Marissa Creates

My admiration for Marissa the Dyslexic Librarian is endless. Also apparently endless? Her creative energy! Recently, I learned that while finishing library school AND working full time, she crafted a children’s literary exhibit just for, you know, fun!

Intrigued, I grabbed my camera and headed to The Gallery at Chapin School, a private elementary and middle school in Princeton. The school regularly welcomes community artists to exhibit and teach students about their artwork. In her exhibit statement, Marissa’s described her inspirations for the exhibit, beginning with brainstorming and crafting story time projects at our library:

Part of my job at the Cotsen Children’s Library was to help develop story time projects. Once I started thinking about art and books in 3 dimensional ways, I couldn’t stop. I progressed from construction paper and card stock to eventually cardboard and paint as my projects became increasingly larger. I began to think about how I could turn the world into cardboard. I think there is something so charming and captivating about normal everyday objects being turned into art using unexpected materials.

Animal Talk: Mexican Folk Art Animal Sounds in English and Spanish, by Cynthia Weill, featuring wood scupltures from Oaxaca by Rubí Fuentes and Efraín Broa (Cinco Puntos Press, 2017).

These beautiful stick puppets are just toilet paper tubes, dowels, construction paper, and pen. Look at the lips on the cow!

This is the one piece in the show that was not directly related to a book. However, I am officially awarding it the “Golden X-Acto” award for the incredible detail work around the legs.

Miffy Dances by Dick Bruna (Big Tent Entertainment, 2010).

You might not be able to tell, but behind Miffy is a rack of cardboard clothes. The clothes and the figurine have little velcro dots so you can change her outfits and hats!

When Dinosaurs Came with Everything, written by Elsie Broach, illustrated by David Small (Atheneum Books, 2007).

I will use this dinosaur sculpture technique for a story time project. It will be so.

Gerald and Piggy, as seen on their 10th Anniversary poster, from the Mo Willems series (Hyperion Books).

The photo doesn’t quite capture it, but this adorable portrait is almost 6 feet tall!

Goldfish Ghost, written by Lemony Snicket, and illustrated by Lisa Brown (Roaring Brook Press, 2017).

This is my favorite piece in the show. I want to hug the upside-down ghost fish.

Characters from the Hilda series by Luke Pearson (Flying Eye Books, 2015).

Again, the scale! That’s a bench at the bottom of the photo. Marissa went big with these beloved characters.

At first glance, these might look like simple framed illustrations. But they are actually shadow story panels Marissa created for a story time. While the book was being read, she would shine a light through the various scenes.

Extra Yarn, written by Mac Barnett, and illustrated by Jon Klassen (Balzer + Bray, 2012).

Above you can see the details of one of the shadow story panels.

Niños Mask, by Jeanette Winter (Dial, 2003).

Right. Now it’s GAME ON for all those summer reading bulletin board displays!


Melissa Warren’s work was exhibited at The Gallery at Chapin School Princeton. Many thanks to the school for allowing us to visit and photograph!

The Dyslexic Librarian

welcome to my world

You all know Marissa, right? My artistic assistant, friend, and go-to companion for donut binges. You might also recall that Marissa is currently in library school at Rutgers University. But what some people do not know about Marissa Warren is that she is severely Dyslexic. A Dyslexic librarian? Is that possible?

What I’ve learned is that when it comes to Marissa, ANYTHING is possible.

In 2016, Marissa did a fantastic presentation for local parents called “Marissa Can’t Read.” It detailed her journey through childhood (she couldn’t read until she was 11!), her progression to college (she majored in History and learned Greek!), and what she hopes to accomplish in the future (ultimately, being a Youth Services librarian!). After her talk, many parents, teens, and kids came forward to thank her for giving them hope and inspiration. She also received thank you cards, e-mails, and personal letters.

Yup. That’s our amazing Marissa.

I caught up with Marissa recently to get her insights on literacy, libraries, and being a Dyslexic in the kingdom of words.


Describe your relationship with books when you were growing up.

As strange as it may seem, I loved books from a very young age. I had my own mini library in my house growing up and I would take books off the shelves and make up my own stories. Looking at letters on a page was like looking at abstract art. I wanted so badly to be able to read them. It wasn’t until I was 11 that letters started to come together to form words that my brain could recognize. I was still a slow reader but as I read more I struggled less and my reading became more fluid. Once I was able to, I read everything.

When were you first diagnosed with Dyslexia?

I was diagnosed with Dyslexia in first grade. At the time I was in a private school but due to the lack of support and understanding I was asked to leave. After I attend a school that was geared for students with Dyslexia. In my freshman year of college I was formally diagnosed with ADHD and Dyscalculia which is the math equivalent of Dyslexia. Being diagnosed with ADHD and Dyscalculia later on in my schooling was like a weight was lifted off my shoulders. There was a reason why I struggled to read but until then there hadn’t been a reason for my struggle with numbers. Being diagnosed was a validating moment.

