Forms & Functions: The Splendors of Global Bookmaking

Book enthusiasts near and far are cordially invited to a fantastic new exhibit!

Forms and Function: The Splendors of Global Book Making,” is currently in the Ellen and Leonard Milberg Gallery in Firestone Library on Princeton University campus. Curated by Martin Heijdra, Director of PUL’s East Asian Library, the exhibit showcases the diversity and beauty of global book making, focusing on three major traditions of the book form: codex, East Asian, and pothī.

Awash in rich jewel tones and featuring a range of striking visuals, the exhibition features treasures from some of Princeton’s lesser-known collections, as well as items from its renowned collections of Western, Islamic, East Asian, and Mesoamerican manuscripts and printed books. There are also works by modern artists completed in the style of these global traditions. For gallery hours and directions to campus, please click here. The exhibit runs through December 7, 2025.

Can’t make the trip? No worries! There is a video tour here, a digital version of the exhibit here, and a downloadable guide here.

In celebration of the exhibit’s amazing holdings, we selected some of our more unusual book-crafting projects for further fun. Simply click the titles over the images to visit the project pages!

BOOK BOUQUET

MINI TREE LIBRARY

big tree library, little tree library

CLASSIC HOWLER

a real howler

FUN FLIP BOOK 

one two books 3

WINGED CODEX

flying books

PIRANESI PICNIC

A VERY LITERARY CANARY

tweet-reading-is-sweet

THE PERFECT PLACEHOLDER

Miniature paper book with personal information about a person named Katie written in it.MINI PET PORTRAYALS

Pretty Poisonous Posies

It’s perhaps one of our most spectacular story times yet! Not only did kids get to craft the poison garden of their dreams, they got to visit a very mysterious garden in the library, and meet two very special guests!

We read Millie Fleur’s Poison Garden by Christy Mandlin (Orchard Books, 2024). When Millie Fleur La Fae and her mother move to Garden Glen, they quickly discover that the community appreciates sameness, right down to the prim matching hedges. It does not appreciate the unusual, odd, creepy, and (sometimes) poisonous plants in Millie’s garden. Ignoring the negativity, Millie invites her classmates to explore the wonderful weirdness of her garden. As more and more people show up for a tour, quirky new plants pop up around the neighborhood, making it a special place for all. Fun fact: the author was inspired to write the book after she learned of the famous Poison Garden in Alnwick Castle in England. Make sure to read all about it at the end of the book!

You’ll need:

  • 1 box (we used a 4″ x 4″ x 4″ craft box, but a small tissue box works too!)
  • 1 poison garden plant template, printed on 8.5″ x 11″ card stock
  • Drinking straws, pipe cleaners, and/or twisteez wire
  • Brown tissue paper (or paper towels)
  • Scissors and tape for construction
  • Markers for decorating

This is a very simple project with lots of room for creativity. Cut the top off of a small box, then color and cut the various plants from the template. Tape them to pipe cleaners, drinking straws, or Twisteez wire, then tuck everything inside the box. Add some brown tissue paper (or brown paper towels) as “soil” to anchor everything down. Done!

Kids were also free to improvise plants of their own! We offered toilet paper tubes, construction paper, muffin cups, fabric leaves, pom-poms, and packing peanuts as well. And lots and lots of eye stickers to ramp up the spooky factor and replicate the illustrations in the book.

We also had a special side projects for caregivers…we gave them envelope “seed packets” and a blank card, and they were free to write all the things that make their little one unique. Awwww!

Everyone was delighted with their little gardens, but we had a BIG surprise ready. An entire garden tour with Millie herself. Yes, that’s our summer intern Melanie Zhang in all her awesomeness!

We spent the week building a garden in an empty back office using leftover supplies from this Hobbit event, any and all foliage on our desks, twinkle lights, LED candles, and some weird cardboard monster blocks I picked up at a yard sale for $5.

This slideshow requires JavaScript.

I did say there were two special guests at the beginning of the post. Melanie was one guest, and her frog Harold was the second! In the book, Millie has a pet frog, so Melanie brought in her special buddy for kids to find in the garden. She knitted him that handsome scarf as well. Look closely and you can see him in various photos in the post!

We would like to thank Melanie (and Harold) for brainstorming, creating, crafting and guest starring at this story time. It was completely magical – and so are you Melanie!

Alston’s Awesome Alphabet

Alexander Hay. John Alston of Rosemount, 1778-1846. Hon. Treasurer of the Glasgow Blind Asylum. National Galleries of Scotland Collection. Photo, National Galleries of Scotland.

