350 for 50

350 fo 50_2017We are very excited to announce this year’s winners of our annual writing contest! Writers ages 9-16 were challenged to compose a short, 350-word story that included the sentence “Immediately, it was upside down.” In addition to having their stories illustrated with original artwork, each winner enjoyed a $50 online literary shopping spree. Congratulations to all!

Illustrations by Aliisa Lee


PENCIL
By Xinyi Xie, age 9

I am up high, part of a monstrous Oak tree. Every day is like the one before: I find myself a bit taller, the morning sun hurts my eyes. (I do not have eyes), I wait as creatures pass by, during noon, my leaves gracefully soak the sun, then it gets dim and stars twinkle above me.

Today is like any other day- Suddenly, my ears heard an eerie rumbling noise (I didn’t have ears). A creature uses a thing to cut down me like the ones that they used to cut down my treemates. The creature put me on a truck ( I did not know what a truck is) then the world is black.-I mean it totally wasn’t.

I get put on a track and entered a silver box and when I came out of the box, I am a small cylinder and I have black stuffing inside me, I am coated in yellow, and I have a bouncy pink thing an end of me the thing takes me to a place where my end without the pink thing gets sharpened. “Aaaaaaah!!!” (I can’t scream). I am put in a box where I wait, wait, and wait when I finally get to come out. I look around and I realize that I am surrounded with tons of creatures. I panic.

The box was better than this. Now, a giant creature loomed over me and its sweaty hands were grabbing me. I stared out the window looking at the trees. Immediately, it was upside down. My sharp end smashes into the floor and I shut my eyes because I am scared. “Aaaaaaaaaaaaaaaaaahh” I found out that I got shoved into a hole that made me sharper. A big hand grabs me. My heart starts pounding (I do not have a heart) “Marcus! What did I say about using the sharpener in the middle of class?” The big creature taps me with my pink and sharp end. Every day is like the one before. Until I get snapped in half and a creature throws me into the deep, black void.


UNTITLED
By Wonbi Kim, age 11

Today was the day. Deep down, I knew it had to be someday.

I roll out of bed and throw on some clothes. Walking downstairs, I’m not surprised that Dad is not here. He really hasn’t been, ever since…My mom died. On that fateful day when the cancer had finally taken her, everything changed. Now I was alone. But, today, maybe it would be different. Mom had left one last message for me before she passed. I found it a day later, taped under my lamp:

Annabelle,
There is one last thing I must give to you. This joy has been yours all along. Whenever you’re ready, tap on the back of Grandma’s mirror three times. What happens next is forever yours to treasure.
Love, Mom

I don’t know if I am ready, but would I ever be? Trembling with both fear and anticipation, I slowly walk down the hall to Grandma’s mirror. I couldn’t hesitate and I couldn’t turn back now. I delicately turn the mirror around and tap three times.

Everything spins. Streaks of vibrant colors dance before my eyes. The wall in front of me begins to flip. My whole world begins to flip – sideways and backwards and in ways I don’t understand. Immediately, it was upside down. And, in that upside down, is something beautiful. A universe of radiant color and light and life lie before me. Strangely, peaceful understanding settles over me as I gaze into this mystery. I take one timid step into the land before me. I look up into the heavens, searching for any sign of my mom. And, just in case she is up there, watching this land, watching me, I fall to my knees and think: thank you for all that you’ve done for me. Thank you for blessing me with this land of beauty and peace. Yes, I will treasure it forevermore.

And then I whisper the words that I’ve been waiting to say for so long: Thank you so much for being my mother.


THE ACROBAT
By Adela Sullivan, age 14

The girl knew she could fly.

She had only felt it briefly before, the freedom of soaring through the air like a bird freed from its cage. So although she stood firmly on the acrobat’s platform, her legs were shaking. The spotlights made her glimmering costume blink like a golden beacon towards the audience. How easy it would be to simply watch someone else, their lives of no consequence! For the crowd, it was just entertainment. But for her, the amount of things that could fail was enormous. A millisecond of error could mean freefalling to the ground below. She had imagined this moment in her dreams and it followed her around every corner.

