Community Post Office: A Celebration of Ulises Carrión

This spring, the the Department of Special Collections at Princeton University Library hosted a fabulous exhibit, “Ulises Carrión: Bookworks and Beyond.” It was co-curated by Sal Hamerman, Metadata Librarian for Special Collections, and Javier Rivero Ramos, a recent Ph.D graduate from the Department of Art & Archaeology.

In addition to being a writer, Ulises Carrión was one of the most influential of all modern artists engaged in the book, and a vital force in the mail art movement of the 1970s. So in honor of the exhibit, we decided to bring the community together for a day of art, mail, zines, and collaboration! We also offered a children’s tour of the exhibit, lead by Sal Hamerman themselves. Sal encouraged kids to think about books as more than just “containers of words,” and asked them to observe the works of Carrión through the lenses of interactivity, composition, creativity, and community. Sal also touched on the challenging concepts of freedom of expression and censorship.

Sal Hamerman, Metadata Librarian for Special Collections

In the Cotsen Children’s Library gallery, we wanted to highlight Carrión’s mail art, as well as capture the excitement and collaboration of an artistic communities he cultivated. And speaking of, we hosted a FANTASTIC group of local artists from Princeton Comic Makers, who you will meet a little later in the post!

Princeton Comic Makers top row from left: Suyang Gong, Luther Mosher, Tyera Queen, Christina Castro, Olivia deCastro, Carrie Johnson; bottom row from left: Anita Hayden, Masha Zhdanova

For the hands-on portion of the event, we created an interactive “Community Post Office.” Kids started with a basic 4 page zine fold, and then we offered a ton of supplies to decorate it. In addition to glue, tape, and a variety of pens, we had large containers of old stamps, letters, pieces of magazines, vintage cards, ads, patterned paper, old maps. We discovered a few artists on Etsy who put together specialty packages of scrap booking material, and we were not disappointed!

We also had some phenomenal zine examples compliments of the Arts Council of Princeton. They loaned us a whole bunch by local artists, and also included a sampling of works by the Princeton Sketchbook Club (a very cool project initiative you can take a look at here – my daughter and I are part of it!).

Once the zine was complete, kids headed over to the Community Post Office buildings. They picked up colorful envelopes (and have a chat through the window with staff or a caretaker):

Then they could let their creations play a bit on the post office’s chutes and elevators….

Or contribute to our stamp wall (there was a stamp activity elsewhere in the gallery, we’ll get to that a little later in the post!).

The grand finale was to write your name on your envelope and drop it into the drop box that we rigged over one of the doors to my office/studio…

And THEN! Event volunteers would take their envelopes and give it two special “stamps.” One was a sticker of a logo Ulises Carrión created for his very own mail art community:

And the second was a rubber stamp featuring a quote from Lloyd Cotsen, benefactor of the Cotsen Children’s Library and champion of children’s literacy. It’s a quote from this PBS mini-documentary.

“I think reading, to me, was like opening the window and allowing you to look out and maybe fly out. Even if you couldn’t fly, your mind could fly.”

After the envelope was stamped the event volunteers placed it in a “CPO Box” constructed in a doorway on the other side of the gallery. So kids had to dropped their letters, follow arrows across the gallery, and then wait for it to appear in the PO Box, magically stamped!

As you can imagine, many kids did this activity repeatedly. I think the record for one little girl was 16 drops. Not too far away in the gallery was the “Mystery Box Drawing.” We asked kids to fill out a form, and then we put together (and mailed) them a very special customize goody box Can you imagine getting a box full of your favorite things?

Carrión was a huge cultivator of a global community of artists, and we wanted to bring that vibe to our event as well. So now we’d like to formally introduce Princeton Comic Makers, a outstanding conglomeration of local artists, who brought their talents, activities, and enthusiasm to the event.

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These folks TURNED IT OUT! They displayed their artwork, chatted, did live drawing demos, designed a “Create a Creature” project, made bookmarks, created stamps, taught kids how to fold zines, offered original coloring pages, and were just generally the most engaging and creative group imaginable! Here they are, in alphabetical order by last name:

Christina Castro is a Filipino-American illustrator and storyboard artist born in Manhattan, NY, and raised in central NJ. She graduated from Pratt Institute (2018) with a BFA in Digital Arts (2D Animation) and a minor in Creative Writing. Her work explores the intimacy of human culture and connection through intricate portrayals of food and warm social scenes, while paying homage to coming-of-age narratives, punk rock, and absurdist comedy. Clients include Storytime with Jeff, Smashbits Animation, and gal-dem zine. Christina is a co-organizer of the Princeton Comic Makers weekly Jersey Art Meetups and also leads the project management of several charity zines, collaborating with creatives all over the world.

