Don’t Try This At Home Kids

don't try this at homeA monkey on a unicycle rolls down a ramp towards a snake. The bar holding the snake drops, which causes a bag of peanuts to fall into a container that sends a cart down a ramp into a tennis racket rigged to a mechanism that touches a match to a cannon fuse and fires an acrobat through a ring of fire!

Rube Goldberg’s inventive cartoons have fascinated me since I was a kid. A few years ago, our library even hosted a Rube Goldberg program, complete with a behemoth of a page turner and other activities. So imagine my delight when I spotted Wonderology’s Rube Goldberg kits on the shelves at Target.

wonderology rube goldberg kitsIntended for ages 8 and up, Wonderology offers 6 different kits that cost between $10 – $20. Each kit contains a plethora of parts and a fully illustrated set of instructions. I purchased the Acrobat Challenge, the Garden Challenge, and the Speeding Car Challenge, then invited 3 kid testers (ages 6, 8, and 10) to try them out.

kid testers at workThe kids were very excited as they unpacked the kits. The parts are fun, bright, and nice quality plastic. Here, for example, are the various pieces of the Acrobat Challenge:

acrobat challenge kit partsHere are the kit’s illustrated instructions. They’re presented in classic Rube Goldberg format (they even use his special font!):

acrobat challenge instructionsBut as soon as construction started on the kits, well…that’s when things started to go wrong. Take the Acrobat Challenge, for example. In one part of the instructions, it clearly shows the yellow “monkey release” flag facing right. In two other sections of the instructions, it’s facing to the left! Also, either way I turned the flag, I never could get the monkey to work quite right.

problem with instructionsThere was a lot more of this I’m afraid – mechanisms not working like the instructions suggested, confusion with where to place the various pieces, the whole schbang toppling over when you tried to adjust it. Soon, there were shouts of frustration, explosive sounds of exasperation, creative G-rated cursing, and a box kicked across the floor (and it wasn’t just the kids doing all that).

Between me and the 6 year-old, we never did get the Acrobat Challenge to work. So our kid tester used it like a play set instead, creating and narrating an involved story about a monkey snake circus. Cool.

Meanwhile, things were looking a bit more promising at the Speeding Car Challenge. It was, against all odds, assembled with somewhat minimal adult assistance.

speeding car challengeBut…see that chicken? It’s supposed to get a feather “plucked” from its tail, which causes it to lay an egg, which triggers the tennis racket, etc. But the egg just wouldn’t stay under the chicken. It just kept dropping and triggering the rest of the mechanism. So you had to skip the chicken all together, which is rather disappointing.

Also, the 8 year-old kid tester wants you to know that the balloon on the car is a little tricky. Once you blow it up, you have to: 1) Block the tailpipe with your finger; 2) Rapidly remove your finger; then 3) Plug in a plastic cork in juuuuuust right. The seal on the balloon starts to leak pretty quickly too. But it was, he admits, a cool-looking car.

balloon car testSo that just leaves the Garden Challenge. This kit was particularly intriguing to me because it involves real water! Our 10 year-old tester managed to assemble it just fine.

the garden challengeBut we soon discovered a fatal manufacturing flaw. See the orange gutter at the top of the mechanism? It’s supposed to tilt downward and let the 8 ball roll down and hit the watering can. But there was a little plastic piece that wouldn’t allow the gutter to tip down far enough! Katie had to saw the piece off with a box cutter in order to get it to finally work.

bad partThen it was test, adjust, retest, adjust, curse quietly under one’s breath, test, adjust, and retest. It took dozens and dozens of attempts, close to an hour of concentration, and Katie’s sheer determination to get it to work. And yes, I did say work. Katie and the kid tester got it to work! Drumroll please…


OK. So maybe the ball bounced off that final ramp, but I’ll take it and call it DONE.

I really admire Wonderology’s concept. The kits are a clever idea, they look fantastic, and the quality of the plastic is good. However, they’re simply not for kids. Especially 8 – 10 year-olds (unless said 8 – 10 year-olds have the patience of saints and the hands of neurosurgeons). Heck, some of us adults had trouble getting them to work! Our testing group found them difficult and rather vexing. While we ultimately had success with one kit, we encountered enough flaws along the way that the ultimate take-away was more exhaustion than exhilaration. Alas, not recommended.

