Our Studio Snapshot tours have taken us far and wide, but today we’re introducing an artist who is local to lovely New Jersey! We recently discovered Adriana Saipe when Princeton University commissioned her to create the cover of the Princeton Alumni Weekly‘s 2026 Reunions Guide. You can read the PAW interview with her here.
Adriana’s original piece, “Tiger Crossing the Delaware,” is an absolutely breathtaking feat of paper engineering, It will be on display in Firestone Library lobby (right outside of Cotsen) through July 12th. In the meantime, let’s visit Adriana’s studio for a personal tour!
Images courtesy of Adriana Saipe
I’m very lucky that my studio is in my house. This is great for being able to work after my three daughters are in bed. The downside is that my three daughters like to sneak in and get creative with all my supplies. And they are always ALWAYS stealing my tape.
I hoard bits of colorful paper like a squirrel gathers nuts. A few years ago, I bought a large metal flat file set of drawers from another artist. I’ve since filled all the drawers with colorful scraps of things which I then use in my paper cutting and collage projects. I also really like to make paper flowers, so I often have bins of those lying around.
I collect prints and original artwork from some of my favorite illustrators. The bottom piece here is one of my favorites – it’s an original graphite and gouache study by the great Carson Ellis for her amazing book Du Iz Tak?. I find it so inspiring to see what her process is like up close. And I get to enjoy the company of these small, charismatic bugs while I work.
When I’m not paper-cutting, I often work on digital illustrations for clients. I draw on a Wacom Cintiq. It’s big and heavy, so I can’t take it on the go, but it’s one of my favorite studio tools. What I can take on the go is my sketchbook, which comes with me just about everywhere. With three small kids at home, finding time for fun drawing is a challenge, so I try to sneak it in during swim lessons and soccer practice.
My commercial work often involves large format printing and laser cutting, and for that I rely on my Epson P6000 and my Epilog Fusion Edge respectively. I’m not very technologically-competent, but I’ve had to learn quite a bit in order to service and maintain these two big machines.
Working from home wouldn’t be the same without my trusty studio assistant, “Scribbles”. He helps by eating small bits of paper off the floor, and sighing loudly when he thinks I could benefit from getting outside for a walk.
Psssst did we mention that Adriana wants to try illustrating children’s books???
I wake up early and draw every morning with coffee. My studio is on the ground floor of our house. I create my art digitally, and I’ve cycled through various types of tablet and various drawing programs – there are lots of good options. Recently I like Procreate with an iPad pro.
This is the room I use for layout, framing, anything that benefits from great light. It’s basically just windows and a big table.
Here you can see the table in an unusually clean state. Our house, where my studio is, was built in 1845, so it has great natural light. The windows still have the original glass, which is a little wavy, and I love how that softens everything.
I spent most of my time in the computer and printer room. I have my big monitor here and in the winter I put a heated carpet under my desk (we’re in New England so it’s chilly) and my dog loves that. In the late afternoon there’s really great light – it’s my favorite time in the studio especially in the spring and summer when the days are long.
This room is for zoom calls and collaborative work.
Today we’re featuring 
While I’m working on the illustrations, I use the computer to find reference photos and look up information I might need… and to entertain my ears with music. Once the final images are created, I send them straight to the computer through Dropbox. Then I can finalize the files, send them to the client, and do all of the other business involved in illustration.
The studio for creating traditional artwork is currently being used as a guest bedroom; the drafting table is folded down and the supplies are all put away. I hope to get back in there in the new year and make some paintings again, but in the meantime, my little digital corner of the basement is enough to keep me making all the artwork I need.