The challenge? To costume as many literary characters as you can in 180 minutes. The catch? You can only use what you find on the racks of Nearly New consignment and thrift shop in Princeton.
For those of you unfamiliar with Nearly New, it’s an independently-owned consignment and thrift store with tons of fantastic stuff. Toni Maher, the owner, is always helpful when I drop by looking for costume items for work (or, heh heh, just shopping).
Toni’s also extremely accommodating when it comes to more unusual requests, such as borrowing a mannequin for this Cinderella dress design event, or hunting for teacups and saucers for this Victorian Tea program. She didn’t even bat an eye when I asked her if she’d be up for hosting the costume challenge.
The other major player was Princeton University sophomore James Jared. Last year, James designed and sewed the Mathamagician’s costume for our Day in Digitopolis program (you can see it in this post). He also works in the costume shop at the Lewis Center for the Arts. James is incredibly talented, and was totally game for the challenge. There’s an interview with him at the end of the post!
The big day dawned and Marissa and I headed to Nearly New with photo equipment and a long list of possible characters (we went with female characters because, as James so astutely pointed out, the women’s sections of thrift stores are much bigger than the men’s sections). James and 4 Princeton University students who agreed to model met us at Nearly New. Then it was full steam ahead. In 180 minutes, James costumed 9 characters. Are you ready to see his results?
#1 NANCY DREW
#2 VERUCA SALT
#3 THE GRAND HIGH WITCH
#4 MS. FRIZZLE
#5 PROFESSOR TRELAWNEY
#6 MRS. COULTER
#7 DOLORES UMBRIDGE
#8 MISS TRUNCHBULL
#9 THE WHITE WITCH
James’ costumes look fantastic, but they’re even more fun when you learn some of the behind-the-scenes facts. Nancy Drew, for example, is wearing a belt in her hair because we couldn’t find a headband. Miss Trunchbull is wearing men’s shoes, men’s socks, and little kid’s jacket to make her look bigger and bulkier. Dolores Umbridge’s sweater was overwhelming her dress, but James expertly pinned it to a better length. Professor Trelwaney is holding a fishbowl. And the White Witch’s crystal daggers? Those are salad forks that she’s holding handle-side-out.
The other thing I didn’t really appreciate until we got there was the volume of items and how fast James had to sift through them. To find the perfect belt, James had to dig through dozens and dozens of belts while simultaneously looking for earrings, dresses, and boots. He did this while expertly delegating the models to bring him possible shirts, skirts, sweaters, and hats. Also, James could find an awesome dress, but if it didn’t fit the model, or match the personality of the character, it was out. Finally, I learned that it’s not easy to make pieces from different decades work together without just the right vision.
JAMES JARED
What’s your costuming background?
I’ve always loved making Halloween costumes, but I officially taught myself how to sew in high school when I started to cosplay (make costumes based on characters from movies, tv shows, books, etc).
What was the costume challenge like for you?
I was very nervous going into the challenge because I’ve never done anything of the like before, and I was worried that the time constraint would prove difficult to work under. In the end, though, I had a fantastic time and I’m very proud of the costumes that we were all able to make together.
Did you have an overwhelming favorite?
I think my favorite costume had to be Trelawney from Harry Potter. There were so many scarves and shirts that fit the character in the thrift store that her outfit almost seemed to show up without having to look for it. It almost became less of a question of which scarf would be best and more how many scarves we could get away with throwing on her.
Which was the toughest character to costume?
The hardest character to costume was the White Witch from The Chronicles of Narnia. Her character description includes a crown, which the shop didn’t have, so it took a while for us to come up with a way to mimic the crown. Eventually we found a circlet that suggested royalty, as well as some spiky earrings that were reminiscent of icicles to use as a necklace.
If you had more time, which character were you hoping to do?
I would have loved to costume someone as Kate Wetherall, as the Mysterious Benedict Society was one of my favorite books growing up. Unfortunately, her costume is fairly specific and there isn’t much room for leeway.
What’s your major at Princeton University?
I’m just starting out in the Electrical Engineering department.
Do you see any connections between your major and costuming?
Interestingly, I once told an employee in a fabric store I frequent at home about my major, and she said that she often thought of sewing as a type of engineering. Though I’d never have put the two together on my own, as soon as she said that I knew she was right, and I think it applies to costuming as well.
In both costuming and engineering you have to pull materials together using techniques you’ve learned to create a final product that’s more than the sum of its parts. I think I enjoy sewing and costuming so much for the same reason I like engineering, which is that it’s a great feeling to have created something new out of basic materials. And that’s something I think anyone can do.
A big, enthusiastic “Huzzah!” to James Jared, costumer extraordinaire, who aced the costume challenge with style and flair. Warm waves of gratitude to the Nearly New for letting us overrun your store and create chaos in your racks.
And finally, many thanks to models Amanda Blanco, Ailyn Brizo, Joani Etskovitz, Grace Turner, and Marissa Warren. It wasn’t easy to keep a straight face through it all, much less glower, growl, look haughty, or stare intensely into the camera wearing shoes that were at least one size too small for you.
Calling all consulting detectives…grab your sparkle stem magnifying glass and examine this most intriguing collection of 18th and 19th century puzzle cards. And, while the individual man is an insoluble puzzle, the answers to these cards are at the end of the post (and you can print a set of your own)!
And what of those curious cards? They are reproductions of 18th and 19th century rebus puzzle cards in our library’s special collections. A rebus (also called a hieroglyphic) puzzle is created using pictures in place of syllables or entire words. Sometimes, the placement of an object is important to the puzzle as well.
To play, select a challenge card (which are graded as beginner, intermediate, advanced, or expert). The face of the card tells you which books you can use, if they need to be placed horizontally or vertically, or if they can’t touch at all. Sometimes, the card will require the cat to be included on the shelf as well. The back side of the card has the solution. Here are a couple examples of card faces and solutions:
Once you’ve gathered all the relevant pieces, lay the bottom shelf on a level surface, then try configuring the books to the card’s specifications. Put the top shelf in place when you think you’re done, then place the balance level on top to see if your solution measures up. And remember – a minimum of 2 books much be touching the top shelf at any time.
