Wand Works

wizard with wandOf everything in the Harry Potter universe, I must admit I find the wands most fascinating. Not just because they play an integral part of spell casting – they also reflect the unique personalities of their owners. Additionally, shouting in Latin is so much more exciting when waving a wand. We tried to capture a little of that magic at Wand Works, our Harry Potter event.

gray magic woodworking wand displayOriginally, the event was just going to be about wands, wand making, and wand testing. But then I started thinking about the other ways students prepare for Hogwarts. So we brought book bags, text books, and owls into the mix. And, while I’ve recreated an assortment of Hogwarts classes over the years (check out this boggart from Defense Against the Dark Arts), I’ve never managed to do Muggle Studies. We had to do something on Muggle Studies!

Here’s how our event worked. As kids entered the library, they were greeted by a table full of these awesome book bags:

accio books logo by Polly CarlsonThat beautiful Accio Books logo was designed by Polly Carlson. You can find it here, on her truly clever blog Pieces by Polly. She was kind enough to give us permission to use it for the event. Also at the table were a slew of Crayola metallic markers for bag customization:

book bag decoratingThose are 13.5″ x 14.5″ polypropylene totes from 4Imprint. Specifically, it’s the “Value Polypropylene Tote (item #103873). We tested a couple of polypropylene bags for this project, and 4Imprint’s held the Crayola metallic markers ink beautifully (it smeared on the others). Also, 4Imprint had the best prices and customer service, flat out.

Tucked inside each and every event bag was a color ticket, which lead the lucky witch or wizard to my favorite fictitious bookstore of all time:

flourish and blotts ticketsHere’s our Flourish & Blotts, staffed by Princeton junior Gabrielle Chen (she’s also the artist behind that fantastic sign)!

flourish and blottsBehind Gabrielle was a shelf stocked with copies of The Tales of Beedle the Bard, Quidditch Through the AgesHogwarts: A Cinematic Yearbook, and the Fantastic Beasts and Where to Find Them screenplay (alas, we missed the release of the text book version of Fantastic Beasts by mere weeks). There were also real quill pens with powdered ink packets, and some adorable Harry Potter Magical Creatures coloring kits.

stocked bookshelfThe tickets were color-coded with items on the shelves. Hand in your ticket, and receive the matching item! Just in case you’re wondering, we did sort and distribute the event bags by estimated age of the child. This was to insure that a 4 year-old received a Harry Potter coloring kit, not a copy of Fantastic Beasts.

Did you notice the little cauldron with the brooms sticking out of it in the above photo? Since we couldn’t buy books, quills, and coloring kits for everyone, the little brooms were the prize most frequently received by kids of all ages. But they are way cool because they are actually customized broom pens!

broom pensThese are “Personalized Witch’s Broom Pens” from Oriental Trading Company ($12 a dozen). For no extra fee, you can customize them with 1 line of text up to 16 characters in length. We went with “Nimbus 2000.” Everyone LOVED them! In fact, the whole table was a lot of fun. It was terrific to see kids, holding books (or quills, or coloring kits, or broom pens) with big grins on their faces.

fantastic beasts funElsewhere on the event floor was real-life wandmaker Lane O’Neil from Gray Magic Woodworking. You previously met Lane in this post. In person, his wands are even more beautiful, fantastic, and magical. His table was so swarmed. I couldn’t even get near it for the first hour of the event!

wands on display, gray magic woodworkingLane also displayed his lathe, tools, different types of wood, and wands in different stages of completion. He did demonstrations, showed slides, and answered questions throughout the entire event.

lane o'neil gray magic woodworkingNot far from Lane was our Muggle Artifact exhibit, curated by Princeton University sophomore Téa Wimer. The exhibit consisted of 45 Muggle objects complete with informative exhibit labels. Below, two attendees ponder a Cookie Slicer (which, amazingly, looks just like an old school photo enlarger).

muggle cookie slicerAnd here, two scholars consider a World Checker. Nearby is a rather puzzling object on a pedestal. Kids could write guesses as to what the Muggles use the object for. The full exhibit, as well as an interview with Curator Téa Wimer, is now online!

muggle world checkerOwls are another must for Hogwarts students, so we had a table where kids could make these awesome and super simple wrist owls.

wrist owl examplesAnd now we come to the main event – THE WANDS. After much searching and testing, we settled on wands made from cooking chopsticks, hot glue, and paint. They are, in fact, very much like the wands our kid tester made for her DIY Harry Potter party.

But there were problems. While these types of wands are wonderful in small batches, we needed hundreds. The event was recommended for kids ages 5-11. Would someone poke their eye out? Hot glue is used to create the texture of the wand. Would someone burn their fingers? The wands require paint. Would they dry sufficiently? And – how messy was this all going to get?

