Aliisa the Artist

self portrait_artwork by aliisa leeFor the past four years, I have had the privilege of working with an extremely talented Princeton University student artist. Her name is Aliisa Lee, and she has loaned her tremendous abilities to a whole host of artistic endeavors at our library – project templates, event posters, logos, illustrations for children’s stories and poetry, and more.

summer announcement logo_artwork by aliisa lee

Summer announcement logo

hungry caterpillar food drive logo_artwork by aliisa lee

Very Hungry Caterpillar food drive logo. Food drive title and art inspired by the work of Eric Carle.

bad hair day_artwork by aliisa lee

Illustration for “Bad Hair Day”

the dragon princess_artwork by aliisa lee

Illustration for “The Dragon Princess”

Below you can see some steampunk templates she designed for a Journey to the Centre of the Earth event (later, I used the templates for a Rube Goldberg-esque mechanism and a fanciful steampunk airship story time).

steampunk hat

And how about these delightful vanilla-scented French pastry ornaments? Mmmm.

ornaments

Aliisa’s also worked on completely random (and sometimes rather strange) projects. She didn’t, for example, bat an eye when asked to make 80s paint splatter background.

welcome to the 80s

Or create a police line up of book damage perpetrators

lineup of book baddies

Or depict Hiccup and Toothless at the movies…?

hiccup and tootheless at the movies_artwork by aliisa lee

Last month, Aliisa graduated from Princeton University with a major in English and a minor in Visual Arts. I caught up with her to chat about her experience at Cotsen, her process for illustration, and what she’s going to do next (including – and this is important – continuing to freelance for us).


Tell us a little about yourself!

I grew up in the sunny state of Hawaii, but have since moved abroad several times. I am the fourth of six crazy kids, and all of our names start with A. It makes for some fun confusion when we are all together! In my free time, I love reading, writing, and (you guessed it), drawing. I especially enjoy drawing digitally by using my computer, Photoshop, and a Wacom pen and tablet.

Name a few of your favorite artists / inspirations.

I really look up to the artists of my favorite childrens’ books, like Clement Hurd, Mary Blair, Bill Peet, and Henry J. Ford. I am also a huge fan of Pixar and Studio Ghibli, with all their inspiring storytelling and fantasy elements. I follow many digital artists on tumblr, but I also just I love getting ideas from literature, dreams, and of course, my family and friends!

What have been some of your favorite projects for the Cotsen Children’s Library?

Hmmmm, that’s such a hard question. I’m a bit of a podcast nerd these days, so I loved doing the album art for the BiblioFiles.

bibliofiles artwork by aliisa lee

I am also a huge fan of Alice in Wonderland and The Phantom Tollbooth, so the Alice thaumatropes and the Digitopolis posters and logo were a great way to pay tribute to some of my beloved texts.

thaumatrope demo

digitopolis by aliisa lee

My favorite type of project is probably illustrating for our time’s new generation of writers and poets. If I have to choose one assignment that I especially treasure, it would be the art for “The Sun Lifted Me Away.” The young author’s father wrote to us later that his daughter loved the drawing for her poem; hearing that the young author was so happy with what I drew makes that illustration one of my favorite projects!

the sun lifted me away_artwork by aliisa lee

Illustration for “The Sun Lifted Me Away”

You’ve illustrated kids poems and stories. What’s your process for selecting and illustrating specific scenes or phrases?

It varies piece to piece! Sometimes Dr. Dana will have a fairly specific suggestion for a scene, which has trained my eye and always helps with the process. When the illustration is more up in the air, I often read for specific lines and imagery that stand out, and draw fairly literally from that. (For example, a line from “The Pit,” that says “He clasped the edge and began his ascent.” A very dramatic, specific scene gets a very dramatic drawing.)

the pit_artwork by aliisa lee

Illustration for “The Pit”

Or, if the piece has more atmosphere than narrative, I brainstorm for scenes or visuals that reflect that feeling. (For example, the poem “Autumn is a Color, Not a Season” is all about the feel of autumn. The drawing and colors reflects this.)

autumn is a color, not a season_artwork by aliisa lee

Illustration for “Autumn is a Color, Not a Season”

What surprised you the most about the process of developing, editing, and finalizing a drawing for Cotsen?

Before working for Cotsen, most of my art was just kept to myself or my personal site. When you are doodling in your notebook or drawing just to show your family and friends, you “finish” an art piece when you are satisfied or just get tired of it. One of the greatest things about working with Cotsen and an art director (Dr. Dana!) is having another pair of eyes to help look critically at a piece, then develop it with the ultimate goal of publication. I’ve been pleasantly surprised to see how that process and push to make polished illustrations has just made me a better critical thinker and artist. Plus, it is a ton of fun to draw for Cotsen!

storm_artwork by aliisa lee

Illustration for “Storm”

In your opinion, what’s the most difficult thing about illustration?

This has probably happened to anyone who has tried to make art: you get a beautiful, inspiring image in your head and you just think, “I NEED to draw this.” But after you sit down and draw, you realize your art just doesn’t measure up to the image your mind conjured up.

This happens to me a lot, especially since the poems and stories I read have such beautiful and creative moments. But it makes we want to work hard to be a better illustrator, since I want to close that gap between what my mind can create and what my hand can draw.

