Rockin’ Rhino

rockin-rhinoWant a pet rhino? Of course you do! But pet ownership is a tremendous responsibility. Get prepared with a customized accessory bag that contains a water dish, rhino snacks, and a cozy fleece blanket.

We read Rita’s Rhino by Tony Ross (Andersen Press, 2014). Rita wants a pet, but her mom insists on something small. Like a flea. Or a tadpole. Unimpressed, Rita heads to the zoo and invites a rhinoceros home. She’s thrilled, but there are some problems. Like coaxing the rhino into the elevator, cramming him into her family’s small apartment, paying for heaps of specialized rhino food, and dealing with the enormous piles of poop that must be hidden in the park every day. Rita’s rhino is a good sport about his new, cramped life. Until he’s mistaken for a bouncy castle during a visit to Rita’s school. That does it. The rhino heads back to the zoo. But Rita and the rhino miss each other. So they agree to meet up, every summer, for a little beach vacation.

You’ll need:

  • 1 large box (mine was 4.5” X 4.5” x 9” – a large tissue box works too)
  • Light blue poster board
  • A rhino body template, printed on 11 x 17 paper
  • White poster board
  • 1 small rectangle of tagboard or poster board (approximately 1.75″ x 3″)
  • 1 piece of yarn (approximately 29″ in length)
  • A pair of wiggle eyes
  • 1 paper bag
  • A rectangle of felt or fleece (approximately 11 x 15.5″)
  • 1 paper cup
  • A rectangle of blue cellophane (approximately 4″ x 5″)
  • 1 small drawstring bag (or a small paper bag)
  • A bit of paper crinkle
  • Scissors and tape for construction
  • Markers for decorating
  • Hot glue

The rhino basically is a pull string toy, and we wanted it to glide effortlessly across the floor on its leash. So we attached wheels to the bottom of our boxes. We used the same plastic wheels assemblies from this crêpe cart project (and if you’re interested in purchasing the wheels, you’ll find info in this post). Tape shortened drinking straws to the bottom of the box, thread some bamboo skewer axles through the straws, then stick the plastic wheels on the ends of the skewers.

rhino-wheelsYou can also use cardboard wheels or skip the wheels entirely and simply slide the box across the floor. Now for the rest of the rhino! Fold a large, 7.5″ x 28″ piece of light blue poster board in half. Cut the rhino body from the template, then place the nose of the rhino template against the fold in the poster board. Cut the template out of the poster board, leaving the nose fold intact.

rhino-body-step-1Cut a rhino horn out of white poster board and hot glue it inside the fold. Hot glue 1″ of the entire front of the fold together as well. This gives your rhino the appropriate muzzle shape. Tape or glue the rhino body to the box, making sure the leave about 1″ of space between the rhino body and the bottom of the box.

rhino-body-step-2Cut a piece of light blue poster board to fit the back section of the box. Round the top of it and tape or hot glue it to the box. This is your rhino’s rump. Again, leave about 1″ of space between the rhino body and the bottom of the box. And don’t forget to add a tail!

rhino-body-step-3

Attach a pair of ears, a pair of wiggle eyes, and 4 legs. Our legs were 2″ x 3.5″. We bent them slightly so they wouldn’t drag on the ground or rub against the wheels. Use markers to add nostrils, a smile, and toenails. Decorate two strips of white poster board (ours were 1″ x 6″) and attach to either side of the neck to create a collar.

rhino-body-step-5

Did you notice the red yarn leash in the above photo? To make a leash, cut notches in a 1.75″ x 3″ piece of tagboard or poster board, then knot a 29″ piece of yarn around it.

rhino-pull-string-knotAttach the leash assembly to the front of the box (under the rhino’s the “chin”). Keep the assembly towards the bottom of the box. If it’s up too high, your rhino will keep tipping over.

rhino-body-step-4That’s it for the rhino, now for your accessories! Our paper accessory bags held a water dish, a bag of African grass, and a fleece blanket (we offered a choice of pink, blue, or purple).

rhino-care-kitThe water dish was a shortened paper cup  with blue cellophane taped to it. In the book, Rita’s rhino eats African grass, so we hot glued labels to the front of a small drawstring bag (left over from this Viking event). The kids colored in the labels and stuffed the bags with a green paper crinkle.

african-grass

You’ll notice the paper bag and the water dish have the rhino’s name emblazoned on them. You can write directly on the paper bag, but we used address labels for the water dish. I loved this part of the project. The names were so creative! A few of my favorites? Bluebell, Giga, Bubba, Trix, Tany, Twinkle, and Baki. You gotta love Twinkle the rhino.