Olivia de Castro is an illustrator based in Brooklyn, NY. She grew up in a Dominican-Colombian family in New Jersey and graduated from Pratt Institute (2018). Olivia’s illustration style combines traditional pen and ink brushwork with bright and juicy digital color palettes. People-watching on the subway inspires her to focus on culturally diverse and expressive characters in storytelling. She likes to capture the weirdness of everyday life, as well as black and brown joy. When she’s not illustrating, you can find her reading Every. Single. Plaque. In her local museum; or cooking in her tiny Brooklyn kitchen. Olivia is rep’d by Christy Ewers of The Cat Agency.

Suyang is a fine artist based in the Princeton area, who primarily works in graphite, ink, and various paints. She graduated with a BFA from Mason Gross in 2021. Her works are large and whimsical, using a spontaneous generative method to tap into unconscious thoughts and memories. Currently, she’s having fun tabling at various local conventions with friends and is a co-organizer of the Princeton Comic Makers weekly Jersey Art Meetups.

Anita graduated from Cedarville University with an Industrial and Innovative Design major and a Studio Art minor. The artwork Anita creates is a melding of her upbringing, her profession, and her style as an artist. Her natural inclination towards articulating structures and buildings is rooted in her upbringing, as both of her parents are architects. Her training as an industrial designer also inspires her to create artwork in a strong perspective. In contrast to the rigid sharp edges of her structures, Anita adds in elements such as organic shapes to represent life and movement. She tries to find the line between the rigid and the organic; the realistic and the abstract. She currently works as a Video Game Developer and Freelance Designer.

Visual artist, interior designer and emerging playwright, Carrie Johnson’s work explores the human condition and its impact through the fabric of society; its relation to family drama, mixed race love, intergenerational trauma, motherhood and the divine feminine. Carrie has built a career in the experiential marketing and events space spanning more than two decades, where she’s lead project teams for some of the world’s most notable brands including Adidas, Intel, IDG, and Olympus. Organizational memberships include Dramatist Guild and HonorRoll! She holds a Bachelor of Fine Arts from The College of New Jersey.

Luther has wanted to be a comic artist since he was four. This passion led him to the School of Visual Arts in New York City where he earned a BFA in Cartooning & Illustration. Since graduating in 2010, he has worked professionally as a graphic designer and illustrator. As an artist, he has created storyboards for film, drawn children’s books, illustrated cover art for Ben Folds Five, and is currently finishing up his first graphic novel, Mars Lightning.

Tyera Queen–also known as “Three Guys That Paint”–is a multimedia artist creating whimsical, decorative, and functional art and sculptures. Her goal as an artist is to take up space in this crowded world, filling it with as much of her own creations without limitations. She uses her infatuation with color to portray her alternative outlook on life.



Masha is a lesbian cartoonist born in Moscow, Russia, and raised in central New Jersey. She received a Bachelor of Fine Arts in sequential art from the Savannah College of Art and Design in 2019. She received an MFA from the Center for Cartoon Studies in White River Junction, Vermont in 2022. She writes and draws original comics, teaches workshops about comics, and writes reviews of comics for a variety of publications, including Publisher’s Weekly, The Comics Journal, and Women Write About Comics. Her work is concerned with the intersections of diasporic and queer identity with elements of genre fiction. Most recently, she is a co-organizer of the Princeton Comic Makers weekly Jersey Art Meetups. She likes coloring and drinks seven cups of tea a day.

We would like to thank the talented Sal Hamerman for working with us to develop this fabulous event, and also for designing and leading the children’s tours! A very big thank you to the Arts Council of Princeton for loaning their fantastic zine and notebook library! Finally, we would like to send much love and appreciation to the wonderful artists of Princeton Comic Makers…Christina Castro, Olivia deCastro, Suyang Gong, Anita Hayden, Carrie Johnson, Luther Mosher, Tyera Queen, and Masha Zhdanova!

A Very Concrete Example of a Library

Over the years, I have found myself in a number of interesting libraries and literary settings, but today I wanted to share one that is truly unique. The entire room…in fact the entire mansion is constructed of poured concrete. This unusual library is just one of the rooms in Fonthill Castle, the Victorian home of the eclectic and eccentric Henry Chapman Mercer in Doylestown, Pennsylvania.

An “archaeologist, anthropologist, ceramicist, scholar and antiquarian,” Mercer had the home built between 1908-1912. It has over forty rooms, extensive grounds, a multitude of fireplaces, and a plethora of windows (including a little one I spotted embedded in a chimney!). The mansion’s exterior and frame was crafted exclusively from poured concrete. Much of the interior is concrete as well, including shelves, desks, chairs, even dressers!

The library was one of the larger rooms we viewed during the educational tour. It was two levels with vast windows and a massive fireplace. You might notice the abundance of tiles. One of Mercer’s passions was ceramics and tile, and he hand-crafted almost every tile you see in his home. Also, if you’re wondering how to get to the second level of the library, shhhhhh there is a secret staircase behind the fireplace.

Mercer was a true scholar. He loved the discovery and acquisition of knowledge. So books weren’t confined exclusively to his private library. He had multiple studies throughout the mansion (he actually followed the path of the sun through his home, capitalizing on the reading and writing light it allowed him). Each study held collections of books and artifacts from his extensive world travels.