Turns out, we solved all these problems, and everything went beautifully.

First, we bought 2 kinds of cooking chopsticks on Amazon. 13″ pointy ones (4 pairs cost $7.40) and 10.5″ blunt ones (10 pairs cost $11). If you’d like to know the exact brands we used, e-mail me for the links.

wand chopsticksFor the event, we made trays out of box lids, separating the wands into blunt and pointy sections. This was primarily for the benefit of parents and caretakers. The pointy chopsticks were definitely the most popular, but we also had many adults who were very grateful for the blunt wands. There was even some quietly-switch-from-pointy-to-blunt-while-the-kid-is-distracted going on.

tray of wandsNext came the hot glue. While we would have loved for kids to make their own hot glue designs at the event, we knew that just wasn’t possible on a large scale. So we hot glued all the wands in advance. It took us a couple months of chipping away here and there, but in the end we had hundreds of wands, and no two were alike.

hot glued wandsNext, the paint! After testing a number of different paints, we settled on Michaels Craft’s in-store brand, CraftSmart. We used their satin acrylic paint because it was water-based, non-toxic, fast-drying, and there were lots of different shades of brown. The regular acrylic paint was too dull, but the satin left a really nice finish on the wand.

finished wands, both kindsAt the event, kids selected the wand they liked from the tray, and then picked the paint color they wanted. To make the color selection easier, we made several paint choice panels out of cake pads and jumbo craft sticks. The numbers below the paint samples corresponded to the name of the colors (which were written on the back of the panel for the table staff).

wand paint panel From left to right, the CraftSmart satin acrylic paint colors are khaki, golden brown, brown, burnt orange, and espresso. Burnt orange and espresso were definitely the most popular. But all the colors looked fantastic.

You need very little paint per wand. To keep the mess down and conserve paint, we gave each kid a 1.25oz plastic cup with a little bit of paint inside it, a paint brush, and a paper plate to work on. When the kid finished, his/her paint cup and brush could be used with another kid.

the painting of the wandsThis paint was extremely fast drying on the wood, even with multiple coats. The hot glue, however, was another story. In order to dry the wands faster, we put together a wand-drying chamber out of a piece of cardboard, jumbo binder clips held down with packing tape, and 2 box fans running on low.

wand drying chamberBelow you can see the wand drying chamber in action, with the wands inserted in the clips. At the event, kids wrote their names on little bits of paper, which were clipped with the corresponding wands. Depending on how many coats of paint were on the wand, it typically took 5 – 10 minutes for a wand to dry in the chamber (15 if there was a LOT of paint).

wands drying in chamberTo be clear – the wand drying chamber was tucked behind the event tables, away from the crowds. Only event staff had access to it for obvious reasons. However, if I was to do this event again, I would definitely add a designated “Wand Pick-Up Area” to make things run even more smoothly.

FINALLY, we had an activity that I only dared dream of, but Princeton University junior José M Rico made a reality. A virtual, interactive, wand-testing classroom. It was AMAZING. I teased a screen shot on our Instagram, but here’s a photo of Katie casting one mean Bombarda spell.

katie and bombardaAll the details of the game, as well as video and a free download, can be found here!

I’d like to thank everyone who made this event possible. Thank you Polly Carlson for graciously letting us use your Accio Wand design, student artist Gabrielle Chen for painting the awesome Flourish & Blotts sign, and Lane O’Neil for bringing his talent and wands to the event. A hearty round of applause to our incredibly creative Muggle Artifacts Curator Téa Wimer. Further applause to our wildly talented game designer Jose Rico, as well as artist Jeremy Gonclaves, who allowed us to his 3D game background.

A big shout out to our extensive team of wand hot gluers, Andrea Immel for swooping in to help at our owl table, and all the Princeton University students who volunteered their time to help at the event. Many, many thanks!

The Wizard Behind the Wands

gray magic woodworking wand 161Does the wizard choose the wand? Or does the wand choose the wizard?

If there is one person who knows the answer to this intriguing question, it is Lane O’Neil, the master wandmaker behind Gray Magic Woodworking. Lane brought his wands, tools, and expertise to our library’s Harry Potter Wand Works event, and we couldn’t have been more delighted.

Even though Lane has been woodworking for 25 years, he didn’t take up the wand making lathe until fairly recently. Four years ago, during a hike, he picked up an oak branch. He carved the branch into his first wand – a gift for his young daughter. 291 hand-crafted wands later, Lane is still busy carving and shipping his unique pieces around the world.

gray magic woodworking wand 155Fantastically, Lane donated 3 of his wands to our Accio Wand blog contest! Readers of all ages were invited to submit an original Harry Potter spell, be it silly or serious. The winning entries are posted here.


How did you first get interested in wandmaking?