Let’s Do The Numbers

lets-do-the-numbersWelcome to the number mines of Digitopolis, the famous kingdom from The Phantom Tollbooth! This fall, we hosted a table at Princeton University’s annual Community & Staff Day event. Big crowds meant that we needed something simple, but we wanted to be creative too. Since we had successfully offered the number mines at a massive math event last spring (you can read about it here and here), we decided to bring them back for more numerical fun.

Alas, the original number mine (which was artfully constructed by the Arts Council of Princeton) wasn’t salvaged after the math event. This meant that Katie and I had to build our number mine from scratch. The first part of this post describes how we ran the event table. The second part describes how we build the mine.

At the event, kids would reach into the number mine and pull out a plain wooden number. I bought the numbers online from Woodcrafter, where they range in size, thickness, price, and font. I got the 4″ numbers that were 1/8th of an inch thick. Each number cost 56¢.

wooden-numbersWe found that 4″ was a great size for decorating, but if 56¢ per piece is outside your budget, you can go smaller. A 1″ number of the same thickness, for example, costs 23¢. Or, if you want to go even cheaper, skip the wood and print your numbers on white card stock. We loaded the numbers into the mine, and the kids “dug” them out with their hands.

reaching-in-1Once kids found a number they liked (7 and 8 were very popular), they went over to the number decorating area, which was stocked with metallic makers, glitter markers, small gemstones, and glue. We had a relevant quote from the book on display too. Kids really got into decorating. One little girl spent 25 minutes working on her number!

decorating-the-numbersNote! If you use squeeze glue (as opposed to hot glue) make sure to have paper towels or small paper plates handy so families can safely transport their numbers home. Hand wipes are also a good idea for sticky fingers and tabletops. Katie and I dressed for the occasion in miner’s helmets and safety vests.

dr-dana-and-katie-number-minesSo, that’s our event table…now for constructing the mine! You certainly don’t have to get as elaborate as we did. You can create a mine by covering a box with grey paper. Cut a hole in the box’s lid, throw some numbers in there, and have kids reach into the box! Or you could skip the mine altogether and just do the number decorating part of the project. But if you do want to build a mine, here’s how we did it.


STEP 1

Find a big, flat box that isn’t too deep. You don’t want kids to have to reach too far down for the numbers – especially the little ones. We used a 34″ x 54″ inch box lid, and then attached 6 photo storage boxes to the bottom using hot glue and packing tape. This resulted in a mine that was 5″ deep. Here’s a shot of the underside.

number-mine-step-1Since the box lid didn’t reach all the way to the bottom of the photo storage boxes, we closed the gap by attaching big strips of corrugated cardboard to 3 sides of the mine. We left it the mine open in the back so we could restock numbers during the event.


STEP 2

Cut holes in the top of the box. We found it helpful to draw the holes before we started cutting. That way, we could be sure we weren’t cutting into any of the support boxes and we knew that the numbers would fit through the holes.

number-mine-step-2


STEP 3

Create the rocky, craggy landscape of your mine. We bunched up big pieces of black bulletin board paper and attached them to the box with masking tape.

number-mine-step-3


STEP 4

Now for the really, really messy part. Papier-mâché. We don’t have a sink in our work space, and the nearest bathroom is far, far away. So we wanted to create the smallest mess possible. In other words, we didn’t want to cook, mix, or blend any sort of papier-mâché paste (or dilute any glue). After a little research, we settled on liquid starch.

Below are our tools – 2 enormous jugs of liquid starch, 2 plastic roller trays, and 4 paint brushes (the bristle brushes worked better than the foam ones). Oh, and we also put a plastic tarp under the mine so we wouldn’t ruin the table.

number-mine-toolsSince we had a lot of area to cover, we used big, 6″ x 16.5″ pieces of newspaper. Occasionally, we use a smaller strip for edges or crevices, but mostly we stuck with the big ones.

number-mine-step-4_1The liquid starch held up well! It did coat our hands with sticky residue that required multiple rounds of soap and scrubbing to remove, but it wasn’t too bad. Honestly, the worst thing about the liquid starch was the fact that it was scented. “Mountain Fresh” scent to be exact. Hoo boy. You could smell the mountains the minute you took the cap off. After a couple minutes, the fragrance was looming in the room like a big, ominous fog. Katie put together a little graphic to convey the overpowering Mountain Freshness.