Can You Dig It?

can you dig itWhile archaeology can’t always be fedoras, bullwhips, and jaunty theme music, it is a fascinating field of study. Plus, you get to dig really, really big holes! In 2013, my library had a large-scale Journey to the Centre of the Earth event, and archeology seemed just the thing to include. But we needed to be realistic about what we could do. I mean, we couldn’t set up a dig site on the event floor…or could we?

Today, I’m going to share how Katie and I built a portable archeological dig site. It has it all – grids, brushes, artifacts, scientific sketches, field notes, and a clipboard activity that got kids thinking about how all the artifacts were connected. The dig was hosted by the Historical Society of Princeton, who put their own fantastic twist on things (I’ll share what that is at the end of the post!).

Katie and I created the dig in the pre-blog days, so you’ll have to excuse me if there aren’t as many detailed process photos!

Our dig consisted of 4 different “sites.” Each site was a group of 6 corrugated cardboard boxes and a clipboard. I ordered the boxes from Uline (model S-16746). They are 15″ x 15″ x 3″. Originally, the boxes had attached lids, but we cut those off. We connected the boxes with tons of hot glue, then ran brown packing tape around the outside as well.

site boxesArcheologists use string to divide their sites into grids. We replicated this by hot gluing yarn along the tops of the boxes. We color-coordinated the sites as well. Site 4, for example, had yellow yarn, yellow stripes on the markers, and a yellow cover sheet on the clipboard. The other site colors were green, orange and red.

Since the artifacts would later be matched to a site map, we hot glued wooden craft sticks markers around the grid as well. Here’s how each site was marked:

The next step was to find artifacts to put in the boxes. We had a lot of fun with this! Among other things, we used old metal jewelry, non-plastic beads, and owl pellet bones. We used air dry clay to make cups, plates, bowls, and spoons (a couple of which we intentionally shattered and used as shards). A library contractor donated some small deer antlers, and I snagged a “stone knife” from a broken piece of paving tile.

not quite a stone knifeEach of the 4 sites had its own theme: 1) Fire Pit; 2) Pantry; 3) Treasury; and 4) Armory. We sorted the artifacts under the different themes, and then arranged them in the appropriate boxes. Because we needed the artifacts to match the site map, we hot glued them inside the boxes. And we really, really hot glued them. We even had an emergency hot glue gun at the event in case an over-eager archeologist yanked an artifact out of the box.

Next came the dirt! Except, for sanitation reasons, we used playground sand purchased from Lowe’s. Specifically, we mixed white and yellow playground sand together to give it more texture.

original image source nassau literary review

Original image source, the Nassau Literary Review

To keep the mess at a minimum, we added 1″ of sand to the boxes. It was just enough to cover most of the objects, but still left a few sticking out in a tantalizing way. Each individual box got 4 cups of sand, which meant each site used 24 cups of sand. In the end, we used 50lbs of sand for the whole dig site. For obvious reasons, we transported the prepped boxes to the event and THEN filled them with sand.

At the event, young archeologists used paintbrushes to uncover the artifacts. They were natural bristle brushes with wooden handles in assorted sizes (the widest being 2″). There were at least 4 brushes per site so multiple kids could work at once.

multiple archeologistsRemember the clip boards by each site? The clipboards contained a site map of where all the objects were buried. But before kids looked at the map, we asked them to think about what they had just uncovered. So the cover sheets for the clipboards looked like this:

clipboard cover sheet

Kids would talk about what the artifacts looked like (“That looks like a spoon!”), how some artifacts were located close together (“I saw a plate and a spoon together…”), and then make guesses as to what dwelling the artifacts were used for (“I think someone was eating here. A kitchen maybe?”).

Flip up the cover sheet, and there was the site map with the artifacts. If kids hadn’t found an artifact, they could use the grid markers to locate it. The map also had the title of the site, so kids could confirm their hunches as to how the artifacts were connected. If they excavated all the sites, they would also see how those were related (the Pantry was located next to the Fire Pit, the Armory was located next to the Treasury).

clipboard site mapBordering each site map were cool “field sketches” identifying some of the objects on the site. These were drawn by the awesome Aliisa Lee.

earring artifactAliisa even added cool little notes to some of the sketches…

clay artifactYou might have noticed that we didn’t label everything on the site map. That was intentional. Many of the objects were obvious (beads, spoons, a bracelet), but we left a few mysteries to show that, sometimes, you don’t get all the answers right away. It might take a little more research and consultation with your colleagues.