All she had to do was jump. Of course she could do it, but only in practice. She could easily visualize the long family line of flyers that came before her. Generations of acrobats soared back long before her time. Sometimes the girl could feel the weight of her lineage crushing her, squishing her into a mould that didn’t quite fit yet. Still, the freedom of soaring through the air released her ever so temporarily.

The acrobat’s swinging bar awaited her.

Her heart pounding in her chest, she bent her knees. Forever, the girl would remember the feeling of leaving everything when she leaped. Nothing but the raw terror of being completely alone filled her now.

With a start, she remembered her freedom and those who came before her. Had they felt the same on their first flight? The thought invigorated her. Adrenaline and euphoria coursed through her, easing her fear. She twisted mid-air. She flipped. She somersaulted! Below her, the world spun simultaneously. Immediately, it was upside down! A laugh of pure joy bubbled out of the girl as she flew from her cage.

The crowd gasped.

The girl’s toes touched the edge of the second platform, her body sighing with relief. A thunderous applause shook the arena as she took a low bow. She steadily recognized nothing else could stop her; she had flown and was free.


A FISHERMAN’S YARN
By Gillian Appelget, age 15

The watch boat lingered on the horizon. The ocean was a mirror held to the silvery sky, and seabirds trailed overhead on long white wings. I knew, however, that the stillness only concealed teeming water beneath, as small baitfish would rise to the surface.

I assumed they sought refuge from the chaos below, but found only the gulls. I, too, intended to disturb the silence here. I dropped my line in and watched the bait fade from white to blue to nothing as sunlight was filtered out by the sea. My kayak cut sharp eddies through the latent water while I pedaled. The gulls circled in the clouds like vultures. A breeze sent small wind-waves running north.

Before I could relax, my rod was almost torn from my hand, bending into a sharp arch. The line flew from the reel with an insectoid buzz. I scrambled to set the drag while the kayak turned sharply to starboard. The line went slack and my stomach sank with disappointment before a form rose violently from the water. The marlin leaped, then crashed back into the sea, dragging my kayak behind it.

Immediately, it was upside down. The salt stung my eyes and the cold water shocked me motionless. The ocean expanded in every direction around me, and a cloud of bubbles swarmed towards the surface. I followed them, gasping frigid air and reaching for my overturned kayak. The marlin, undeterred, nearly dragged me away. I managed to grab the side of my kayak, using my weight to flip it over. Dizzy from the chill, I somehow struggled back in.

I fought the fish until the sun stained the sea gold. Only then did it begin to tire, and my kayak came to a rest off unfamiliar coastline. The marlin’s bill pierced the surface and I apprehensively reached for it, but recoiled after the fish thrashed. The marlin’s fierce blue eye reflected the yellow of my kayak, of which it was nearly as long. I reached out again, and cut the line. The gulls called quietly as it darted back into the deep.

Be Happy: The Work of Barbara Valenza

Come experience joy, happiness, and sunflowers! Katie and I have coordinated gallery exhibits together (see Toni & Slade Morrison here, and unusual versions of fairy tales here), but our current exhibit is one we truly put our entire hearts into. “Be Happy: The Work of Barbara Valenza” is a tribute to the children’s books, original artwork, and handmade stuffed animals created by the talented Barbara Valenza. The exhibit runs through May 30th at the Cotsen Children’s Library.

Originally hailing from Columbus, Ohio, Barbara Hess Valenza (1961-2024) earned a B.A. in Communications and Theatre from Miami University (Oxford, Ohio) and began her career in New York City in the art department of Jim Henson Productions. In 2011, she transitioned to Princeton University as the Assistant Director of Graphic Services and The Digital Print Center, and then as the inaugural Director of Library Communications in 2017. A long-time resident of Hopewell, New Jersey, she and her husband, Mark, raised their two children — Laura and Nathaniel — with much love and laughter. Barbara believed in the positive power of art and literature, and, as a talented and giving artist, honored the responsibility and privilege that comes with creating.

