R is for Rhino Reader

Grab a book, cuddle up, and let the reading begin! This is Rey the Rhino Reader, an original robotics project designed and programmed by Princeton University graduate Aneekah Uddin. Rey was part of a larger “Art & Robotics” exhibit on campus last spring.

As you can see from the set up below, Rey wears a camera on his head, which is in turn connected to a laptop. When you place a book in front of Rey’s nose, the program will scan the page and read the book aloud to you! Flip the page, and the story continues at your pace.

While the concept appears very simple, it turns out that programming a robot to read can get rather…complicated. I caught up with Aneekah to ask about her inspirations for this adorable project.

Hi Aneekah! Tell us a little about yourself!

Hi! I was born and raised in Montclair, NJ, and I recently graduated from Princeton (Class of 2024) with a degree in Computer Science and Theater. I love exploring new places, performing arts, and crafting—particularly metalworking and upcycling clothes. One of my favorite childhood book series was Cam Jansen!

How did this project begin?

In my final semester at Princeton, I participated in an Independent Work Seminar titled “Reimagining Robotics Through Art,” taught by Professor Radhika Nagpal. At the beginning of the semester, we explored how the origins of robotics have been influenced by colonialist and patriarchal frameworks, as highlighted by Professor Ruha Benjamin in her book “Race After Technology.” Inspired by these discussions, Professor Nagpal encouraged us to reimagine a future of robotics that challenges these frameworks by centering arts and creativity. As an actress, scriptwriter, and dancer, storytelling is fundamental to my understanding of art. For my project, I aimed to create something both functional and subversive of colonialist and patriarchal norms, while celebrating my love for storytelling. This led to the creation of Rhino Reader!

Tell us a little bit about your philosophy on early literacy for kids!

Eighty-two percent of students eligible for free or reduced lunches do not read at or above proficient levels by fourth grade. I was among the fortunate 18 percent who did, thanks largely to my upbringing. My mother instilled in me the importance of reading from an early age. She read to me daily and, as I grew older, helped me practice reading, sounding out words, and tackling more challenging books. Her dedication was instrumental in my development of English skills and my eventual acceptance into a leading university. However, not every child has the privilege of having a parent who can read, who has time to spend, or who has access to resources. Studies have shown that this kind of support can significantly transform a child’s trajectory. All children should have access to the opportunities and resources they need to develop strong literacy skills from a young age.

What was the most difficult or unexpected part of this venture?

Reading children’s books is challenging! It’s even more difficult for a robot because there’s often no clear “order” to the text. Words can be arranged across pages in unconventional shapes, various fonts, and conflicting orientations. Distinguishing between line breaks and sentence endings isn’t always straightforward, and there’s the added complexity of onomatopoeia. For a robot, learning to read a children’s book is a significantly harder task than understanding a legal contract or research paper.

If you were a kid again, what book would you like the rhino to read to you and why?

Elephant and Piggy! These Mo Willems books are among my favorites, and I spent countless hours reading them to my younger siblings, who are five and six years younger than me. They hold a special place in my heart.

The VIPS of RSVP

In the picturesque mountain town of Jim Thorpe, Pennsylvania, lies a gorgeous and amazing gem…Somersault, an independently-owned letterpress studio and card shop! From their vintage presses, to their gorgeous retail space, to their beautiful cards, Somersault is unique in every regard. I’ll pause here while you enjoy their amazing Instagram.

Owned and operated by Mitch Hanson and Amy Pienta (and adorably supervised by the Hammish, aka Hammie Noodle, seen below), what began as a side project in 2011 has bloomed into a multiple award-winning studio and retail venture.

How did this remarkable adventure start?

Believe it or not, our letterpress business began because we were planning on becoming farmers and cheese makers, LOL. We were spending our vacations on a friend’s farm learning about Icelandic sheep and how to make cheese, but everyone kept telling us we needed to do something else from the farm in the first few years of business to make money. In the meantime, we ran into an old acquaintance who was retiring their design + letterpress printing business. They did not want to sell to a commercial printer and hoped instead that someone would pick up where they were leaving off.

Naturally, we thought this would be a good fit for the farm venture. So we started learning about letterpress printing and running the business and instead ended up just finding our niche and falling in love.

What types of presses/equipment do you have?