I got interested in wandmaking slowly over time. I enjoyed the Harry Potter movies, and being an artist, I was instantly drawn to the concept of each witch or wizard having a unique wand. They were made from different woods, had different cores, and were made by different wandmakers. The idea that the wand was linked to the person was wonderful. Sometimes the style fit the personality like Hermione, Sirius, or Narcissus. And sometimes it didn’t, like Ginny, Harry, or Mad-Eye. Sometimes the wand only reflected the holders shallow exterior, like Delores Umbridge, or what beauty was hidden beneath the surface, like Luna.

I had vision upon vision in my head of new pieces to create. And I got to work. I wanted each piece to be unique. I love the idea of the wand being paired to one person. It’s less of a part time job now, more of a labor of love.

gray magic woodworking wand 232What sorts of woods do you use?

When I first started, I used what was readily available, Oak, Poplar, Ash, Maple. But as I discovered, there are hundreds of species of trees. I now use Paduak, Gaboon Ebony, Birch, Purpleheart, Cherry, Bubinga, Cocobolo, Koa, Osage Orange, Mahogany, Lacewood, you name it. The more exotic and far traveled it is the better. I love the different textures, grains, colors, and figures.

gray magic woodworking wand 050Where do you acquire the wood for your wands?

I get wood wherever I can. Found pieces, traded pieces among my woodworking group, but primarily I use exotic hardwood suppliers. I got requests to craft from Holly, Elder, and Larch. And since I just couldn’t run down to Home Depot and pick up some Bolivian Rosewood, I needed to branch out and discover new suppliers.

wood piecesMy favorite place is called Hearn, they are located in Oxford, PA.  It’s like a candy store for people who craft wood. They have everything from domestic scraps to 16′ slabs of exotic wood shipped from the hearts of far away continents.

Describe the process of carving a wand from start to finish.

I start with a dried, seasoned “blank.” It’s usually about 1″X1″x16″. I drill a small shallow hole into each end to secure it in the lathe. I remove the Morris Taper spur from the lathe, tap it onto the wood blank, insert the spur/wood onto the lathe, and lock in the tail stock. I make sure I have my safety goggles and breathing respirator on, and my sleeves rolled up.

I position the guide, turn on the lathe, and use a “roughing gouge” to take the edges off until I have a smooth, long cylinder. I can then draw lines, if needed, for length or detail locations. Then I use various skews and chisels to shape the wand.

chiselWhen it’s just about fully shaped, I use sandpaper to smooth it – working to smaller grits until I’m happy with the texture. I can also stain or paint the wand while it’s spinning. I usually use a carnauba wax/ tung oil blend to finish fully.

latheWhen I’m just about done, I “part” the wand from the lathe by cutting the material away by the tip or pommel until the wand falls off. I move the piece to the work bench, saw the remaining scrap block off, sand the two rough ends, and finish with carving, wood burning, or other decorations. I tag it, give it a name, and a number.

gray magic woodworking wandsHow long does it take to make a wand?

The time it takes to make a wand depends on the intricacy. The first wand I ever turned took an hour and half…and it was kind of rough. I spent about 80% of the time carving and shaping, and 20% sanding and finishing. Now it’s more like 40% of the time carving and shaping, and 60% finishing. I under-valued the worth of the finish when I got started, but my skill improved.

I made 22 wands for my daughter’s class for Valentine’s – real simple and basic. Those took 4 minutes each. I also made one covered in carved vines that took 8 hours. But the average time would be 45-60 minutes.

gray magic woodworking wand 234What locations have your wands shipped to?

I’ve shipped as far North as Fairbanks Alaska, as Far East as Taipei Taiwan, as far South as Singapore, and as far West as Anchorage, Alaska. All over Europe and Saudi Arabia too.

gray magic woodworking wand 251What’s the most unusual or significant wand you’ve ever made?

The most unusual wand I ever made was a hand carved series of twisted “vines.” It appears to be woven, but is actually sculpted out of a block of wood.

gray magic woodworking wand 256The most significant wand I’ve ever made is a tie. I made a Beech wand that was chosen by a young girl from the Make-A-Wish Foundation. There wasn’t anything too special about it other than the leather wrapped handle, but she chose it.

gray magic woodworking wand 055The other one was purchased by a mother in London, England. She bought a Japanese Maple for her son Harry for his 10th birthday…that was pretty cool. His mother sent me a photo.

harry and his gray magic woodworking wand


Photos courtesy of Gray Magic Woodworking.

Ewer Unique Essence

ewer unique essenceIt’s a mysterious bottle filled with a unique, glowing essence. What could the essence be? Happiness? Triumph? Panache? The Thrill of Your First Ride on the Back of an Arachnimammoth? This radiant project was part of To Be Continued, our chapter book story time for 6-8 year-olds.