Why did you decide to become a Youth Services librarian?

As a I got older it became clear pretty quickly that many individuals with Dyslexia didn’t like to read. Books, reading, libraries, and asking for help can be very intimidating. Even as an undergrad I was still uncomfortable asking for help in a library. There’s this fear of: What if the librarian judges me for asking for help or what if I have to tell them my secret? For a long time asking for help came with feelings of shame, which is why I avoided libraries for so long. Becoming a Youth Services librarian allows me to advocate for individuals with varying learning differences.

I’ve had several parents embarrassed that their child is struggling with reading or kids embarrassed about asking for help. The first thing I tell them every time is that I’m Dyslexic, I understand. More often than not either the child or parent lights up and says, “me too!” They go from blushing and whispering to relaxed and almost excited. Being able to connect with kids and adults who are struggling to feel like they are welcome in a place filled with words they might not be able to read is so rewarding. I decided to become a Youth Services librarian to not only shake up the idea that someone with Dyslexia could never succeed in a world of books but to also bring awareness and change to how people struggling with Dyslexia can be better integrated into the library community.

What are some helpful tools/resources or techniques you’ve utilized while working on your library degree?

My study habits change every semester depending on the courses I’m taking. What works one semester may not work another. I am constantly trying new study routines or study spaces. A few helpful hints:

  • Planning: I plan out my whole semester before it starts. I color code each course and write down due dates on a calendar I keep above my dresser, in my day timer, and in Google calendar. It might seem like overkill but I’m bound to look at one of them during the day. Additionally, I make weekly To Do lists broken down by class. Marking off each completed assignment is rewarding.
  • Time Management: This seems like an obvious one but because my brain works differently I know I need to build in extra time, especially in the beginning of the semester while I’m getting acquainted with my classes and professors.
  • Communication: I receive special accommodations through my university. I email each professor at the beginning of the semester to let them know I’m Dyslexic, what accommodations I’ve been granted, and invite them to ask questions. Throughout the semester I email my professors weekly to ask questions about assignments, concerns, confessions, etc. I’ve learned it’s better to send 20 emails until I understand an assignment than it is to quietly struggle.
  • Snacks: Food is crucial! My brain is working hard so I need to make sure I’m eating enough to keep going. It’s like trying to drive a car without fuel. You can run on fumes for a while but eventually you’ll stall out.
  • Helpful Tools: For reading I use a combination of different tools. I have to mix it up since reading is so mentally exhausting. I use a Kindle which has the OpenDyslexi font, Kurzweil 3000, books, printouts so I can highlight, Audible, and bookshare. Also, highlighters. Pink is for the big idea, orange is for key topics, and yellow for the important details.

Can you share your perspectives on what it means to be a librarian with Dyslexia?

It’s awesome being a Dyslexic librarian. When I tell people that I have Dyslexia they’re always shocked that I decided to take this route. Even though I’m an adult working in a library I still struggle. When I’m tired or hungry I tend to have more issues with reading and make more mistakes. The letters move around a lot more than they usually do. I’ve learned the best way to handle my mistakes is to laugh at them. Honestly, some of the mistakes I make are pretty funny.

Being in this position gives me the chance to bring awareness of the many differences that people have which may not always be visible. I’ve had parents tell me how encouraging it was for them to see and talk to someone who struggles with reading like they do. Working in a position where there are few individuals with Dyslexia, I feel so lucky that I have made it this far because it wasn’t an easy journey.

What would you recommend for dyslexic readers (both children and adults!) who are hesitant to come to your library, or feel it isn’t a place for them?

Something that I work hard at and I think every library should strive for to be judgment free.
It’s my job as a librarian to create a space in which patrons feel safe and comfortable asking for help.

First, I would tell them that I am also Dyslexic. Second, I would explain that I want them to feel comfortable coming to the library and I would be more than happy to help them if that’s what it takes. This would extend beyond Youth Services – from signing up for a library card to finding a book in the adult nonfiction section. I’m not restricted to staying in Youth Services. Third, the library is so much more than just books! We have daily programs, clubs, and events. There is something for everyone at the library and I want to help them find their place.

We usually hear about the negative aspects of reading and Dyslexia (Ex: Dyslexia means you can’t read, you can’t enjoy books). Do you have some positive associations with reading and dyslexia?

Being Dyslexic is like having a super power. We don’t see the world like everyone else. For me, when I read the words come alive. The story becomes a movie.

