Illustrated, Dedicated

pinkerton-tileEven though winter is almost here, I’d like harken back to the golden days of July and share a trip I made to Findlay, Ohio this summer. The purpose? To teach two creative workshops at The Mazza Museum of International Art from Picture Books’ summer conference.

The Mazza has an astounding collection of original picture book art. It also has mission to educate, endorse, and share the joy of art and the picture book with everyone. In addition to two annual conferences, they host a number of programs, workshops, and initiatives for adults and children alike. During a break between my workshops, I dashed over to the Virginia B. Gardner Fine Arts Pavilion to check out the galleries.

mazza-gallery-1The main gallery is absolutely packed, almost from floor to ceiling, with children’s book illustrations.

mazza-gallery-2Notice the little black binders near the floor? That’s information about the different authors on display, along with reading copies of the book. Such a terrific idea.

mazza-gallery-3My favorite display, however, was a small side gallery containing displays of pop-up books.

pop-up-displayLike the main gallery, there were plenty of reading copies on hand. Here’s the Young Naturalists Pop-Up Handbook of Butterflies by Matthew Reinhart and Robert Sabuda (Hyperion, 2001).

butterfly-pop-upBack in the main gallery, there are some terrific whimsical touches. Like this Mother Goose flying from the ceiling:

mother-goose-in-galleryAnd an Owl and the Pussycat sailboat docked on the gallery floor!

mazza-gallery-4Did you notice the natural light filtering down in the above image? The central gallery has a large skylight that is partially blocked by an extensive loft area. Inside that light-filled loft is the MOST AWESOME PLACE EVER…a children’s space!

puzzle-chairsHere, you’ll find plenty of comfy, kid-sized seating and a number of hands-on activities.

dragon-tableThere’s a building table, a wall of gears, word games, drawing activities, some felt boards…and do you recognize this iconic library with the lions?

library-lionsTo exit the loft, you could take the stairs back down. Or, you could nip into the rabbit hole…

rabbit-hole

And ride down the twisty slide!

mazza-gallery-slideElsewhere in the building is an art studio for kids, a teacher resource center, multiple display of children’s artwork, and a gift shop with a big central area that encourages extensive browsing.

mazza-gift-shopIn the gift shop, I found a book so ingenious, I swear we have to do this for the Cotsen Children’s Library. It’s a custom picture book called Mazza from A to Z by Jenny Hanf (University of Findlay, 2016).

mazza-from-a-to-z-coverA class of adorable animals visit the museum and makes their way through the ABCs of visiting. Guess what the letter S is?

mazza-from-a-to-z-interiorBut the very best Mazza treasure I saved for last. Deep within the staff offices is a conference room filled with original illustrations, sketches, and notes from children’s book authors and illustrators.

mazza-conference-roomEvery inch of the wall is covered. It’s amazing to think of the talent that has stood in this very room, Sharpie in hand, sketching on the wall.

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The love, admiration, and dedication to picture books, illustrations, and education is clearly evident at the Mazza. Their conferences are intimate and well-thought out, with a wonderful array of talent. The Fall 2016 conference, for example, featured Tony Abbott, Brian Biggs, Nikki McClure, Sergio Ruzzier, Dan Santat, and David Wiesner. Simply splendid.


Many thanks to the Mazza for inviting me to teach at their summer conference, and for graciously allowing me to photograph their galleries and offices. 

Thrift Store Costume Challenge

thrift-store-costume-challengeThe challenge? To costume as many literary characters as you can in 180 minutes. The catch? You can only use what you find on the racks of Nearly New consignment and thrift shop in Princeton.

nearly-new-clothing-rackFor those of you unfamiliar with Nearly New, it’s an independently-owned consignment and thrift store with tons of fantastic stuff. Toni Maher, the owner, is always helpful when I drop by looking for costume items for work (or, heh heh, just shopping).

nearly-newToni’s also extremely accommodating when it comes to more unusual requests, such as  borrowing a mannequin for this Cinderella dress design event, or hunting for teacups and saucers for this Victorian Tea program. She didn’t even bat an eye when I asked her if she’d be up for hosting the costume challenge.