Kindness, positivity, imagination, hope, and happiness run through Barbara’s works like golden threads on a beautiful tapestry. In her illustrations and words, Barbara shared her artistic soul while also encouraging readers to embrace and express their own creativity. Central to her stories are personal connections — families to be celebrated, friends to be discovered, and feelings to be shared.

From bears in bursting rainbow gardens to birthday parties for dachshund dogs, Barbara’s illustrations are vivid and bold; joyful and jubilant. The exhibition, coordinated by family, friends, and colleagues, is a loving tribute to her creative and giving spirit. To quote Barbara’s own inspiring words: This is a great day. Be wonderful in everything you do. Make the world a brighter place. Have lots and lots of fun. Be happy.

We were very lucky to host not one, but two of Barbara’s special books at our story time program! The first was for Little Lovedog’s Long Walk Home (Potato Publishing, 2021), which Barbara read to our community in 2023. The second story time was for Hubie (Potato Publishing, 2021), which I read in honor of the exhibit’s opening.

say it with sunflowers 2

Now we’d like to share the love with you! We’re giving away two copies of Little Lovedog and two copies of Hubie. Simply email danas@princeton.edu to enter the drawing. We will randomly select four winners on 05/01/25, contact you via email, and mail them to you!


Exhibit images courtesy of Brandon Johnson. Author image courtesy of the Valenza family.

Stained Glass Stories

Color and concept came together at Stained Glass Stories, our most recent community event! It was connected with our current exhibit, “Once Upon New Times: Reimagining Children’s Classics.” In the exhibit, you’ll find old tales presented in new (and sometimes very unusual) formats. We decided to play with that idea and distill a famous book or character into a single image created in stained glass.

Our event featured six original windows, a mini project for kids, playful light tables, and a little peek at the glass art of the University Chapel. We were also delighted to host artist Karen Caldwell from Sunflower Glass Studio. Read more about Karen (including an interview!) towards the end of the post.

We’ll start with our window gallery, which featured The Wonderful Wizard of Oz, The Very Hungry Caterpillar, Lowly the Worm in his apple car, Chicka Chicka Boom Boom, The Rainbow Fish, and Puss in Boots.

Five of the windows were drawn by talented artist (and Scheide Librarian and Assistant University Librarian for Special Collections) Eric White. The one exception was the Chicka Chicka Boom Boom window. That was me! Since working with real glass was out of the question, we used Gallery Glass brand non-toxic window paint ($20 for a pack of 8 basic colors) and imitation non-toxic leading ($14 a bottle). Instead of glass sheets, we used acrylic, which was lighter weight and much safer. A 12″ x 16″ acrylic sheet runs about $5 each on Amazon.

To create the windows, we enlarged Eric’s original drawings, printed them on 11″ x 17″ paper, then traced them onto the acrylic with Sharpies. Next came the window paint, and after that dried, the leading. Here you can see the windows in progress…

Another terrific thing about using acrylic is that you can drill holes in it. On event day, we used self-adhesive hooks, fishing line, and S-hooks to hang the windows.

A few words about the window paint and leading. Yes, window paint is technically paint, but it is thin and sometimes requires multiple layers. We found it works best if you skip brushes all together and squeeze the paint directly onto the surface in a thick layer. And the imitation leading can be fairly viscous. So get ready for some serious squeezing.

Because of cost and mess, we couldn’t give kids individual bottles of window paint. So we came up with a plan for our mini window project that worked really well. At the event, kids received a 5×7 foam carrying/drying tray (125 for $19 on Amazon), a 5×7 acrylic window (20 for $13 on Amazon), a small color palette (8 for $20 on Amazon), six Qtip “paintbrushes,” and a color menu.