I mentioned that the Historical Society of Princeton added their own special twist to the archeology activity. YES! They displayed, and in some cases let kids handle, a multitude of artifacts that had been discovered and excavated from actual dig sites in Princeton! Some of the artifacts included broken dishware, glass piece, the base of a flowerpot, arrowheads, and a stone ax.

historical society of princetonThe two Princeton excavation sites were the Houdibras Tavern and the Updike Farmstead (where the Historical Society now houses its headquarters). They had this fantastic photo on display too. Kids at the Houdibras Tavern dig in 1969. It was the PERFECT archeology and history connection. So cool.

Hudibras Dig Historical Society of Princeton

Photographer Warren E. Kruse of the Trenton Times, from the Collection of the Historical Society of Princeton

And there you have it! An archeological dig site to spark the imaginations of budding young archeologists (with their dedicated research assistants offering a boost when needed).

young archeologist

Let’s Do The Numbers

lets-do-the-numbersWelcome to the number mines of Digitopolis, the famous kingdom from The Phantom Tollbooth! This fall, we hosted a table at Princeton University’s annual Community & Staff Day event. Big crowds meant that we needed something simple, but we wanted to be creative too. Since we had successfully offered the number mines at a massive math event last spring (you can read about it here and here), we decided to bring them back for more numerical fun.

Alas, the original number mine (which was artfully constructed by the Arts Council of Princeton) wasn’t salvaged after the math event. This meant that Katie and I had to build our number mine from scratch. The first part of this post describes how we ran the event table. The second part describes how we build the mine.

At the event, kids would reach into the number mine and pull out a plain wooden number. I bought the numbers online from Woodcrafter, where they range in size, thickness, price, and font. I got the 4″ numbers that were 1/8th of an inch thick. Each number cost 56¢.

wooden-numbersWe found that 4″ was a great size for decorating, but if 56¢ per piece is outside your budget, you can go smaller. A 1″ number of the same thickness, for example, costs 23¢. Or, if you want to go even cheaper, skip the wood and print your numbers on white card stock. We loaded the numbers into the mine, and the kids “dug” them out with their hands.

reaching-in-1Once kids found a number they liked (7 and 8 were very popular), they went over to the number decorating area, which was stocked with metallic makers, glitter markers, small gemstones, and glue. We had a relevant quote from the book on display too. Kids really got into decorating. One little girl spent 25 minutes working on her number!

decorating-the-numbersNote! If you use squeeze glue (as opposed to hot glue) make sure to have paper towels or small paper plates handy so families can safely transport their numbers home. Hand wipes are also a good idea for sticky fingers and tabletops. Katie and I dressed for the occasion in miner’s helmets and safety vests.

dr-dana-and-katie-number-minesSo, that’s our event table…now for constructing the mine! You certainly don’t have to get as elaborate as we did. You can create a mine by covering a box with grey paper. Cut a hole in the box’s lid, throw some numbers in there, and have kids reach into the box! Or you could skip the mine altogether and just do the number decorating part of the project. But if you do want to build a mine, here’s how we did it.


STEP 1

Find a big, flat box that isn’t too deep. You don’t want kids to have to reach too far down for the numbers – especially the little ones. We used a 34″ x 54″ inch box lid, and then attached 6 photo storage boxes to the bottom using hot glue and packing tape. This resulted in a mine that was 5″ deep. Here’s a shot of the underside.

number-mine-step-1Since the box lid didn’t reach all the way to the bottom of the photo storage boxes, we closed the gap by attaching big strips of corrugated cardboard to 3 sides of the mine. We left it the mine open in the back so we could restock numbers during the event.


STEP 2

Cut holes in the top of the box. We found it helpful to draw the holes before we started cutting. That way, we could be sure we weren’t cutting into any of the support boxes and we knew that the numbers would fit through the holes.

number-mine-step-2


STEP 3

Create the rocky, craggy landscape of your mine. We bunched up big pieces of black bulletin board paper and attached them to the box with masking tape.

number-mine-step-3


STEP 4

Now for the really, really messy part. Papier-mâché. We don’t have a sink in our work space, and the nearest bathroom is far, far away. So we wanted to create the smallest mess possible. In other words, we didn’t want to cook, mix, or blend any sort of papier-mâché paste (or dilute any glue). After a little research, we settled on liquid starch.

