The Game is Afoot

the game is afoot“Check this out!” Katie said to me one morning, holding up her phone. “My friend just posted this to her Instagram!” It was a board game, based on the book Hatchet, designed by Quinn Densmore, a 5th grader in New Mexico.

First of all, wow. Hatchet is a fantastic book. Second of all, WOW! Quinn’s game board was 3-dimensional! Thirdly, what amazing muse inspired him to create a game version of the book? The answer was Kandice Tomanek, his teacher. Clever Ms. Tomanek invited her class to design board games based on their favorite books. I asked if she would be willing to share a few more creations. The whole class voted for their Top 5, which I am delighted to present to you today, in no particular order.


PETER PAN
Designed by Terra Donahue

peter pan designed by terra donahue

Dice rolls move 4 players around the board. Some squares contains a symbol, others a number. If you land on a marked square, you must pick a card with the matching symbol or number and follow its instructions (be they good or bad). The game ends when a player reaches the “Finish Zone,” but the winner is the person who has collected the most gold balls.

I love the way the game board opens into Mermaid Lagoon and Pirate’s Bay. I love that all the famous Neverland landmarks are there. I love the ring of clouds around the top of the tallest mountain. I love the gorgeous compass. And I especially love the upended mermaid tails in the lagoon!


UPSIDE-DOWN MAGIC: STICKS AND STONES
Designed by Ailey Cassidy-Jones

upside down magic stick and stones designed by ailey cassidy-jonesThe goal of this game is to get rid of as many gems as you can before reaching the finish line (i.e. the “Pennies for Potions” square).  No small feat considering that each player starts with 50 gems! As you travel the board, you can either gain or lose gems depending on the space you land on and the cards you draw.

I’m not familiar with the Upside-Down Magic books, but I can absolutely appreciate that the game players are characters from the books (such cool little wooden boxes for each of them!). I also appreciate the math involved as you navigate the board and acquire and lose gems. That and Kitten Ball in the Gymnasium. I need to know what Kitten Ball is!


THE LANDS BEYOND
Designed by Greta Smith

the lands beyond designed by greta smithBased on The Phantom Tollbooth, players begin at the tollbooth but soon encounter the Doldrums. If you roll a 1,3, or 5, you get stuck on the Doldrums. If you roll a 2,4, or 6 you take another path. The game continues to move forward in this quirky fashion, and also includes directional cards that make you stop or allow you to roll again. Waiting at the finish line, of course, are Princesses Rhyme and Reason.

So, how much do you love that beautiful purple tollbooth? And the innovative take on dice roll navigation? As you get close to the Mountains of Ignorance, you’ll notice that the cards change from “Pick a Card” to “Demon Card” as well. So clever. And did you notice the Mathamagician’s pencil?

I can’t resist sneaking a couple Phantom Tollbooth connections in here. Click here to meet the author, and click here to visit Digitopolis, the city of math.


HATCHET
Designed by Quinn Densmore

hatchet designed by quinn densmoreThe object of this game is to get rescued from the wilderness. As you move around the board, you acquire different cards. If you get a fire card you are immune to 1 hypothermia card.  If you get hit by a disaster, you must do what the card instructs (move back, lose a turn, etc.). If you get a rescue card, you are safe from the next attack card. Collect 5 rescue cards, and you win!

Not only is this board a total work of 3-dimesional art, I think Quinn really captured the uncertainty of Brian’s plight in the game play. Because sometimes Brian was just plain unlucky (plane crash, gut cherries, extremely territorial moose). Also, there’s no finish line. You wind your way back and forth through the wilderness until (hopefully) you are rescued. Very cool.


THE HOBOKEN CHICKEN EMERGENCY
Designed by Rebekah Bagwell

hoboken chicken emergency designed by rebekah bagwellI’ve been a Daniel Pinkwater fan since I was 9, so I was thrilled to see this classic book turned into a game. Players race each other to Hokoben City Hall. Along the way, they must follow the directions on each space (if they land on a blank space, they just wait until their turn comes up again). The winner gets to take home a little Henrietta as a pet!

The details on this game are awesome. The players are characters from the book. Rebekah’s labeled the streets, the stores, and locations. There are nods to Bozo, potatoes, the Hoboken Inquirer, and Dr. Hsu Ting Feng. I tip my hat to you, Miss Bagwell.


Many thanks to Ailey, Greta, Quinn, Rebekah, and Terra for sharing their games, and to Kandice Tomanek for organizing the vote and sending the pictures (and just for being an awesome teacher)!

