Special Stickers | Special Collections

Today, I’m sharing a brilliant initiative in Special Collections at Princeton University Library. It’s beautiful, mysterious, interesting, unusual, intriguing, delightful, random, fantastical, unique, surprising, and it fits on laptop cover! I’m speaking, of course, of “Decalcomania,” the brain child of library staff Adrienne Rusinko, Library Collections Specialist, and Emma Sarconi, Reference and Outreach Specialist.

Collaborating with Princeton University Library’s Makerspace, the department releases original stickers every month based on items in its special collections, cuing a stampede of campus fans. The stickers vary from centuries-old illuminations to modern styles.

For today’s post, I’m not only sharing some personal sticker favorites, I’m chatting with one of the co-creators to learn how this amazing project came to be…

Hi Adrienne, tell us a little about yourself!

Hello! My name is Adrienne Rusinko, and I’ve been at Princeton University Library’s Special Collections for about 6 years. I’m a part of the Public Services team, and my responsibilities include working with researchers to find and access the materials in our collection. We work with folks both in person and through remote reference services, which introduces me to tons of exciting items in our holdings I would otherwise not have stumbled upon.

How did this awesome sticker initiative get started?

My colleague Emma Sarconi, our Reference and Outreach Specialist, reached out to me after seeing the idea at a Makerspace conference. She knew I had some experience with Photoshop, and suggested we find a few cool designs to turn into stickers and put out for free in the lobby as an outreach project, making the space a bit more fun and inviting. This sounded like a great idea, and we immediately got to work. The reaction was incredibly positive from both staff and researchers, and I ended up continuing it into a monthly sticker release.

Please walk us through your research and selection process…

The selection process is the hardest part of stickers, for sure. I spend my downtime at the desk searching through a plethora of digitized material in our online catalog, finding aids, and Digital PUL (DPUL) site, looking at the thumbnails of every page of every item. If I come across something I think is cool, I add it to an ever-growing spreadsheet of potential stickers (the current count is 331 designs, 101 of which have become actual stickers.)

Each month, I pick three designs to turn into stickers. It’s usually a random assortment, but every once in a while I can pull together a theme. I have some wonderful (and patient) colleagues whom I go to to vibe-check a potential design. I almost passed over the “Here is a picture of a Narwhal.” sticker but was otherwise convinced, and it ended up being one of the most popular designs we’ve put out.

What’s the reaction to the stickers been like? I imagine some sets produce a bit of a mad rush!

The stickers come out every second Friday of the month, and I’ll say, I think the staff here are more excited than anyone! That being said, it’s always a fun reaction to see a group of students walk out of a class and realize we have stickers they can take. The entire point of the stickers is to make Special Collections a little more welcoming, and I think that’s been pretty successful!

What’s your personal favorite sticker, and why?

This is an incredibly tough question. I think I’m pretty partial to what I call “Baby Dragon”, who comes from the margins of a 13th-century French bible (Princeton MS. 82, fol. 42r). I spotted him before I started making stickers, and he immediately reminded me of my dog whenever he would beg for food. When Emma first brought the idea of stickers to me, I knew he would be my first pick.


Image References From Top to Bottom, Left to Right:
Peacock: Book of Hours, ca.1500 (Garrett MS. 59)
Reading Improves: The looking-glass for the mind (Cotsen Eng 18 / Newbery 7161)
Dog with Horn: Bible, ca. 1260 (Garrett MS. 27)
Bright Flowers: Primavera: New Designs and Colors (Graphic Arts 2004-0031E)
Ostrich DJ: Радио-Жираф [Radio Giraffe] (Cotsen 58164 Pams)
Moon Terrace: The Blessed Damozel (C0199 no. 923)
Curious Cat: Des chats (Cotsen, 21217 Folios)
Umbrella Fish: Putanitsa [A Muddle] (Cotsen, 91282 Pams)
Kirin: 神風倭国功 / 十返舎一九著 ; 歌川貞房画, (PL797 .J56 1829, East Asian Library) Snowy Scene: Snow at Kameyama, Station 47 (GA 2009.00719, Graphic Arts)
Block People: Russkiĭ plakat (Cotsen 153779 NR CyrillicQ)
Hand & Heart: Journal to Pikes Peak (C0199 no. 141, Manuscripts)
Three-headed creature: German report, 1791 (Ex 2012-0315N)
Narwhal: Stories About Whale Catching (GA Hamilton 298s)
Football Tiger: 1956 (Athletic Programs Collection (AC042), University Archives)
Bear with Heart: A Piano in the Children’s Room (Cotsen 103359 NR CyrillicQ)
Little Owl: American Ornithology (Graphic Arts, 2007.00515)
Adrienne’s Baby Dragon: French bible, 13th century (Princeton MS. 82)

Stuart Visits: Princeton Public Library!

Welcome to the newest feature of Pop Goes the Page…Stuart Visits!