Below are our tools – 2 enormous jugs of liquid starch, 2 plastic roller trays, and 4 paint brushes (the bristle brushes worked better than the foam ones). Oh, and we also put a plastic tarp under the mine so we wouldn’t ruin the table.

number-mine-toolsSince we had a lot of area to cover, we used big, 6″ x 16.5″ pieces of newspaper. Occasionally, we use a smaller strip for edges or crevices, but mostly we stuck with the big ones.

number-mine-step-4_1The liquid starch held up well! It did coat our hands with sticky residue that required multiple rounds of soap and scrubbing to remove, but it wasn’t too bad. Honestly, the worst thing about the liquid starch was the fact that it was scented. “Mountain Fresh” scent to be exact. Hoo boy. You could smell the mountains the minute you took the cap off. After a couple minutes, the fragrance was looming in the room like a big, ominous fog. Katie put together a little graphic to convey the overpowering Mountain Freshness.

mountain-fresh-freakoutWe left the first layer to dry overnight. For the second layer, we got a little experimental. While researching liquid starch, we learned that some people absolutely rave about using white paper towels and computer printer paper for papier-mâché projects, especially if the projects are going to be painted later. So we decided to give it a try. We papier-mâchéd the bottom of the mine with paper towels, and the top portion with computer printer paper.

number-mine-step-4_2Wow, did the paper towels suck up the liquid starch! The printer paper needed much less. But the printer paper was so stiff, it created unwanted gaps like this one:

stiff-gap-problemThe solution was to drape a liquid starch-soaked paper towel over it. Below is that same gap with the paper towel over it. As you can see, the soft paper towel completely obscures the gap. I didn’t officially test this, but I believe newspaper would obscure gaps as well, perhaps even better than the paper towels.

stiff-gap-problem-solvedI was a little worried the paper towels were too transparent. But overnight, they magically dried to solid white.

number-mine-step-4_3In the above photo, you can see there were still wet patches in crevices where the liquid starch had pooled. Katie hit those with a hair dryer, no problem. And we should add that, even now, things were still smelling quite Mountain Fresh.


STEP 5

Time to paint! We used this awesome textured-stone effects spray paint by Valspar. It’s fun, but pricey ($10 a can at Lowe’s). Our mine required 3 cans.

stone-spray-paintA cheaper option would be to use gray paint to cover the mine, then dab on darker gray  with a piece of sponge. This will get you a textured surface, without the hefty spray paint price. Once the spray paint had dried (which, we might add, finally dissipated the Mountain Fresh fragrance), we decorated some numbers and attached them to the mines with hot glue. We hot glued some large plastic gems on as well – purchased from the wedding favor aisle at Michaels Craft Store.

number-mine-step-5And this, dear readers, is when we discovered the fatal flaws in regards to paper towels:

  1. When dry and spray painted, paper towels become incredibly brittle. I poked a hole right thorough one section while merely tapping on it (we eventually covered the hole with the number 8).
  2. The texture of the paper towel absolutely comes through in the end. So if your paper towels have little hearts embossed on them, you’re going to see little hearts under the paint.
  3. The edges of the paper towels are clearly defined. Unlike the newspaper and the printer paper, you can definitely see the edges of the paper towel under the paint. So our rocky surface looked like, well, draped paper towels. You could even see the dotted perforations that separate the paper towels.

paper-towels-not-goodThe printer paper, on the other hand, was much sturdier and the edges were hidden under the paint. The lesson? DON’T use paper towels for papier-mâché projects. Use newspaper and printer paper instead. In fact, I highly recommend printer paper for the second layer of painted papier-mâché projects. Very sturdy, holds paint very well.

However, paper towels are what we used and their brittle weakness made me and Katie very, very nervous. We were positive that kids were going to put their hands right through the mine as they leaned in to select numbers.

reaching-in-2Anticipating trouble, we brought duct tape and a couple of step stools to the event. The stools elevated the kids right up to table level, allowing them to keep their weight mostly on the stools and not on their hands. So the paper towels held, but there were a couple time you could see them bending. Katie and I would brace ourselves for a tearing, crunching, breaking sound. Thankfully, it never happened. Whew!