mountain-fresh-freakoutWe left the first layer to dry overnight. For the second layer, we got a little experimental. While researching liquid starch, we learned that some people absolutely rave about using white paper towels and computer printer paper for papier-mâché projects, especially if the projects are going to be painted later. So we decided to give it a try. We papier-mâchéd the bottom of the mine with paper towels, and the top portion with computer printer paper.

number-mine-step-4_2Wow, did the paper towels suck up the liquid starch! The printer paper needed much less. But the printer paper was so stiff, it created unwanted gaps like this one:

stiff-gap-problemThe solution was to drape a liquid starch-soaked paper towel over it. Below is that same gap with the paper towel over it. As you can see, the soft paper towel completely obscures the gap. I didn’t officially test this, but I believe newspaper would obscure gaps as well, perhaps even better than the paper towels.

stiff-gap-problem-solvedI was a little worried the paper towels were too transparent. But overnight, they magically dried to solid white.

number-mine-step-4_3In the above photo, you can see there were still wet patches in crevices where the liquid starch had pooled. Katie hit those with a hair dryer, no problem. And we should add that, even now, things were still smelling quite Mountain Fresh.


STEP 5

Time to paint! We used this awesome textured-stone effects spray paint by Valspar. It’s fun, but pricey ($10 a can at Lowe’s). Our mine required 3 cans.

stone-spray-paintA cheaper option would be to use gray paint to cover the mine, then dab on darker gray  with a piece of sponge. This will get you a textured surface, without the hefty spray paint price. Once the spray paint had dried (which, we might add, finally dissipated the Mountain Fresh fragrance), we decorated some numbers and attached them to the mines with hot glue. We hot glued some large plastic gems on as well – purchased from the wedding favor aisle at Michaels Craft Store.

number-mine-step-5And this, dear readers, is when we discovered the fatal flaws in regards to paper towels:

  1. When dry and spray painted, paper towels become incredibly brittle. I poked a hole right thorough one section while merely tapping on it (we eventually covered the hole with the number 8).
  2. The texture of the paper towel absolutely comes through in the end. So if your paper towels have little hearts embossed on them, you’re going to see little hearts under the paint.
  3. The edges of the paper towels are clearly defined. Unlike the newspaper and the printer paper, you can definitely see the edges of the paper towel under the paint. So our rocky surface looked like, well, draped paper towels. You could even see the dotted perforations that separate the paper towels.

paper-towels-not-goodThe printer paper, on the other hand, was much sturdier and the edges were hidden under the paint. The lesson? DON’T use paper towels for papier-mâché projects. Use newspaper and printer paper instead. In fact, I highly recommend printer paper for the second layer of painted papier-mâché projects. Very sturdy, holds paint very well.

However, paper towels are what we used and their brittle weakness made me and Katie very, very nervous. We were positive that kids were going to put their hands right through the mine as they leaned in to select numbers.

reaching-in-2Anticipating trouble, we brought duct tape and a couple of step stools to the event. The stools elevated the kids right up to table level, allowing them to keep their weight mostly on the stools and not on their hands. So the paper towels held, but there were a couple time you could see them bending. Katie and I would brace ourselves for a tearing, crunching, breaking sound. Thankfully, it never happened. Whew!

The BiblioFiles Presents: Lois Lowry

lois-lowry-bibliofilesJust posted! A webcast with multiple award-winning author, Lois Lowry.

In 1977, Lois Lowry published A Summer to Die, a story about family, loss, life, and hope. It was Lowry’s first children’s book, written in her characteristically frank, feeling, and beautiful prose. It won the International Reading Association’s award for fiction in 1979. That same year, Lowry published the first in her now famous series of Anastasia Krupnick books. And the world of children’s literature was never the same again.

In her long and distinguished career, Lowry has written 45 books and been awarded two Newbery medals for Number the Stars in 1990, and The Giver in 1994. Her unabashed exploration of difficult subject matter has also made her a frequently challenged children’s book author. In 2015, she was awarded the Free Speech Defender Award by the National Coalition Against Censorship.

While it is difficult to summarize the decades-long career of a luminary who has produced not one, but several seminal books in the history of children’s literature, two things that stand out are Lowry’s versatility, and her respect for her readers’ level of understanding. Versatility in that she can write hysterically funny books as well as deeply poignant ones. And respect for readers in that she doesn’t shy away from difficult, embarrassing, uncomfortable, or socially charged topics. Instead, she speaks to the reader as an equal. It is the ultimate form of literary empathy, one that has the power to change a reader for life.

Follow this link to the BiblioFiles interview