The Young Federalist

It’s not everyday you get to hold history in your hands! But when Princeton University sophomore Abigail Readlinger gifted us a copy of her children’s novel, I just had to facilitate a connection between her love of American history and our special collections. Later, I asked Abigail to write about her experience and share the inspiration for her charming book…


Firestone Library’s Special Collections gave me the chance to travel through time. Among its vast array of original documents and fundamental texts is Alexander Hamilton’s very own copy of The Federalist Papers. Writing in the late 1780’s, Hamilton—along with John Jay and James Madison—drafted this series of eighty-five essays in hopes to encourage the ratification of the new Constitution. These Federalist Papers, as evidenced by their substantial contribution to the adoption of our government, are ones of profound and utmost importance. They reveal the nature of American political thought and a corresponding guide by which we ought to live by.

I myself am somewhat obsessed when it comes to The Federalist Papers. Forced to read them during my freshman year of high school, I became immediately attached. I had always loved American history, and The Federalist Papers seemed to transport me directly into the minds of our great Founding Fathers. Desperately bored during the pandemic, but armed with my love for The Federalist Papers, I began to write what is now a published children’s book: The Young Federalists.

The Young Federalists. Written by Abigail Readlinger and illustrated by Stephanie Fliss Dumas. Mascot Kids, an imprint of Amplify Publishing Group, 2022

The story follows the journey of the Kennedy siblings—Reagan, AJ, and Dolley—as they travel through time, meet Alexander Hamilton and discuss (over a cup of tea!) the importance of Federalist No.1. Just as Hamilton endeavored to inspire his generation through his writing, so also do I hope to inspire mine. The value of the American way is timeless—from then to now, for old and for young.

So when I heard Hamilton’s personal copy of The Federalist Papers just so happened to be located in my own university’s special collections, I jumped at the opportunity to see it.

I still cannot quite articulate the feeling of flipping through the pages of a book both so informative in my life and belonging to one of my most beloved heroes. In 2024, author of The Young Federalists, I was holding the same book that Alexander Hamilton, author of The Federalist Papers, once held over two hundred years earlier.

The Federalist Papers. Special Collections, Princeton University Library.

Just like the characters in my book, I was having my own time travel adventure. Visiting special collections, peering over the handwritten scribblings of Hamilton’s notes, and experiencing history hands on, has been by far one of my favorite Princeton experiences. There is so much to explore in our university’s incredible collection, and to have had this opportunity has really been beyond my wildest dreams.


Would you like to see inside this copy of The Federalist Papers? You’ll find a digitized version here. All are welcome to conduct research in Special Collections at Princeton University. If you are interested in visiting, you will find more information here. Do you have a question for Abigail? Email or visit her Instagram.

A Very Concrete Example of a Library

Over the years, I have found myself in a number of interesting libraries and literary settings, but today I wanted to share one that is truly unique. The entire room…in fact the entire mansion is constructed of poured concrete. This unusual library is just one of the rooms in Fonthill Castle, the Victorian home of the eclectic and eccentric Henry Chapman Mercer in Doylestown, Pennsylvania.

An “archaeologist, anthropologist, ceramicist, scholar and antiquarian,” Mercer had the home built between 1908-1912. It has over forty rooms, extensive grounds, a multitude of fireplaces, and a plethora of windows (including a little one I spotted embedded in a chimney!). The mansion’s exterior and frame was crafted exclusively from poured concrete. Much of the interior is concrete as well, including shelves, desks, chairs, even dressers!

The library was one of the larger rooms we viewed during the educational tour. It was two levels with vast windows and a massive fireplace. You might notice the abundance of tiles. One of Mercer’s passions was ceramics and tile, and he hand-crafted almost every tile you see in his home. Also, if you’re wondering how to get to the second level of the library, shhhhhh there is a secret staircase behind the fireplace.

Mercer was a true scholar. He loved the discovery and acquisition of knowledge. So books weren’t confined exclusively to his private library. He had multiple studies throughout the mansion (he actually followed the path of the sun through his home, capitalizing on the reading and writing light it allowed him). Each study held collections of books and artifacts from his extensive world travels.

The home tour was fascinating, but we were wholly unprepared for Mercer’s other building, a six-story castle (also made of reinforced concrete) that now serves as the Mercer Museum. If a photo is worth a thousand words, I leave you with this, and urge you to see the museum for yourself!

In addition to Fonthill Castle and Mercer Museum, I can also highly recommend Doylestown as a charming and laid back travel destination. There are plenty of shops, eateries, ice cream stands, and parks. It’s extremely walkable, and don’t miss the independently-owned Doylestown Bookshop. It’s fabulous!

Stained Glass Stories

Color and concept came together at Stained Glass Stories, our most recent community event! It was connected with our current exhibit, “Once Upon New Times: Reimagining Children’s Classics.” In the exhibit, you’ll find old tales presented in new (and sometimes very unusual) formats. We decided to play with that idea and distill a famous book or character into a single image created in stained glass.

Our event featured six original windows, a mini project for kids, playful light tables, and a little peek at the glass art of the University Chapel. We were also delighted to host artist Karen Caldwell from Sunflower Glass Studio. Read more about Karen (including an interview!) towards the end of the post.

We’ll start with our window gallery, which featured The Wonderful Wizard of Oz, The Very Hungry Caterpillar, Lowly the Worm in his apple car, Chicka Chicka Boom Boom, The Rainbow Fish, and Puss in Boots.