We read The Creature Department by Robert Paul Weston (Razorbill, 2013). Elliot von Doppler is thrilled when his uncle Archie invites him to his workplace for a tour. Uncle Archie works in the top secret Research and Development Department at DENKi-3000, a company known for its amazing inventions. Elliot and his new friend Leslie soon learn that Uncle Archie’s secret department is staffed by creatures – bog nymphs, fairy-bats, knucklecrumplers, and bombastadons (to name a few). But DENKi-3000 is also in trouble. If the Creature Department doesn’t come up with a ground-breaking new invention in a few days, the company will be taken over by the relentless Quazicom Corporation. But, like DENKi-3000, Quazicom isn’t quite what it seems…

In my favorite part of the book, Elliot and Leslie visit “The Abstractory,” an enormous library/pantry that houses millions of bottles. Inside each bottle are different creature essences – namely, the special feelings, thoughts, and emotions that power creature inventions. Some essences are simple, like “Justice.” Others are more complicated, like “The Overwhelming Suspicion Something Big and Hungry is Hiding Under Your Bed.” Depending on their contents, the bottles glow, vibrate, flash, shimmer, and rattle. We wanted to capture a little of that fun with this project. Hence, a glow-in-the-dark bottle that contains an essence of your own making, complete with label.

finished bottleBut, because DENKi-3000’s research and development department is shrouded in secret, the entire project came as a take-home kit with strict instructions to NOT open the box until you get home.

DENKi-3000 boxYou’ll need:

  • 1 small glass bottle with lid
  • 1 rectangle of white card stock (ours was 2.25″ x 2.75″)
  • Glow-in-the-dark pigment or paint (more on this later)
  • 1 paintbrush
  • 1 square of glitter tulle (ours was 3.5″ x 3.5″)
  • 1 small bottle label with string
  • 1 wooden stirrer (we used a 4.5″ craft stick)
  • Scissors and white glue for construction
  • Pen

Below you can see the contents of the kit. There’s a glass bottle, a container of white glue, a plastic bag of glow-in-the-dark pigment, a wooden stirrer, a paintbrush, a rectangle of white card stock, a square of glitter tulle, and a small label with an elastic string. We gave the kids 1 extra piece of card stock and 1 extra piece of glitter tulle, just in case they messed up. Not pictured in the photo – a set of kit instructions.

creature bottle kit First, the bottle! We used 2.25″ screw-top jars scored from the wedding section of Michaels craft store. 20 jars cost $21, but we had a 40% off coupon. Woot! To make it look less like a spice jar, we hot glued a clear flat glass marble on top of the lid.

empty creature bottle

Use the paintbrush to paint the inside of the bottle with glow-in-the-dark glue or paint. We used non-toxic glow-in-the-dark pigment (read about it here) mixed with white glue. Why? We wanted the kids to feel like little alchemists – pouring the pigment into the glue, stirring it with a wooden stick, and watching it transform into glowing goo.

mixing glow glueThe glow glue goes on opaque, but as you can see below, it dries semi-transparent. Glow-in-the-dark paint (which we found in the t-shirt decorating section of Michaels) also dries transparent:

treated bottlesThe glow glue, however, glows much stronger. Perhaps because you can control the ratio of pigment to glue? But the paint is glowing. And it requires a lot less measuring and mixing. So you can’t go wrong with either choice.

treated bottles in the darkIt’s time to create your creature essence! This is basically a card stock shape wrapped in tulle. Since we wanted the bottles to also look pretty in daylight, we went with glitter tulle, which you can find in the ribbon section of Michaels.

Cut the card stock into your desired shape (we went with a spiral). Make sure the shape fits in the bottle! Then, paint both sides of the shape and the tulle with glow-in-the-dark glue or paint (we recommend doing this on top of wax paper or parchment paper). It might seem like the glue or paint isn’t sticking to the tulle, but we assure you, it is! Here’s the finished painted tulle and card stock spiral:

treated tulle and card stock Once the bottle, the shape, and the tulle are dry, gently wrap the tulle around the shape and tuck it into the bottle. Screw the lid on, write the name of your essence on a label, and attach the label to the bottle. We used 1.25″ price tags with elastic strings, found it the beading section at Michaels. We found the plastic baggies for the pigment there too. Both of these things cost just a few bucks.

You’re done! Charge up the bottle, take it to a dark room (or hold it next to a black light) and watch your creature essence illuminate! I love how the tulle makes the card stock shape look like it’s suspended in fog.

ewer unique essenceThere was another reason I was so keen to do a glow-in-the-dark project for The Creature Department. The book’s cover GLOWS IN THE DARK!

creature department book coverEvery story time, without fail, the kids would ask to see the cover glow. No matter how many times we looked, they never lost their enthusiasm for it. In the video below, you can’t  see the book, but you can definitely hear the kids reacting to its cover!