The home tour was fascinating, but we were wholly unprepared for Mercer’s other building, a six-story castle (also made of reinforced concrete) that now serves as the Mercer Museum. If a photo is worth a thousand words, I leave you with this, and urge you to see the museum for yourself!

In addition to Fonthill Castle and Mercer Museum, I can also highly recommend Doylestown as a charming and laid back travel destination. There are plenty of shops, eateries, ice cream stands, and parks. It’s extremely walkable, and don’t miss the independently-owned Doylestown Bookshop. It’s fabulous!

Visiting Percy Jackson…in Texas

Today, I am delighted to introduce guest blogger Dr. Miranda Sachs! Miranda studied History at Princeton University, and graduated in 2011. She worked extensively at our library, both in special collections and with me in community outreach. Miranda earned her PhD at Yale, and is now an assistant professor of European History at Texas State University.

That’s where she met Percy Jackson.

Or more accurately, that’s where she visited the Rick Riordan archive in Texas State’s Wittliff Collections. The collections “collect, preserve and present the cultural heritage of Texas, the Southwest & Mexico through works of the region’s storytellers—writers, photographers, musicians, filmmakers and other artists,” and Riordan’s papers and ephemera are part of the Southwestern Writers Collections (along Sandra Cisneros, Sam Shepard, Naomi Shihab Nye, Cormac McCarthy, and J. Frank Dobie to name a few).

Miranda found some incredibly cool stuff, and I will now turn the post over to her very capable hands. Take it away, Miranda!

Many, many years ago I was an undergraduate at Princeton and I had the privilege of working for Dr. Dana. It was the best job ever. I did things like glue lizards onto visors for a Holes watch party or tell jokes using a shark puppet. Dr. Dana introduced me to Percy Jackson and I loved the books. I even got to dress as a Greek lady for Princyclopedia, an event that Dr. Dana used to organize.

Miranda, on right, being fabulous. Department of Special Collections, Cotsen Children’s Library, Princeton University Library.

Since my time at Princeton, I’ve become a professor of French history. Imagine my surprise and delight when I discovered that Texas State, the university where I teach, has the personal collection of Rick Riordan, the author of the Percy Jackson books. I reached out to my old friend Dr. Dana and she sent me on a quest to check out what Rick Riordan sent to the Witliff Collections.

Because of the new Lightning Thief mini-series, the library has some of the highlights from Riordan’s collection on display. As soon as I walked in the door, I saw a shirt for Camp Half-Blood. The display case had a replica of Riptide used for the film and some neat photos of Riordan speaking to kids. It also had hand-written copies of stories Riordan wrote as a kid! The room where I got to look at the documents had art on display from the covers of some of the books.

The archivist let me look at some of Rick Riordan’s childhood stories. It turns out that Riordan was writing fantasy and mythology even back then. One story was about a god named Jzais living in a world called Tharcas. He wrote some of these stories by hand and others with a typewriter (yup, he was a kid before the computer.)

All the stories were on the original pieces of paper on which he’d written or typed. It was fun to look at stories he wrote in junior high school (back in 1978) and see comments from his teachers. One story called “The Ring of Fire” received 100/100!

Rick Riordan was a teacher before he was a writer. One of the boxes in the collection includes a photo album with pictures from the final class of students he taught in 2004. Six years later, he went back to visit the school and those kids were seniors. Many of them wrote letters sharing how much he had meant to them as a teacher. They still remembered the story of Gilgamesh because he had told it to them with funny voices. Multiple kids recalled that they had carried out a mock trial using Hammurabi’s Code in his class. It seems that Riordan was a creative teacher who got kids excited about the ancient world even before he published the Percy Jackson books.

My favorite thing to look at was fan letters from kids. Some of the kids were harsh critics. A 7th grader named Caitlyn complained that the books droned on, and it took too long to get to the exciting parts. A boy named Sean was confused why Percy was dry when he came out of the water given that his father was the sea god. Others asked great questions. They wanted to know his favorite character and his favorite band. A girl named Lauren asked “ARE YOU A HALF BLOOD?” Another girl was curious if he would consider casting Arnold Schwarzenegger as Zeus in the film adaptation. (Sorry.)

Mostly, the kids wanted to express how much they loved the books. By the time Sea of Monsters came out, Riordan was getting multiple letters each day. It was super cool to see evidence of how much those books meant to kids. It was also cool to think that Riordan chose to save the kids’ letters. He decided they needed to be preserved in the archive alongside his fancy prizes and the early drafts of his books.

Before I left, I asked to hold Riptide. It was surprisingly heavy. I guess I’m not a demigod…

Photo by Katie Salzmann

We would like to thank Texas State University for so generously sharing their collections, and to Miranda for being awesome (as always!). Miranda is also an author! She published a book all about kids in nineteenth-century Paris called An Age to Work: Working-Class Childhood in Third Republic Paris.

Collections images courtesy of Miranda Sachs