Let’s Do The Numbers

lets-do-the-numbersWelcome to the number mines of Digitopolis, the famous kingdom from The Phantom Tollbooth! This fall, we hosted a table at Princeton University’s annual Community & Staff Day event. Big crowds meant that we needed something simple, but we wanted to be creative too. Since we had successfully offered the number mines at a massive math event last spring (you can read about it here and here), we decided to bring them back for more numerical fun.

Alas, the original number mine (which was artfully constructed by the Arts Council of Princeton) wasn’t salvaged after the math event. This meant that Katie and I had to build our number mine from scratch. The first part of this post describes how we ran the event table. The second part describes how we build the mine.

At the event, kids would reach into the number mine and pull out a plain wooden number. I bought the numbers online from Woodcrafter, where they range in size, thickness, price, and font. I got the 4″ numbers that were 1/8th of an inch thick. Each number cost 56¢.

wooden-numbersWe found that 4″ was a great size for decorating, but if 56¢ per piece is outside your budget, you can go smaller. A 1″ number of the same thickness, for example, costs 23¢. Or, if you want to go even cheaper, skip the wood and print your numbers on white card stock. We loaded the numbers into the mine, and the kids “dug” them out with their hands.

reaching-in-1Once kids found a number they liked (7 and 8 were very popular), they went over to the number decorating area, which was stocked with metallic makers, glitter markers, small gemstones, and glue. We had a relevant quote from the book on display too. Kids really got into decorating. One little girl spent 25 minutes working on her number!

decorating-the-numbersNote! If you use squeeze glue (as opposed to hot glue) make sure to have paper towels or small paper plates handy so families can safely transport their numbers home. Hand wipes are also a good idea for sticky fingers and tabletops. Katie and I dressed for the occasion in miner’s helmets and safety vests.

dr-dana-and-katie-number-minesSo, that’s our event table…now for constructing the mine! You certainly don’t have to get as elaborate as we did. You can create a mine by covering a box with grey paper. Cut a hole in the box’s lid, throw some numbers in there, and have kids reach into the box! Or you could skip the mine altogether and just do the number decorating part of the project. But if you do want to build a mine, here’s how we did it.


STEP 1

Find a big, flat box that isn’t too deep. You don’t want kids to have to reach too far down for the numbers – especially the little ones. We used a 34″ x 54″ inch box lid, and then attached 6 photo storage boxes to the bottom using hot glue and packing tape. This resulted in a mine that was 5″ deep. Here’s a shot of the underside.

number-mine-step-1Since the box lid didn’t reach all the way to the bottom of the photo storage boxes, we closed the gap by attaching big strips of corrugated cardboard to 3 sides of the mine. We left it the mine open in the back so we could restock numbers during the event.


STEP 2

Cut holes in the top of the box. We found it helpful to draw the holes before we started cutting. That way, we could be sure we weren’t cutting into any of the support boxes and we knew that the numbers would fit through the holes.

number-mine-step-2


STEP 3

Create the rocky, craggy landscape of your mine. We bunched up big pieces of black bulletin board paper and attached them to the box with masking tape.

number-mine-step-3


STEP 4

Now for the really, really messy part. Papier-mâché. We don’t have a sink in our work space, and the nearest bathroom is far, far away. So we wanted to create the smallest mess possible. In other words, we didn’t want to cook, mix, or blend any sort of papier-mâché paste (or dilute any glue). After a little research, we settled on liquid starch.

Below are our tools – 2 enormous jugs of liquid starch, 2 plastic roller trays, and 4 paint brushes (the bristle brushes worked better than the foam ones). Oh, and we also put a plastic tarp under the mine so we wouldn’t ruin the table.

number-mine-toolsSince we had a lot of area to cover, we used big, 6″ x 16.5″ pieces of newspaper. Occasionally, we use a smaller strip for edges or crevices, but mostly we stuck with the big ones.

number-mine-step-4_1The liquid starch held up well! It did coat our hands with sticky residue that required multiple rounds of soap and scrubbing to remove, but it wasn’t too bad. Honestly, the worst thing about the liquid starch was the fact that it was scented. “Mountain Fresh” scent to be exact. Hoo boy. You could smell the mountains the minute you took the cap off. After a couple minutes, the fragrance was looming in the room like a big, ominous fog. Katie put together a little graphic to convey the overpowering Mountain Freshness.

mountain-fresh-freakoutWe left the first layer to dry overnight. For the second layer, we got a little experimental. While researching liquid starch, we learned that some people absolutely rave about using white paper towels and computer printer paper for papier-mâché projects, especially if the projects are going to be painted later. So we decided to give it a try. We papier-mâchéd the bottom of the mine with paper towels, and the top portion with computer printer paper.