Katie and I were on a internet quest (specifically, we were looking for a remote control robot cat that never quite materialized for our Great Catsby event). Suddenly, we stumbled across this fantastic little roadster driven by none other than Stuart Little!

As you can see, the car is super cute, zippy, and easy to operate. As we watched Stuart motor around Cotsen, we had an epiphany. Why not mount a camera on the back of the car, and Stuart can visit various locations and offer his unique mouse perspective on them?

For his inaugural voyage, we reached out to our Youth Services friends at the Princeton Public Library who responded with total enthusiasm. They just launched their “Unearth A Story” summer reading program…see if you can spot some staff picks along Stuart’s route!

 


Where will Stuart visit next? To be continued…

Community & Literacy

Princeton University students are truly amazing, but every so often, you meet one whose intellectualism, compassion, and service to their community reaches a new stratosphere. Today, it is my great pleasure to introduce Eojin Park, class of 2028. As you will soon read, Eojin has a number of incredible initiatives, projects, and awards. But what stands out to me the most, admirably so, is her love of community and the incredible connections she forms with her young readers.

Hi Eojin! Please tell us a little bit about yourself!

I’m a rising junior at Princeton University from Seoul, South Korea, studying International Relations with minors in Spanish, Portuguese, and Creative Writing. Language has always been at the center of everything I do, not just as a communication tool, but as a way of understanding how people make meaning as well as build identity. That curiosity about the intersection of literature, politics, and human experience shapes most of my work.

On the policy side, I was the youngest winner of the NATO Youth Summit Challenge and currently serve as a 2026 Max Thabiso Edkins Ambassador appointed by the World Bank. This summer, I’m working with UNESCO’s South Asia Bureau supporting regional media and information literacy initiatives. But beyond formal policy spaces, I’m also the founder of CRISIS!, a strategy-based educational platform where students simulate geopolitical decision-making and explore how narrative and language shape international conflict. A lot of that work has focused specifically on expanding access to political education for multilingual and immigrant communities — because I believe that who gets to participate in these conversations matters as much as what’s being said in them.

Please tell us about your literacy work in South Korea!

Growing up in Seoul, I was shaped by a community that invested deeply in my education, and I felt early on a responsibility to give something back. That impulse became Letters For Us, an English learning program I founded in partnership with the regional education ministry. What started as tutoring sessions grew into something more lasting — we eventually established a small library with over 300 books, and the program was later recognized by the Prudential Spirit of Community Awards. But the recognition that meant most to me was simpler: watching students articulate their ambitions out loud, often for the first time, in a language that had previously felt closed off to them.

That same commitment carried into my work with VoiceUs, a club I co-founded in association with South Korea’s Ministry of Unification to support North Korean refugee communities. Over three years, we raised over $10,000 — much of which went toward scholarship funds and literacy resources for second-generation refugee children. I also had the privilege of presenting our research and teaching experiences directly to the Ministry of Unification, which grounded our advocacy in something tangible. We even collaborated on a cookbook of North Korean recipes — because food, like language, carries memory and identity in ways that policy documents rarely can.

Alongside this, I taught English at local kindergartens and, during COVID-19, directed orchestra performances broadcast to a Sakhalin nursing home, where elderly Korean diaspora residents were largely isolated. Across all of it, the thread has been consistent: using whatever skills I have — language, music, storytelling — in service of communities that gave me so much.

What has been the most unexpected part of this initiative?

Honestly, the children themselves. I went in thinking my role was to give something — structure, vocabulary, access. What I didn’t anticipate was how much I would receive in return. The creativity and originality that these kids brought to every session consistently surprised me. They weren’t passive recipients of a curriculum; they were reinterpreting everything we gave them through their own experiences, languages, and imaginations. It reminded me that literacy isn’t about filling an empty vessel — it’s about giving people the tools to articulate what’s already inside them. That realization has shaped how I think about education ever since.

Would you be willing to share a story or experience with this project that you found touching, and tell us why?

There was a child in one of my sessions who was very quiet and also struggled significantly with reading aloud. For weeks, she would follow along silently while others participated. Then one day, unprompted, she read an entire passage on her own. Afterward she looked up and said, matter-of-factly, “I practiced at home.”

That moment stayed with me because I was confronted with the gap between her determination and the opportunities she had access to. She had done something genuinely hard, largely alone, with very few of the resources I had taken for granted growing up. Her effort humbled me. It also clarified something about why this work matters: not because we can solve systemic inequality one reading session at a time, but because every child who feels seen and capable in a learning environment is being told that the world has room for them. That message, repeated enough, changes things.

We’ve talked about your work with children and literacy, but would you also be willing to name a book from your own childhood that was formative?

There are too many to count honestly, but if I had to choose: The Giver by Lois Lowry. I read it young enough that I didn’t yet have the vocabulary for what it was doing, but I felt it — the horror of a world where memory, color, and difference had been erased in the name of safety and order. It was my first encounter with the idea that language and story are not decorative, but essential — that when you strip them away, you strip away something irreplaceable about what it means to be human. That felt urgent to me then, and it still does.