The paper menu correlated with an acrylic menu we hung by the window, so kids could see how the colors appear when they are dry. At the event, they could choose up to 6 colors.

The color menus further correlated with paint bottle holders I made out of box tops and paper cups. This helped me and Katie locate colors fast, and also kept the bottles upright.

Kids then took everything to worktables where Sharpies were waiting in bins. They used the Sharpies to draw on the acrylic, colored it in with the paint, then took it to the drying tables. Our system totally worked…we had ZERO paint spills or accidents and the kids were really delighted with the little color palettes.

For caregivers who didn’t want to navigate paint, we made small copies of four of the custom windows, and had a coloring table with washable markers.

But in an interesting twist, some folks brought the coloring sheets over to the worktables and traced them onto their little windows! Below you can see a gallery of some window art, including tributes to Eric White’s fabulous creations!

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We couldn’t have a stained glass event without mentioning the beautiful Princeton University Chapel, which is not only one of the largest campus chapels in the world, it also houses some truly stunning stain glass windows. Katie put together a display honoring “The Poetry Window,” by Rowan and Irene LeCompte, which features the likenesses of Virgil, Dante, Chaucer, Shakespeare, Donne, Milton, Blake, Eliot, and Dickinson!

The surprise runaway event hit, however, were the light tables. These were 3 LED light tracing pads we purchased on Amazon. We bought large 11″ x 16″ pads, which cost $40 each, but there are definitely smaller cheaper one available. The light pads were paired with translucent shapes and tiles (about $9 – $13 a set, depending on the style), Katie also spotted a super cool pack of 12 transparent geodes (Amazon, $25).

I know the figures I quoted above can be budget-busting, but we did purchase the light table supplies for use at future events and programs. We’ve already rolled them out at our baby social hour, and plan to bring them to community events as well. EVERYONE loves these. Even adults!

The grand finale at the event was Karen Caldwell from Sunflower Glass Studio. She generously displayed her works, tools, did live demos, and chatted about glass techniques from the Middle Ages to modern day! Below is an interview with her, interspersed with photos of her event display.

Hi Karen! Please tell us about yourself!

I have been working in glass for almost 50 years, creating my business Sunflower Glass Studio in 1978. I came to my love of prisms and beveled glass as a young child, amazed of the rainbows passing through beveled glass in the movie Pollyanna. When I started designing glass in the early 80’s, one of the first investments we did was to purchase a beveling machine, to create spectacular windows.

How did you come to work with stained glass?

Through my college studies of art and horticulture, I worked in several different areas of employment, always doing work with my hands. It was a logical move when I secured a job assembling large Tiffany-style hanging shades, and then started free-lancing my designs back to the company. Within a few years, my partner, and then husband Geoff stated working with me in the glass studio. Throughout the decades, we adapt styles, techniques and skills to doing many types of glass fabrication, in the cold and warm methods of glass (stained glass, beveled glass, painted glass and fused glass).

How many step are involved in the creation of a window?

There are generally four to five distinct steps in creating a window: designing; selection of glass; cutting each piece of glass; soldering or leading the pieces together; final finishing steps.

What is the most difficult part of your craft?

The most difficult part of creating a window is the designing. The balance of a piece, and the color combinations are all the most important parts in the piece. From there it is mainly a matter of creating a stained glass puzzle into a window.

Do you have a favorite piece, and why?

My favorite form of glass is my newest art form – fused glass. I love working on my flower designs and trying to create a two-dimensional flower that appears the be
3-D. The fused glass botanicals that I create gives me must more freedom in the design aspect, compared to stained glass designs. Since I make each botanicals part in thin wafers, then compose the design and through a long kiln-firing to bond the pieces to a base glass, I do not need to be concerned with the background pieces. In stained glass, I always need to make sure the positive and negative pieces are cut-able. In fused glass, I just need to make sure the windows are balanced and flow.


Many thanks to artists Karen Caldwell and Eric White for contributing your incredible skills to the event. We appreciate you so much!