Have You Hugged Your Bread Today?

We absolutely love when an author brings their talent and enthusiasm to our story time, but Pooja Makhijani scored an absolute first when she brought her personal starter to share along with her newest book, Bread is Love! Please enjoy my interview with Pooja later in the post, and at the very end, don’t miss a chance to enter an awesome little giveaway!

We read Bread is Love, written by Pooja Makhijani and illustrated by Lavanya Naidu (Roaring Book Press, 2026). It’s the weekend, which means it’s time for mama and her children to bake bread! With warmth and enthusiasm, we join the family through the entire process of bread making, from the oozy starter to a delicious fragrant loaf. There’s even a recipe in the back!

After she read her book, Pooja handed out stickers, pencils, and talked about the steps of bread making. Then she amazed us all by introducing a very special guest – “Mr. Willdoughby,” her 10 year-old starter. He smelled absolutely marvelous.

Wanting to get little bakers started on the right foot, we had them customize white aprons with fabric markers, and tucked a sample pouch of Model Magic “dough” into the pocket. Note the various bread-themed illustrations that bedecked some of the aprons.

There was a chunky croissant…

A fluffy muffin…

And a border of green croissants and blue baguettes!

After we finished our aprons, we were joined by a giant, extremely huggable, 30″ bread pillow. The hugging quickly evolved into an impromptu game of “Hug & Toss” which eventually became “Loaf Hide & Seek.” If you ever want to liven up a story time, by all means, introduce a giant bread pillow!

After the loaf was all hugged out, I caught up with Pooja to chat about her delightful work…

Hi Pooja! Please tell us a little bit about yourself!

By day, I manage communications and marketing strategy for the Princeton Institute for International and Regional Studies, an academic department at Princeton University, and serve as co-editor of Princeton Int’l, an annual publication that highlights the University’s international initiatives and projects. Outside the office, I channel my creativity into baking and writing children’s literature! I’m the author of four books: Mama’s Saris, Bread Is Love, Together For Mama (June 2026), and Aunties (2027). My writing has also appeared in The New York Times, The Atlantic, WSJ.com, The Cut and Bon Appétit, among other outlets. A lifelong Garden Stater, I’m also a 2026 New Jersey State Council on the Arts Individual Artist Fellow in prose.

How did this book come to be?

Bread baking entered my life during a difficult divorce a decade ago. What began as a coping mechanism grew into a grounding ritual, one that calmed my anxiety, deepened my connections with others, offered weekly sustenance, and nourished me creatively as both an artist and a photographer. During the pandemic, I took stock of the creative work I felt called to do. Telling a story about bread, and honoring everything it had come to represent for me, like science and self-care to sustenance and sharing, felt like the most natural place to begin.

In early drafts, I mapped out the mechanics of making a loaf—gathering ingredients, mixing, fermenting, shaping, and more. With time and my editor’s guidance, I wove into those early drafts the elements they lacked—and that became central to the book’s message: patience, adaptability, and attentiveness as essential baking skills; the way baking itself nurtures hope; and how bread, in all its forms, connects us across cultures.

Not to spoil your beautiful Author’s Note, but can you tell us about how you “bake in” the new year?

In 2016, I founded a new family tradition: my daughter and I “bake in” the new year. Each year, on December 31, we choose a bread recipe—cinnamon raisin bread, milk bread, brioche—and make sure that our loaf of bread emerges from the oven at the stroke of midnight. (We aren’t always successful in this regard; bread can be temperamental.) The bread then becomes breakfast on January 1, topped with runny yolks or slathered with jelly or dipped in olive oil. This rite steeped in togetherness and warmth and bounty, reminds us that life has seasons and that time is supposed to pass. It’s also delicious!

Please tell us about the distinguished Mr. Willdoughby.

I’ve been a Janeite since I was 12 years old. Pride and Prejudice was my favorite book as a teenager; as an adult, I reread Persuasion at least once a year. It’s customary for sourdough bakers to name their starters; “Mr. Willdoughby” is my humble homage to one of the greatest writers in the English language.

Mr. Willdoughby has been my steady companion for 10 years. Ironically, John Willoughby, his namesake, was not constant. But I do believe he genuinely loved Marianne Dashwood, and his confession showed real remorse. Despite his lack of steadiness and discipline, he meant well. He’s also not as slippery as Austen’s other scoundrels, like George Wickham or William Elliot. Mr. Willoughby was also very handsome, attentive, and passionate—the perfect qualities for a starter.

If you had to eat only ONE bread for the rest of your life, what would it be?

This is an impossible question! I would have to say naan with ghee, minced garlic, nigella seeds, and fresh coriander. My homemade naan have a crisp exterior and a pillowy core, a wonderful “chew,” a slight tang and a distinctive char, and best paired with rich, aromatic grilled meats and curries. I’m hungry now.


Giveaway alert! Readers who live in the United States can win a Bread is Love pencil and sticker set! Simple email cotsenevents@princeton.edu and tell us your favorite type of bread! Three winners will be randomly selected on May 26th 2026 and we’ll mail your prize to you! Good luck!

A Real Hootenanny

It’s a simple craft, but oh-so-dynamic when this owl family reveals itself to be a set of charming nesting dolls!

We read Owl Babies, written by Martin Waddell, and illustrated by Patrick Benson (Candlewick Press, 1992). Owl Mother is gone from the nest, and her three baby owls anxiously puzzle out where she could be. It’s not long before Mother returns, with much flapping, dancing, bouncing, and celebrating from her dear owlettes. A sweet tale of connection and family, this was one of Katie’s son’s favorites when he was a little guy. Now he’s a massive freshman at the University of Oklahoma. Just like owls, time flies!