10×15 Heidelberg Windmills from the 50s & 60’s, one with hot foil stamping & 1 Chandler & Price 12×18 handfed press from 1932. We also have a small 5×7 Kelsey Pilot press (used for fun), a 1970s Challenge cutter, a stitcher, drill press, and photo polymer plate maker.

black printer 2

 

Please tell us about your philosophy on paper, products, and process…

We are not a traditional letterpress printer in that we are using carved lino blocks or lead type. Before we started Somersault, we were already working in the commercial print and design world and very accustomed to working with all different types of papers and processes, so naturally that habit just stuck with us. We use our vintage presses in conjunction with modern day design programs.

When it comes to paper, we love to push the envelope and try new things. When it comes to our clients’ projects, we feel it’s important for them to have products that tell their story in their own way, so we constantly strive for uniqueness. Using unlimited colors and textures and options allows us the artistic freedom we look forward to, and allows our clients to stand out in a crowd.

Why did you decide to relocate from Las Vegas, NV to Jim Thorpe, PA?

A culmination of reasons, really – a little tired of the incessant heat, one of us wanting to be closer to family after being in the desert for 15 years, one of us wanting to explore the East Coast for the first time ever, and A LOT of needing to be around four seasons again. Traveling from Philly to Wilkes-Barre to see family, we always took a detour through Jim Thorpe and when thinking about places we’d like to live and have a retail space (we didn’t have retail in Las Vegas – just the studio), Jim Thorpe kept coming back to mind.

What’s one unexpected thing about working with vintage equipment?

Almost everyday we’re blown away by the engineering of these awesome presses and their versatility to print, foil, emboss, deboss and die cut on everything from super thin rice paper to triple thick cover stocks – even plexiglass and leather – over and over and over again. They are both heavy beasts with pressure and at the same time very delicate delivering precision with nothing but iron and steel… no circuit boards, or rebooting, or service calls needed… and if something isn’t printing correctly, it’s ALWAYS operator error.

You have an incredibly interesting and unique space. Please tell us about one of your favorite objects in your store or studio!

Our favorite object in our studio is our front counter – hand-built by the two of us – and seemingly the heart of the retail space. We wanted a unique way to highlight collected mementos and small pieces of our work in California type cases – yet never quite expected it to become such a communication tool. Friends and neighbors have brought items to be shared for the case, visitors have left foreign currency or little bits of their travels, and patrons are constantly fascinated by what they find there and feel compelled to share their own stories. Connecting with people across the counter in such a way has made the shop feel even more like home.

What’s one of the most challenging projects you’ve completed?

The most challenging in scope had to be the Bejeti Wallet media kit boxes. Working with an agency in Harrisburg, we developed and engineered a small multilayered box with a magnetic lid. The project involved producing die-cut insets and inserts that were hot stamped with holographic foil on a soft-touch black stock, embossing, hand assembly – all to showcase a piece of actual meteorite sitting prominently on a small magnetic stem. For our small studio, it was an intense amount of engineering and labor but it all paid off in the end – the project just won a national award for GDUSA’s Packaging Competition.

Please finish this sentence…if there’s one weird thing I’m obsessed with at work, it’s…

On a constant daily basis we are obsessed with the wonderfully weird phenomenon of watching an idea – literally conjured up out of nothing – transformed into this remarkable, tangible product. Watching this perfectly modern and beautiful piece come together on these old presses is like watching magic happen. We never get tired of it.


Many thanks to Mitch Hanson and Amy Pienta for allowing me to photograph their shop and studio!

Book Art Challenge

book art challenge open tea boxToday, we present a Book Art Challenge! We get plenty of interesting items donated through our library recycling program…like this this big, 11″ x 14″ box that previously held  “Teas of the World.”

book art challenge tea box Since the box was designed to look and open like a book, we thought it would be the perfect candidate for our first Book Art Challenge. Namely turn the book into art. So here’s what I turned the box into…

finished book art challenge tea boxIt’s poster board, blue cellophane, card stock, and construction paper illuminated with a black light and my iPhone’s flashlight. It’s a little hard to see, but the woods actually layers backwards into the box.

So we’re keeping our eyes on our recycling piles for anything that remotely looks or acts like a book for our next Book Art Challenge. And I do believe it’ll be Katie’s turn! Maybe we can wrangle a couple guest artists as well…?