In today’s post, Katie delves into our special collections vaults and makes some very interesting connections! Let’s join her…


Sometimes doing research in the Cotsen collection feels a bit like the children’s book If You Give a Mouse a Cookie. I start looking for one title, which leads me to a different topic, and then I change directions entirely from what I was originally looking for. During a recent research excursion, I discovered Alston Type books, a new-to-me alphabet created in the 19th century to teach people who are blind or have low vision how to read.

A Selection of Fables with Wood Cuts, for the Use of the Blind by John Alston (1838). The Treasures of the Cotsen Children’s Library Collection, CTSN 40903 Eng 18, Department of Special Collections, Princeton University Library.

Everyone knows Louis Braille, who became blind as a young boy and invented his namesake alphabet in 1824 when he was a student at the National Institute for Blind Children in Paris. The braille alphabet consists of 64 characters, with each letter or number made up of raised dots in a certain pattern and embossed on paper. Today, braille is universally recognized as the common writing system for people who are blind or have low vision. Before braille was used worldwide, there were other tactile reading systems; some are discussed in a post written by Library Collections Specialist Charles Doran on Princeton University Library’s Special Collections blog.

Another such system was created in 1837 by John Alston, who worked with the Asylum for the Blind in Glasgow, Scotland. Alston designed a raised font using the Roman alphabet in two different sizes: the smaller font for school-aged children and a larger version for older adults with a diminished sense of touch. Most of the Alston Type books were religious, but other topics included geography, music, natural history, and popular fables.

A Selection of Fables with Wood Cuts, for the Use of the Blind by John Alston (1838). The Treasures of the Cotsen Children’s Library Collection, CTSN 40903 Eng 18, Department of Special Collections, Princeton University Library.

Alston’s desire was for every blind person in the United Kingdom to have an opportunity to read and learn from the Alston Type books. In a letter sent to directors of institutions throughout Great Britain, he stated: “The advantage to the Blind in having books printed for their use, in a distinct and tangible character is incalculable.”1 Alston was awarded a government grant to assist with printing and by 1844, more than 14,000 volumes were available for purchase. All of the sales proceeds were used to print more Alston Type books.

From A Selection of Fables with Wood Cuts, for the Use of the Blind by John Alston (1838). The Treasures of the Cotsen Children’s Library Collection, CTSN 40903 Eng 18, Department of Special Collections, Princeton University Library.

Glasgow 2 Dec 1841
Sir:
I have much pleasure in presenting you with this specimen of my improved method of writing for the blind, by which they can easily decipher, and are enabled to communicate with their friends.
I am yours respectfully,
John Alston

Children trained to read using Alston Type had a much easier time learning and reading other raised type books. Most importantly and due largely in part to Alston’s contributions, it was soon considered essential by all to provide formal education to people who are blind or have low vision.

Outlines of Natural History: Quadrupeds; Embossed for the Use of the Blind by John Alston (1842). The Treasures of the Cotsen Children’s Library Collection, CTSN 19486 Eng 19, Department of Special Collections, Princeton University Library.

In a modern approach to inclusive education, LEGO introduced braille bricks in 2020. Along with a raised dot pattern on each brick, LEGO included the printed letter or character so sighted people could participate equally with the child who is blind or has low vision. There are multiple languages of braille bricks available for purchase, including French, Spanish, German and Italian.

LEGO. Play with Braille – English Alphabet. Set No. 40656 (The LEGO Group, 2023).

But the best part is the braille LEGO can be incorporated into all LEGO sets for additional ways to learn through play! LEGO also designed an online toolkit, The Braille Program, which provides professionals, teachers and families with courses, lesson plans, tips and tricks, and a multitude of ways to encourage playful learning.

Looking for picture books on this topic to add to your school or personal library? These titles come with our highest recommendation!

Image courtesy of Amazon UK

The Black Book of Colors by Menena Cottin and Rosana Faría (Groundwood Books, 2008) is a groundbreaking picture book written for children who are blind as well as children who are sighted. The entirely black pages throughout the book provide text in braille and printed white font on left, while the right-side pages have tactile raised line drawings of what the text is describing. It’s a beautiful way to challenge readers who are sighted to share the experience of a person who can only see by touch, taste, smell and sound.

Image courtesy of Amazon

Six Dots: A Story of Young Louis Braille by Jen Bryant (Alfred A. Knopf, 2016) shares the story of Louis Braille’s childhood and how he overcame many obstacles and challenges to invent an alphabet for people who are blind that is still in use today.


1 John Alston, Letter to the Directors of the Institutions for the Blind in Great Britain & Ireland, 4 July 1837