Additionally, I’ve spent so much time not being able to read signs, menus, instructions, etc. that I’ve had to learn to be resourceful. When you have Dyslexia you learn tricks that help you navigate through the world. They come in handy in ways I never thought they would. In college, I was fortunate to have the chance to study in New Zealand and Greece. I traveled quite a bit to other countries, some of which didn’t speak English. Not being able to read for so long I felt quite comfortable when I was traveling in these places. I was able to use the skills I had learned as a child to get by. This realization, in a strange way, was comforting.

Your Instagram has awesome little book projects and tributes. Can you talk a little bit about creativity and literacy?

There are endless creative ways to make connections for children. Using creativity extends beyond making literacy connections to science, math, geography, art, music, etc. One of the benefits to working in a library setting is that we don’t have the academic restraints that schools do. Libraries can be a place where kids come to explore, experiment, and discover connections and interests without pressure.

When I read picture books, fiction, or nonfiction certain aspects of the book jump out at me. It’s then that my brain starts to form a project, program, or game. I have a long list of books and projects ideas that I hope to use.

What are you up to now?

I’m getting close to finishing my masters! I have one semester left in the fall. This March I will be attending Bologna Children’s Book Fair in Bologna, Italy. I will be interviewing international book sellers for a course I’m taking on international children’s books. Additionally, I’ve been learning the ins and outs of the public library world by creating programs and learning to run story times at the Princeton Public Library. Of course, I will continue to be inspired by books and create projects from them.


I’d like to conclude this interview with what I’m calling the”Marissa Warren Hall of Fame.” These are some projects, sets, and programs that she put her marvelous talents into. The last one is a doozy!

1950s DINER

order-upStory time set for Hamburger Heaven (Houghton Mifflin, 1999).


SUBMARINE

see-worthy subSimple project for Rub-a-Dub Sub (Harcourt, 2003).


PIG MARCHING BAND

pigs on paradeBlog set piece created for Pig Parade (Simon & Schuster, 2010).


MULTI-LENS CAMERA

next-stop-cannes

Story time project for Young Charlotte, Filmmaker (Harry N. Abrams, 2015).


HAUNTED HOUSE

i-aint-afraid-of-no-ghostStory time set for I’m Not Afraid of this Haunted House (Carolrhoda Books, 2005).


VW BUS

night riderSimple project for Night Light (Orchard Books, 2013)


BUTTERFLY GARDEN

butterflies in the parkStory time set for Butterfly Park (Running Press, 2015).


ANYTHING WITH A DINOSAUR ONESIE

a good knight's kissAs seen at The Kiss That Missed (Barron’s Educational Series, 2002) story time and The Library Dragon (Peachtree, 1994) story time. And, uh, sometimes we just wore these around the office.


VICTORIAN TEA

tea table 3Contributions included historical research and program design. Plus, rocking that hat.


AND FINALLY…

Marissa mentioned that she has Dyscalculia, the math equivalent of Dyslexia. I have it too. In spades. Well, as fortune would have it, Norton Juster was coming to campus for my live webcast, and Marissa and I decided it would be awesome to create large-scale event about the mathematical kingdom in The Phantom Tollbooth.

It was hard. We almost quit at least 5 times. But we stuck in there and had a sense of humor about it. There were times when we would end up laughing hysterically because we couldn’t figure out a simple concept from a children’s math book. But in the end, success! We delivered a unique event for both the math-phobic and the math-phillic. So the final Marissa Warren Hall of Fame entry goes to…

A DAY IN DIGITOPOLIS!

front of shirtsCo-partnered with Bedtime Math, the event involved 4 local businesses, 5 non-profit organizations and community groups, 2 University departments/organizations, 6 University student groups, 6 individual University students, and the combined forces of dozens of University student volunteers. The event was so huge, I had to break it down into 2 blog posts. Here’s Part I, and here’s Part II.

mathamagician 2no right turn maze at eventabacus races 2Radiance by Matt Elsonmusical fractionsglow-in-the-dark geometrydigitopolis welcome desk3D model 1


Marissa, is it an honor to know you, and one of the greatest privileges of my career to have worked with you. You’ve shown me how to stand up, and push through, with humor and grace. Go and illuminate the library world girl. You’re a marvel.

Thrift Store Costume Challenge

thrift-store-costume-challengeThe challenge? To costume as many literary characters as you can in 180 minutes. The catch? You can only use what you find on the racks of Nearly New consignment and thrift shop in Princeton.

nearly-new-clothing-rackFor those of you unfamiliar with Nearly New, it’s an independently-owned consignment and thrift store with tons of fantastic stuff. Toni Maher, the owner, is always helpful when I drop by looking for costume items for work (or, heh heh, just shopping).

nearly-newToni’s also extremely accommodating when it comes to more unusual requests, such as  borrowing a mannequin for this Cinderella dress design event, or hunting for teacups and saucers for this Victorian Tea program. She didn’t even bat an eye when I asked her if she’d be up for hosting the costume challenge.

