Community & Literacy

Princeton University students are truly amazing, but every so often, you meet one whose intellectualism, compassion, and service to their community reaches a new stratosphere. Today, it is my great pleasure to introduce Eojin Park, class of 2028. As you will soon read, Eojin has a number of incredible initiatives, projects, and awards. But what stands out to me the most, admirably so, is her love of community and the incredible connections she forms with her young readers.

Hi Eojin! Please tell us a little bit about yourself!

I’m a rising junior at Princeton University from Seoul, South Korea, studying International Relations with minors in Spanish, Portuguese, and Creative Writing. Language has always been at the center of everything I do, not just as a communication tool, but as a way of understanding how people make meaning as well as build identity. That curiosity about the intersection of literature, politics, and human experience shapes most of my work.

On the policy side, I was the youngest winner of the NATO Youth Summit Challenge and currently serve as a 2026 Max Thabiso Edkins Ambassador appointed by the World Bank. This summer, I’m working with UNESCO’s South Asia Bureau supporting regional media and information literacy initiatives. But beyond formal policy spaces, I’m also the founder of CRISIS!, a strategy-based educational platform where students simulate geopolitical decision-making and explore how narrative and language shape international conflict. A lot of that work has focused specifically on expanding access to political education for multilingual and immigrant communities — because I believe that who gets to participate in these conversations matters as much as what’s being said in them.

Please tell us about your literacy work in South Korea!

Growing up in Seoul, I was shaped by a community that invested deeply in my education, and I felt early on a responsibility to give something back. That impulse became Letters For Us, an English learning program I founded in partnership with the regional education ministry. What started as tutoring sessions grew into something more lasting — we eventually established a small library with over 300 books, and the program was later recognized by the Prudential Spirit of Community Awards. But the recognition that meant most to me was simpler: watching students articulate their ambitions out loud, often for the first time, in a language that had previously felt closed off to them.

That same commitment carried into my work with VoiceUs, a club I co-founded in association with South Korea’s Ministry of Unification to support North Korean refugee communities. Over three years, we raised over $10,000 — much of which went toward scholarship funds and literacy resources for second-generation refugee children. I also had the privilege of presenting our research and teaching experiences directly to the Ministry of Unification, which grounded our advocacy in something tangible. We even collaborated on a cookbook of North Korean recipes — because food, like language, carries memory and identity in ways that policy documents rarely can.

Alongside this, I taught English at local kindergartens and, during COVID-19, directed orchestra performances broadcast to a Sakhalin nursing home, where elderly Korean diaspora residents were largely isolated. Across all of it, the thread has been consistent: using whatever skills I have — language, music, storytelling — in service of communities that gave me so much.

What has been the most unexpected part of this initiative?

Honestly, the children themselves. I went in thinking my role was to give something — structure, vocabulary, access. What I didn’t anticipate was how much I would receive in return. The creativity and originality that these kids brought to every session consistently surprised me. They weren’t passive recipients of a curriculum; they were reinterpreting everything we gave them through their own experiences, languages, and imaginations. It reminded me that literacy isn’t about filling an empty vessel — it’s about giving people the tools to articulate what’s already inside them. That realization has shaped how I think about education ever since.

Would you be willing to share a story or experience with this project that you found touching, and tell us why?

There was a child in one of my sessions who was very quiet and also struggled significantly with reading aloud. For weeks, she would follow along silently while others participated. Then one day, unprompted, she read an entire passage on her own. Afterward she looked up and said, matter-of-factly, “I practiced at home.”

That moment stayed with me because I was confronted with the gap between her determination and the opportunities she had access to. She had done something genuinely hard, largely alone, with very few of the resources I had taken for granted growing up. Her effort humbled me. It also clarified something about why this work matters: not because we can solve systemic inequality one reading session at a time, but because every child who feels seen and capable in a learning environment is being told that the world has room for them. That message, repeated enough, changes things.

We’ve talked about your work with children and literacy, but would you also be willing to name a book from your own childhood that was formative?

There are too many to count honestly, but if I had to choose: The Giver by Lois Lowry. I read it young enough that I didn’t yet have the vocabulary for what it was doing, but I felt it — the horror of a world where memory, color, and difference had been erased in the name of safety and order. It was my first encounter with the idea that language and story are not decorative, but essential — that when you strip them away, you strip away something irreplaceable about what it means to be human. That felt urgent to me then, and it still does.