The other major player was Princeton University sophomore James Jared. Last year, James designed and sewed the Mathamagician’s costume for our Day in Digitopolis program (you can see it in this post). He also works in the costume shop at the Lewis Center for the Arts. James is incredibly talented, and was totally game for the challenge. There’s an interview with him at the end of the post!

The big day dawned and Marissa and I headed to Nearly New with photo equipment and a long list of possible characters (we went with female characters because, as James so astutely pointed out, the women’s sections of thrift stores are much bigger than the men’s sections). James and 4 Princeton University students who agreed to model met us at Nearly New. Then it was full steam ahead. In 180 minutes, James costumed 9 characters. Are you ready to see his results?


#1 NANCY DREW

nancy-drew-costume


#2 VERUCA SALT

veruca-salt-costume


#3 THE GRAND HIGH WITCH

the-grand-high-witch-costume


#4 MS. FRIZZLE

the-frizz


#5 PROFESSOR TRELAWNEY

professor-trelawney-costume


#6 MRS. COULTER

mrs-coulter-costume


#7 DOLORES UMBRIDGE

dolores-umbridge-costume


#8 MISS TRUNCHBULL

miss-trunchbull


#9 THE WHITE WITCH

the-white-witch


James’ costumes look fantastic, but they’re even more fun when you learn some of the behind-the-scenes facts. Nancy Drew, for example, is wearing a belt in her hair because we couldn’t find a headband. Miss Trunchbull is wearing men’s shoes, men’s socks, and little kid’s jacket to make her look bigger and bulkier. Dolores Umbridge’s sweater was overwhelming her dress, but James expertly pinned it to a better length. Professor Trelwaney is holding a fishbowl. And the White Witch’s crystal daggers? Those are salad forks that she’s holding handle-side-out.

The other thing I didn’t really appreciate until we got there was the volume of items and how fast James had to sift through them. To find the perfect belt, James had to dig through dozens and dozens of belts while simultaneously looking for earrings, dresses, and boots. He did this while expertly delegating the models to bring him possible shirts, skirts, sweaters, and hats. Also, James could find an awesome dress, but if it didn’t fit the model, or match the personality of the character, it was out. Finally, I learned that it’s not easy to make pieces from different decades work together without just the right vision.


JAMES JARED

james-jaredWhat’s your costuming background?

I’ve always loved making Halloween costumes, but I officially taught myself how to sew in high school when I started to cosplay (make costumes based on characters from movies, tv shows, books, etc).

What was the costume challenge like for you?

I was very nervous going into the challenge because I’ve never done anything of the like before, and I was worried that the time constraint would prove difficult to work under. In the end, though, I had a fantastic time and I’m very proud of the costumes that we were all able to make together.

Did you have an overwhelming favorite?
I think my favorite costume had to be Trelawney from Harry Potter. There were so many scarves and shirts that fit the character in the thrift store that her outfit almost seemed to show up without having to look for it. It almost became less of a question of which scarf would be best and more how many scarves we could get away with throwing on her.

Which was the toughest character to costume?
The hardest character to costume was the White Witch from The Chronicles of Narnia. Her character description includes a crown, which the shop didn’t have, so it took a while for us to come up with a way to mimic the crown. Eventually we found a circlet that suggested royalty, as well as some spiky earrings that were reminiscent of icicles to use as a necklace.

If you had more time, which character were you hoping to do?
I would have loved to costume someone as Kate Wetherall, as the Mysterious Benedict Society was one of my favorite books growing up. Unfortunately, her costume is fairly specific and there isn’t much room for leeway.

What’s your major at Princeton University?
I’m just starting out in the Electrical Engineering department.

Do you see any connections between your major and costuming?
Interestingly, I once told an employee in a fabric store I frequent at home about my major, and she said that she often thought of sewing as a type of engineering. Though I’d never have put the two together on my own, as soon as she said that I knew she was right, and I think it applies to costuming as well.

In both costuming and engineering you have to pull materials together using techniques you’ve learned to create a final product that’s more than the sum of its parts. I think I enjoy sewing and costuming so much for the same reason I like engineering, which is that it’s a great feeling to have created something new out of basic materials. And that’s something I think anyone can do.