number-mine-step-4_2Wow, did the paper towels suck up the liquid starch! The printer paper needed much less. But the printer paper was so stiff, it created unwanted gaps like this one:

stiff-gap-problemThe solution was to drape a liquid starch-soaked paper towel over it. Below is that same gap with the paper towel over it. As you can see, the soft paper towel completely obscures the gap. I didn’t officially test this, but I believe newspaper would obscure gaps as well, perhaps even better than the paper towels.

stiff-gap-problem-solvedI was a little worried the paper towels were too transparent. But overnight, they magically dried to solid white.

number-mine-step-4_3In the above photo, you can see there were still wet patches in crevices where the liquid starch had pooled. Katie hit those with a hair dryer, no problem. And we should add that, even now, things were still smelling quite Mountain Fresh.


STEP 5

Time to paint! We used this awesome textured-stone effects spray paint by Valspar. It’s fun, but pricey ($10 a can at Lowe’s). Our mine required 3 cans.

stone-spray-paintA cheaper option would be to use gray paint to cover the mine, then dab on darker gray  with a piece of sponge. This will get you a textured surface, without the hefty spray paint price. Once the spray paint had dried (which, we might add, finally dissipated the Mountain Fresh fragrance), we decorated some numbers and attached them to the mines with hot glue. We hot glued some large plastic gems on as well – purchased from the wedding favor aisle at Michaels Craft Store.

number-mine-step-5And this, dear readers, is when we discovered the fatal flaws in regards to paper towels:

  1. When dry and spray painted, paper towels become incredibly brittle. I poked a hole right thorough one section while merely tapping on it (we eventually covered the hole with the number 8).
  2. The texture of the paper towel absolutely comes through in the end. So if your paper towels have little hearts embossed on them, you’re going to see little hearts under the paint.
  3. The edges of the paper towels are clearly defined. Unlike the newspaper and the printer paper, you can definitely see the edges of the paper towel under the paint. So our rocky surface looked like, well, draped paper towels. You could even see the dotted perforations that separate the paper towels.

paper-towels-not-goodThe printer paper, on the other hand, was much sturdier and the edges were hidden under the paint. The lesson? DON’T use paper towels for papier-mâché projects. Use newspaper and printer paper instead. In fact, I highly recommend printer paper for the second layer of painted papier-mâché projects. Very sturdy, holds paint very well.

However, paper towels are what we used and their brittle weakness made me and Katie very, very nervous. We were positive that kids were going to put their hands right through the mine as they leaned in to select numbers.

reaching-in-2Anticipating trouble, we brought duct tape and a couple of step stools to the event. The stools elevated the kids right up to table level, allowing them to keep their weight mostly on the stools and not on their hands. So the paper towels held, but there were a couple time you could see them bending. Katie and I would brace ourselves for a tearing, crunching, breaking sound. Thankfully, it never happened. Whew!

The BiblioFiles Presents: Norton Juster

Norton Juster photo courtesy of Random House

Author photo courtesy of Random House

Just posted! It’s our first BiblioFiles webcast in front of a live audience, and our guest is Norton Juster, author of the legendary book, The Phantom Tollbooth.

Milo is a boy who doesn’t know what to do with himself, isn’t interested in much, and doesn’t see the point in anything. But when a mysterious package containing a toy tollbooth arrives in his room, everything changes.

Past the tollbooth are the Lands Beyond, which house places like Dictionopolis, the Valley of Sound, the Doldrums, Digitopolis, and the Mountains of Ignorance. Milo is soon joined by a pair of unusual travel companions, Tock and Humbug, as he attempts to bring Princesses Rhyme and Reason back to settle the warring kingdoms of Words and Numbers.

First published in 1961, The Phantom Tollbooth is wacky, smart, odd, fun, strange, and completely captivating. It is often compared to Alice’s Adventures in Wonderland in terms of its intelligence, word play, and impact on children’s literature. Now, in over 50 years of publication, The Phantom Tollbooth, with its iconic illustrations by Jules Feiffer, has been analyzed in scholarly papers, quoted in dissertations, included in graduate classes, documented on film, read aloud in elementary school classrooms, passed along through generations of families, and newly discovered by young readers. It is, and will always be, a seminal book in the history of children’s literature.

In addition to The Phantom Tollbooth, Norton Juster has written The Dot and the Line: A Romance in Lower Mathematics, Alberic The Wise and Other Journeys, As: A Surfeit of Similies, The Hello, Goodbye Window, Sourpuss and Sweetie Pie, The Odious Ogre, and Neville. In 2011, The Annotated Phantom Tollbooth, with introduction and notes by scholar Leonard Marcus, was released.

Follow this link to the BiblioFiles interview