Five of the windows were drawn by talented artist (and Scheide Librarian and Assistant University Librarian for Special Collections) Eric White. The one exception was the Chicka Chicka Boom Boom window. That was me! Since working with real glass was out of the question, we used Gallery Glass brand non-toxic window paint ($20 for a pack of 8 basic colors) and imitation non-toxic leading ($14 a bottle). Instead of glass sheets, we used acrylic, which was lighter weight and much safer. A 12″ x 16″ acrylic sheet runs about $5 each on Amazon.

To create the windows, we enlarged Eric’s original drawings, printed them on 11″ x 17″ paper, then traced them onto the acrylic with Sharpies. Next came the window paint, and after that dried, the leading. Here you can see the windows in progress…

Another terrific thing about using acrylic is that you can drill holes in it. On event day, we used self-adhesive hooks, fishing line, and S-hooks to hang the windows.

A few words about the window paint and leading. Yes, window paint is technically paint, but it is thin and sometimes requires multiple layers. We found it works best if you skip brushes all together and squeeze the paint directly onto the surface in a thick layer. And the imitation leading can be fairly viscous. So get ready for some serious squeezing.

Because of cost and mess, we couldn’t give kids individual bottles of window paint. So we came up with a plan for our mini window project that worked really well. At the event, kids received a 5×7 foam carrying/drying tray (125 for $19 on Amazon), a 5×7 acrylic window (20 for $13 on Amazon), a small color palette (8 for $20 on Amazon), six Qtip “paintbrushes,” and a color menu.

The paper menu correlated with an acrylic menu we hung by the window, so kids could see how the colors appear when they are dry. At the event, they could choose up to 6 colors.

The color menus further correlated with paint bottle holders I made out of box tops and paper cups. This helped me and Katie locate colors fast, and also kept the bottles upright.

Kids then took everything to worktables where Sharpies were waiting in bins. They used the Sharpies to draw on the acrylic, colored it in with the paint, then took it to the drying tables. Our system totally worked…we had ZERO paint spills or accidents and the kids were really delighted with the little color palettes.

For caregivers who didn’t want to navigate paint, we made small copies of four of the custom windows, and had a coloring table with washable markers.

But in an interesting twist, some folks brought the coloring sheets over to the worktables and traced them onto their little windows! Below you can see a gallery of some window art, including tributes to Eric White’s fabulous creations!

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We couldn’t have a stained glass event without mentioning the beautiful Princeton University Chapel, which is not only one of the largest campus chapels in the world, it also houses some truly stunning stain glass windows. Katie put together a display honoring “The Poetry Window,” by Rowan and Irene LeCompte, which features the likenesses of Virgil, Dante, Chaucer, Shakespeare, Donne, Milton, Blake, Eliot, and Dickinson!

The surprise runaway event hit, however, were the light tables. These were 3 LED light tracing pads we purchased on Amazon. We bought large 11″ x 16″ pads, which cost $40 each, but there are definitely smaller cheaper one available. The light pads were paired with translucent shapes and tiles (about $9 – $13 a set, depending on the style), Katie also spotted a super cool pack of 12 transparent geodes (Amazon, $25).

I know the figures I quoted above can be budget-busting, but we did purchase the light table supplies for use at future events and programs. We’ve already rolled them out at our baby social hour, and plan to bring them to community events as well. EVERYONE loves these. Even adults!

The grand finale at the event was Karen Caldwell from Sunflower Glass Studio. She generously displayed her works, tools, did live demos, and chatted about glass techniques from the Middle Ages to modern day! Below is an interview with her, interspersed with photos of her event display.

Hi Karen! Please tell us about yourself!

I have been working in glass for almost 50 years, creating my business Sunflower Glass Studio in 1978. I came to my love of prisms and beveled glass as a young child, amazed of the rainbows passing through beveled glass in the movie Pollyanna. When I started designing glass in the early 80’s, one of the first investments we did was to purchase a beveling machine, to create spectacular windows.

How did you come to work with stained glass?

Through my college studies of art and horticulture, I worked in several different areas of employment, always doing work with my hands. It was a logical move when I secured a job assembling large Tiffany-style hanging shades, and then started free-lancing my designs back to the company. Within a few years, my partner, and then husband Geoff stated working with me in the glass studio. Throughout the decades, we adapt styles, techniques and skills to doing many types of glass fabrication, in the cold and warm methods of glass (stained glass, beveled glass, painted glass and fused glass).

How many step are involved in the creation of a window?

There are generally four to five distinct steps in creating a window: designing; selection of glass; cutting each piece of glass; soldering or leading the pieces together; final finishing steps.

What is the most difficult part of your craft?

The most difficult part of creating a window is the designing. The balance of a piece, and the color combinations are all the most important parts in the piece. From there it is mainly a matter of creating a stained glass puzzle into a window.

Do you have a favorite piece, and why?

My favorite form of glass is my newest art form – fused glass. I love working on my flower designs and trying to create a two-dimensional flower that appears the be
3-D. The fused glass botanicals that I create gives me must more freedom in the design aspect, compared to stained glass designs. Since I make each botanicals part in thin wafers, then compose the design and through a long kiln-firing to bond the pieces to a base glass, I do not need to be concerned with the background pieces. In stained glass, I always need to make sure the positive and negative pieces are cut-able. In fused glass, I just need to make sure the windows are balanced and flow.


Many thanks to artists Karen Caldwell and Eric White for contributing your incredible skills to the event. We appreciate you so much!