Tiny Library Challenge: The Final Chapter

Everyone loves a good trilogy. Except in this case. Because this is the final chapter in the trifeca of insanity otherwise known as miniature library kits (see parts I and II). But today it ends. Today, Katie is bringing it home with the Rolife 3D Creative Bookend: Sunshine Town. Our FINAL mini library kit (and possibly our favorite, honestly). Take it away, Katie!


To its credit, the Rolife 3D Creative Bookend: Sunshine Town (TGB02) looked seriously adorable online and, at quick glance, did not appear to be as complicated as Sam’s Study. Added bonus: it has TWO CATS that inhabit the cozy street scene!

Sunshine Town retails for around $45 on Amazon, though I’ve seen it on Etsy and Ebay for less. Like the other two Rolife kits we’ve tested, the suggested age range is 14+, which I completely agree with. Younger children will definitely need assistance manipulating the smaller bits and pieces, as well as tackling the lighting and battery box.

The instruction manual was similar to previous kits. One difference was the use of illustrations to indicate the specific actions I needed to take, such as what to glue together and where to paint. Speaking of paint, almost every step included painting one or more of the pieces white, which I skipped entirely after finishing the sign that greets you at the front of the display. I don’t think there’s much of a difference in appearance and, to be honest, it looks just fine unpainted.

There is a combination of wood and paper pieces to build together, and the provided glue stick has a small tip and works well. There were a few instances I did have to pause and allow extra time for parts to fully dry before moving on, but that was rare.

I was dreading the lighting display, but it was relatively straightforward and, dare I say it, remarkably easy to put together. Since this was not my first mini build rodeo, I knew exactly what to do when the instructions said to heat the “heat-shrink tube.” A lighter from home worked beautifully to melt and bend the little shaded light that illuminates the stairs in front of the coffee shop (a task I finished outside of the library walls, to ease the fears of any of my colleagues who may be reading!). All of the wires neatly tuck into a panel at the rear of the box.

The hardest task was to close the bookend with the final side wall. Making sure all of the connection tabs and the street parts were in the proper place to finish the build was a bit of a struggle.

My only other complaint is with the bookend being so deep and narrow, there are a few areas that are hard to see, even with the mirror to help reflect the back of the scene. The curved bay window in front of Carefree Books has a cute display inside that is difficult to enjoy, and you really have to search for the red mailbox on the building wall in the back (which looks similar to the mailbox we used at our Tintin movie event).

The touch pad to turn the lights on and off is really clever, and the two interior street lights along with the overhead pendant envelop the scene with an inviting warm glow.

As anticipated, Sunshine Town looks positively charming tucked on a shelf between copies of your favorite books. It’s my personal favorite of the three Rolife miniature kits we’ve tested. Because… cats! I give it a 4.5 out of 5 stars.


And thus ends our miniature library kit tests. They were tedious, delicate, maddening, and took waaaay to much time. But there are much worse games to play.

Tigers on Tiptoe

Can you tiptoe your tiger through the forest without making a sound?

We recommend reading The Tiptoeing Tiger by Philippa Leathers (Candlewick Press, 2018, read here by DaddyRead2Me). When Tiger prowls the forest, the other animals NOTICE and move away. But not Little Tiger. No one is afraid of him in the slightest! So he contrives to sneakily tiptoe around the forest until he thoroughly terrifies someone. It doesn’t work with Boar, Elephant, or the monkeys…but Little Tiger might have met his match at the pond!

You’ll need:

  • 1 small oatmeal container
  • Construction paper and/or poster board
  • 2 brass fasteners
  • 2 craft sticks, approximately 3″ long
  • Scissors, tape, and box cutter for construction
  • Markers for decorating

Begin by decorating a small oatmeal container like a tiger. For added texture, we used a pair of wiggle eyes, a bit of self-adhesive foam for the nose, and twisteez wire whiskers, but you can also just use markers to add these features. The dynamic part of the project comes when you add the moveable back legs!

Use a box cutter to make small slices in the oatmeal container, then attach the tiger’s back legs to the body using brass fasteners. Next, attach two, 3″ long craft sticks to the legs, leaving plenty of room for you to grasp the sticks. To operate, move the sticks up and down while gently sliding the oatmeal container forward, and you have yourself a splendid tiptoeing tiger!