A big, enthusiastic “Huzzah!” to James Jared, costumer extraordinaire, who aced the costume challenge with style and flair. Warm waves of gratitude to the Nearly New for letting us overrun your store and create chaos in your racks.

And finally, many thanks to models Amanda Blanco, Ailyn Brizo, Joani Etskovitz, Grace Turner, and Marissa Warren. It wasn’t easy to keep a straight face through it all, much less glower, growl, look haughty, or stare intensely into the camera wearing shoes that were at least one size too small for you.

outtake

Tweet Tweet! Reading is Sweet

tweet-reading-is-sweetWhen it’s time for your next library visit, perhaps you’d consider bringing a canary with you? I hear they’re friendly, quiet, and quite avid readers. Make a sweet little canary on a perch and a sparkly, decorative birdcage to go with it. And don’t forget that mini library book!

We read Quiet! There’s a Canary in the Library! By Don Freeman (Viking, 1969).
One day, at the library, little Cary wonders what it would be like if animals and birds could visit to the library and browse.  She imagines the canary would arrive first, followed by lion, bear, elephant, peacock, turtle, giraffe, porcupine, a family of monkeys, horse, and cow. Things are going pretty well until the mice arrive and chaos erupts. Thankfully, clever canary sings that it’s time for everyone to leave, and it works! Whew!

You’ll need:

  • 1 circle of poster board (approximately 7″ in diameter)
  • Hole punch
  • 8 silver sparkle stems
  • 1 toilet paper tube
  • Yellow and orange construction paper
  • A few small feathers
  • 1 small piece of poster board (1″ x 3.75″)
  • 1 small piece of tagboard (0.75″ x 6″)
  • 2 silver craft ties
  • A few scraps of white printer paper for mini book
  • Scissors, tape, and stapler for construction
  • Markers for decorating
  • Hot glue

finished-birdcageWe’ll begin with the birdcage, and finish with the reading canary! Punch 8 symmetrical holes into a circle of poster board, then decorate the poster board with markers (we used Crayola metallic markers and they looked fantastic).

birdcage-step-1Wrap the ends of 8 sparkle stems through each hole.

birdcage-step-2Gather the free ends of the sparkle stems together over top of the poster board circle. Adjust the stems, as needed, to create a birdcage, then twist the ends of the stems together. We also added a decorative silver embossed foil seal in the center of the poster board circle, but this is optional of course.

birdcage-step-3To make the canary, cut a toilet paper tube down to 2.75″ and wrap it with yellow construction paper. Add a small feather crest, and use markers to draw a beak and eyes (or use eye stickers and a self-adhesive foam triangle like we did). Cut a pair of yellow construction paper wings, and hot glue them to the sides of a little book (which we made by stapling white paper inside a green construction paper cover). Position the book in front of the canary’s face, then hot glue (or tape) the wings to the body.

bird-holding-bookCut a tail out of yellow construction paper (our tail was about 2.75″ long). Hot glue (or tape) it to the canary’s body, and add a small feather on top. We covered the top of the feather with a yellow dot sticker, but this is optional.

bird-tailNow for the perch! Punch a hole in each end of a 1″ x 3.75″ piece of poster board. Cut a pair of orange canary feet from construction paper, then hot glue them in the center of the perch. Finally, hot glue a 0.75″ x 6″ strip of tagboard on top of the feet. Bend both ends of the tagboard strip upwards to create perch “prongs.” Your perch should now look like this:

perch-step-1Slide the prongs into the bird tube, then secure them to the inside of the tube with tape.

perch-step-2 Next, wrap a silver craft tie in each hole of the perch. Bring the ties over the canary’s head and twist them together. Note! Because of the height of the birdcage, you’ll need to twist the craft ties fairly close to the top of the canary’s head. Finally, curl the little orange canary toes over the edge of the perch.

perch-step-3Slide your perched canary inside the cage, adjust for height, and then wrap the free ends of the craft ties around the top of the cage to secure it in place. Circle and twist the extra craft tie to create a carrying handle for your birdcage.

finished-birdcageYour canary is ready to go to the library! I hear section 598 is pretty interesting…