You’ll need:

  • One small oatmeal container
  • One 14oz paper cup
  • One 8oz paper cup
  • One toilet paper tube
  • Construction paper
  • Scissors, tape, and glue for construction
  • Markers for decorating
  • Optional: feathers

As you can see, we did different combinations of construction paper, textures, and feathers to make each owl unique, but also to keep them visually cohesive as a family. If you can, we highly recommend brown AND white cups, just to give the nesting doll reveal a fun color-change.


For safely transporting their owl family home, we also gave a kids a “nest.” As you can see, it’s a paper bowl covered in brown paper. We made sure the paper was firmly flattened and glued in the bed of the bowl, so there would be no wobbly owl babies!

She Does Her Own Stunts

matilda T2 IMG_5678 edit 02 diptic_cropped 1

Once upon a quarantine, a father of two decided to haul a plastic ride-on car into the house. The plan was to stick in the shower for a fun and highly distracting “car wash.” But it turned into an epic odyssey of film, photography, set design, costuming, and procuring inflatable orca whales.

matilda Never Ending Story DIPTIC copy_cropped 1Alex Zane and his 5 year-old daughter Matilda have quite a following on Instagram, posing for kiddie parodies of classic movie scenes. Beginning with Teen Wolf, the pair have explored all genres of film. Oh, and there’s a giant stuffed fox who does cameos as well! I caught up with Alex to ask him about this amazing creative collaboration…

matilda love actually 01 xx 3576 DIPTIC www_cropped 1Do you have a background in art and film?

Aside from loving movies forever I have no background in art or film. This project has made me realize how much I missed being creative. I had rarely taken a photograph before all of this (my wife could attest to this).

Generally speaking, how long does it take to create a shot?

The actual clicking of the camera is all of fifteen seconds – we are working with a five year-old so we only have a few seconds before she loses interest in everything and is ripping the wig off. The lead up can take some time though – since I don’t know how to take a photo Andrew [a friend who is a professional photographer] walks me through everything with diagrams and test shots.

We also have to pick the scene we are going to do and make sure it’s nothing to complex that a brand new photographer and toddler can handle – finally we figure out if we can “kidify” the scene – the Reservoir Dogs with Mr. Potato or the Barbie doll leg in The Graduate were major eureka moments. We spend probably way too much time on this trying to match everything up – my forearm is still burning from holding the stuffed fox up trying to line him up just right with Keanu. I remember thinking, “It’s amazing this is my life.”

Photo Jan 03, 8 53 12 PM_cropped 1How have your skills changed over the course of your work?

I understand the importance of lighting! And that you can get a kid to wear any kind of wig if the prize is big enough.

I’ll wager that many of these films haven’t been viewed by your daughter quite yet! Do you explain the scenes to her? Just show her a screen shot? Simply ask her to pose? 

She always sees a screen shot. She always asks questions centered around “why do they look that way.” I sometimes forget what I tell her but it’s a G-rated summary of any PG-13 and above movie. One time she was showing a cousin some of the photos and I heard her say “That’s about a wizard who took his mouth away …” I had to look over to realize she was telling them about The Matrix. I can’t stress enough that she thinks Silence of the Lambs is about a man who accidentally dropped a quarter down a well…

Since you started this venture, what are the TOP THREE weirdest props you’ve purchased?

I wonder if the FBI has flagged my Amazon account. No, a lot of the props have come from local online yard sales. I will also post on community thread asking for items – a neighbor gave us an old karate outfit we used for Karate Kid. I once posted on an online town group asking for a kid size straight jacket and Hannibal Lecter mask and got immediate responses from people who had the items. I love my town. To answer the question: fur coat (The Royal Tenenbaums) inflatable orca (Free Willy) and plastic gizmo (Gremlins).

Do you ever show up in a photo as well? To cut to the chase…is that YOU in the inflatable T-Rex costume in the Jurassic Park parody? Please say yes. 

In the beginning I did – before we started kiddifying the scenes. I’m in the original Good Will Hunting photo. There have been a few failed recreations – I played James Cann in Misery with Matilda mimicking smashing my ankles. No, I have no memory how I described that scene to her. It’s not me in that T-Rex costume! It’s Sam Neil.

Do you have a favorite photo, and why?

They are all like my children…forget that Reservoir Dogs. It’s the most fun to take some unsettling scene and completely deflate it will silly kid toys and props. Also that background crowd in Forrest Gump is a gallery of iconic toys – Poppy mixed with Boo from Monsters Inc. That cast totally justifies the multiple copy right infringement lawsuits it will likely cause.

What movie is still proving to be elusive to your creative vision?

The Ghost pottery scene flipped out with some play doh. It’s my white whale.

Does the stuffed fox co-starring in many of the images have a name and a story of his/her own?

You know he is a fox! His name is Blue Ears White Dora. I don’t know where that name came from. He was a gift from a brother in law. I remember watching him lug that thing up our front steps and immediately cursing him. It was massive and I knew it would never be played with. For months it took up 1/2 of whatever room he was…he sat neglected but we started slipping him into photos and we realized how talented he was. Now he’s like my third child.

Is there anything Matilda would like to add to this interview?

How much are they paying us for this interview?


Images courtesy of Alex Zane