it comes to projects and paper engineering, we use quite a lot of hot glue here at Pop Goes the Page. In fact, during story time, Katie and I always run two hot glue stations, each with two glue guns at the ready. We use book carts, which are terrific as mobile glue stations – just the right height to work on, and wheeled if we need to move them out of the way quickly.

We use standard mini glue guns, but when I spotted the Wescott glue pen whilst shopping (retails for around $8), I wanted to give it a shot. Especially if it allowed a little more control when it comes to distributing glue. Sadly, it did not work. This one might end up on a blog fail list someday!

To give credit where credit is due, the glue pen heated up nicely and was easy to hold. The fatal flaw, however, was the loading mechanism. Ideally, you load the hot glue sticks in, slide the little tab (the instructions call it the “handle”) to the rear of the pen, plug it in, and once heated, it’s ready to use. As you compress the trigger button, the glue is supposed to distribute nicely as both dabs and a steady clean line.

Nope. When I pressed the trigger, the handle released down the entire length of the pen, causing it to snap down on my finger. The glue glopped out, and then just stopped. As you can see in the image below, I tried several time. It never worked. I even unlplugged it and tried again. Nooooope. A dozen times this thing snapped on my finger!

While this was a great product idea, the mechanism was unfortunately faulty. We’ll be sticking to our standard glue guns and the elusive hot glue pen will remain, for now, a mythical entity yet to be discovered.