Tag Archives: creative

The BiblioFiles Presents: Victoria Ying

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Just posted! A BiblioFiles interview with graphic novelist Victoria Ying, creator of City of Secrets and its sequel, City of Illusion.

In City of Secrets we meet two children, Ever Barnes and Hannah Morgan. Ever is an orphan, hiding in a massive, intricate jigsaw puzzle of a complex known as the Switchboard Operating Facility. He is befriended by Hannah, the daughter of the wealthy businessman who owns the facility. Soon, the two children discover the facility houses a secret that people are willing to kill for. With war escalating between the cities of Oskars and Edmonda, the race to uncover the secret becomes all the more urgent. And dangerous.

In City of Illusion, Ever and Hannah travel to a third city, Alexios, which specializes in illusions and magic. Unfortunately, villains are still on their trail, attempting to unlock the mystery that ties all three cities together. The stakes are huge, and the winner can gain enough power to conquer and control everything and everyone.

Ying’s graphic novels are incredibly stylish, with sweeping action and interesting visuals. Part espionage and part science fiction, her characters enliven the page, creating an experience that feels like you are turning the pages on a fast-paced film. Imaginative and intriguing, they absolutely deliver on adventure and heart.

In addition to her two full-length graphic novels, Ying has produced short stories, illustrated numerous picture books, and has been a developmental artist for Disney Studios and Sony, working on major films such as Frozen, Tangled, Big Hero 6, Moana, and Wreck-It Ralph.

Follow this link to the BiblioFiles interview

Image courtesy of Victoria Ying

Tigers on Tiptoe

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Can you tiptoe your tiger through the forest without making a sound?

We recommend reading The Tiptoeing Tiger by Philippa Leathers (Candlewick Press, 2018, read here by DaddyRead2Me). When Tiger prowls the forest, the other animals NOTICE and move away. But not Little Tiger. No one is afraid of him in the slightest! So he contrives to sneakily tiptoe around the forest until he thoroughly terrifies someone. It doesn’t work with Boar, Elephant, or the monkeys…but Little Tiger might have met his match at the pond!

You’ll need:

  • 1 small oatmeal container
  • Construction paper and/or poster board
  • 2 brass fasteners
  • 2 craft sticks, approximately 3″ long
  • Scissors, tape, and box cutter for construction
  • Markers for decorating

Begin by decorating a small oatmeal container like a tiger. For added texture, we used a pair of wiggle eyes, a bit of self-adhesive foam for the nose, and twisteez wire whiskers, but you can also just use markers to add these features. The dynamic part of the project comes when you add the moveable back legs!

Use a box cutter to make small slices in the oatmeal container, then attach the tiger’s back legs to the body using brass fasteners. Next, attach two, 3″ long craft sticks to the legs, leaving plenty of room for you to grasp the sticks. To operate, move the sticks up and down while gently sliding the oatmeal container forward, and you have yourself a splendid tiptoeing tiger!

 

Studio Snapshots: Steve Light

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In a very small studio in NYC, a magician creates vast worlds. Welcome to the studio of Steve Light, award-winning author and illustrator of numerous books, including Have You Seen My Dragon, SWAP!, Up Cat Down Cat, and blog favorite Zephyr Takes Flight (see the awesome project we did for it here!). Steve’s newest book is Road Trip: A Whiskers Hollow Adventure, but he’s hard at work on The Itsy Bitsy Spider, which is set to be released by Candlewick Press. Steve is often joined by studio assistant Madie the Cat.

So, I live in Manhattan where space is limited. I live in a studio apartment with my wife and cat. My studio is in an alcove off the living room, my workshop with my tools is in a walk-in closet off the alcove. To get to my studio you walk “through” our bookcase! It’s like entering the world of books.

My studio has to be very well organized to be functional. As my friend Barbara McClintock said, “It is like a pilot’s cockpit, everything is within reach at any time!” It is small but very efficient. I have created 20 books in this space.

I have all my pens, inks, and materials in the assorted cabinets. My whole desk is a light table, this allows me to see my pencil drawings under my paper when inking the final illustrations. I also have an iPod to listen to music, not my phone so I’m not tempted to look at emails or other stuff. I usually wake up at 4am and make coffee and sit right down to work. Since my workspace is steps from my bed, I can keep that half awake relaxed mindset and set right to work. It is very peaceful.

In the closet off the studio, I have all my tools. I love to make things out of wood and that’s what this space is for. I have a scroll saw, drill press, sander and many hand tools. I make sculptures, models, toys, and puppets!

I love living in New York City and love creating in my little space. I spend a lot of time sketching in museums and coffee shops. The city is endlessly inspirational to me.

Images courtesy of Steve Light