The other major player was Princeton University sophomore James Jared. Last year, James designed and sewed the Mathamagician’s costume for our Day in Digitopolis program (you can see it in this post). He also works in the costume shop at the Lewis Center for the Arts. James is incredibly talented, and was totally game for the challenge. There’s an interview with him at the end of the post!

The big day dawned and Marissa and I headed to Nearly New with photo equipment and a long list of possible characters (we went with female characters because, as James so astutely pointed out, the women’s sections of thrift stores are much bigger than the men’s sections). James and 4 Princeton University students who agreed to model met us at Nearly New. Then it was full steam ahead. In 180 minutes, James costumed 9 characters. Are you ready to see his results?


#1 NANCY DREW

nancy-drew-costume


#2 VERUCA SALT

veruca-salt-costume


#3 THE GRAND HIGH WITCH

the-grand-high-witch-costume


#4 MS. FRIZZLE

the-frizz


#5 PROFESSOR TRELAWNEY

professor-trelawney-costume


#6 MRS. COULTER

mrs-coulter-costume


#7 DOLORES UMBRIDGE

dolores-umbridge-costume


#8 MISS TRUNCHBULL

miss-trunchbull


#9 THE WHITE WITCH

the-white-witch


James’ costumes look fantastic, but they’re even more fun when you learn some of the behind-the-scenes facts. Nancy Drew, for example, is wearing a belt in her hair because we couldn’t find a headband. Miss Trunchbull is wearing men’s shoes, men’s socks, and little kid’s jacket to make her look bigger and bulkier. Dolores Umbridge’s sweater was overwhelming her dress, but James expertly pinned it to a better length. Professor Trelwaney is holding a fishbowl. And the White Witch’s crystal daggers? Those are salad forks that she’s holding handle-side-out.

The other thing I didn’t really appreciate until we got there was the volume of items and how fast James had to sift through them. To find the perfect belt, James had to dig through dozens and dozens of belts while simultaneously looking for earrings, dresses, and boots. He did this while expertly delegating the models to bring him possible shirts, skirts, sweaters, and hats. Also, James could find an awesome dress, but if it didn’t fit the model, or match the personality of the character, it was out. Finally, I learned that it’s not easy to make pieces from different decades work together without just the right vision.


JAMES JARED

james-jaredWhat’s your costuming background?

I’ve always loved making Halloween costumes, but I officially taught myself how to sew in high school when I started to cosplay (make costumes based on characters from movies, tv shows, books, etc).

What was the costume challenge like for you?

I was very nervous going into the challenge because I’ve never done anything of the like before, and I was worried that the time constraint would prove difficult to work under. In the end, though, I had a fantastic time and I’m very proud of the costumes that we were all able to make together.

Did you have an overwhelming favorite?
I think my favorite costume had to be Trelawney from Harry Potter. There were so many scarves and shirts that fit the character in the thrift store that her outfit almost seemed to show up without having to look for it. It almost became less of a question of which scarf would be best and more how many scarves we could get away with throwing on her.

Which was the toughest character to costume?
The hardest character to costume was the White Witch from The Chronicles of Narnia. Her character description includes a crown, which the shop didn’t have, so it took a while for us to come up with a way to mimic the crown. Eventually we found a circlet that suggested royalty, as well as some spiky earrings that were reminiscent of icicles to use as a necklace.

If you had more time, which character were you hoping to do?
I would have loved to costume someone as Kate Wetherall, as the Mysterious Benedict Society was one of my favorite books growing up. Unfortunately, her costume is fairly specific and there isn’t much room for leeway.

What’s your major at Princeton University?
I’m just starting out in the Electrical Engineering department.

Do you see any connections between your major and costuming?
Interestingly, I once told an employee in a fabric store I frequent at home about my major, and she said that she often thought of sewing as a type of engineering. Though I’d never have put the two together on my own, as soon as she said that I knew she was right, and I think it applies to costuming as well.

In both costuming and engineering you have to pull materials together using techniques you’ve learned to create a final product that’s more than the sum of its parts. I think I enjoy sewing and costuming so much for the same reason I like engineering, which is that it’s a great feeling to have created something new out of basic materials. And that’s something I think anyone can do.


A big, enthusiastic “Huzzah!” to James Jared, costumer extraordinaire, who aced the costume challenge with style and flair. Warm waves of gratitude to the Nearly New for letting us overrun your store and create chaos in your racks.

And finally, many thanks to models Amanda Blanco, Ailyn Brizo, Joani Etskovitz, Grace Turner, and Marissa Warren. It wasn’t easy to keep a straight face through it all, much less glower, growl, look haughty, or stare intensely into the camera wearing shoes that were at least one size too small for you.

outtake