Still, I know that even if I was the best illustrator in the world, I could never quite pin down exactly what my mind envisioned. That could seem frustrating, but it is also kind of beautiful! The imaginations we are given are actually the best artists we could ask for, you know?

the enchanted machine_artwork by aliisa lee

Illustration for “The Enchanted Machine”

Tell us a little about your senior show!

I would love to! My show was entitled “to wake” and included 80+ digital drawings, printed out in various sizes and placed around the space of the gallery. As you walked around left to right, the images sequentially told the story of a mother and daughter, plus a little bit of the fantastic as they traveled in the subway.

to wake 1_artwork by aliisa leeto wake 2_artwork by aliisa leeto wake 3_artwork by aliisa leeto wake 4_artwork by aliisa leeIt was very, very cool to have my own show, and to use the gallery space for both art and storytelling (two things I love!)

What are you going to do next?

I’m hitting the real world and getting a job. As a Princeton Project 55 Fellow, I’ll be working in communications at the non-profit International Schools Services, not that far from Princeton’s campus, actually. I can’t stop making art, so I will also be illustrating for Dana (and maybe a few other clients if I’m successful in expanding my freelance network). You haven’t seen the last of me yet! :)

poets_artwork by aliisa lee

Illustration for “Poets”


If you’d like to see Aliisa’s amazing portfolio, it’s online here. If you’d like to read a little more about her artistic process, she wrote a great post for Princeton University’s admissions blog here.

Thank you for 4 tremendous, tremendous years Aliisa! And here’s to many more!

Heartfelt

Cozy-Classics-Emma-largeThe first paragraph of Jane Austen’s Emma contains 40 words. Imagine narrowing it down to 12. Not challenging enough? Try narrowing the entire book down to 12 words.
Twin brothers Jack and Holman Wang not only stepped up to this challenge, they also proceeded to condense other classic works such as Pride and Prejudice, Moby Dick, The Adventures of Tom Sawyer, Jane Eyre, Oliver Twist, and War and Peace. 

Each 12-word board book is illustrated with truly astounding needle felt models, which are beautifully posed and photographed. The books are enchanting, delightful, and obviously labors of love.

Cozy-Classics-Emma-LadyWelcome, dear readers, to Cozy Classics (published by Simply Read Books).

Intended for children age 0+, the books use child-friendly and child-familiar words to introduce works of classic literature.  Accompanied by illustrations that reflect the context and mood of the original works, these books are the perfect first step towards the larger realm of literature.

Cozy-Classics-Oliver-Twist-MeetCozy-Classics-War-and-Peace-DanceCozy-Classics-Pride-and-Prejudice-FriendsThe creators of Cozy Classics are well-matched to their task. Jack has a Master’s in Creative Writing and a Ph.D. in English. Holman, an artist and former middle school teacher, holds a Bachelor’s in education and a Master’s in architectural history. Jack and Holman have D.A.D. degrees, as well (i.e., they’re both fathers)!

How did this collaborative adventure start?

Jack: I was the one who came up with the idea of abridging classics for babies. When I shared the idea, Holman loved it. At the time, we both had a child under two, so board books were definitely on our minds. The only question was how we were going to illustrate our books. We wanted to do something original that would jibe with the classics. Holman’s sister-in-law does some needle felting, and that gave him the idea. So we each contributed something important to the concept, and that’s how Cozy Classics got started.

baby readsWhat is needle felting, and where did you learn it?

Holman: Needle felting is basically sculpting with wool. You stab loose wool repeatedly with a barbed needle, which entangles the fibres and makes the wool firm enough to hold shape. We taught ourselves how to needle felt for the purpose of these books. My very first figure, Ishmael, wound up in Moby Dick, but our technique has gotten a lot better since. For example, Ishmael didn’t have eyebrows or thumbs. He also had no armature (wire inside), which all our figures now have. This makes posing and re-posing them a lot easier.

How long does it take to craft and photograph a single illustration?

Holman: That’s hard to say. It takes 20-30 hours to complete a single figure. If a scene requires a studio set, it might take anywhere from a few hours to a few days to build. Lighting and photography generally takes three to five hours. If a scene requires an outdoor location shoot, it can again take anywhere from a few hours to a few days, depending on the weather and the travel involved. But the short answer is, a long time!

fake forestWhat books did you decide to do and why?

Jack: So far, there are nine Cozy Classics: Pride and Prejudice, Moby Dick, War and Peace, Les Misérables, Jane Eyre, Oliver Twist, Emma, Huckleberry Finn, and Tom Sawyer. We have to think practically—it’s harder, for example, to do a book with a lot of characters—and we do think about gender balance, but mostly we just pick books that we care about and that we think other people care about, too.

Cozy-Classics-Les-Miserables-SadYour Cozy Classics board books consist of 12 words and 12 illustrations. How difficult is it to take a classic book that’s hundreds of pages long and boil it down to 12 simple words?

Jack: It can be challenging, that’s for sure. Some people think it’s just a matter of picking the twelve most memorable scenes, but twelve famous scenes and twelve random words won’t necessarily tell a story. So we start by choosing words that we think will give the best sense of the main storyline. Our motto is “no subplots.” And it’s not just twelve words but, as you say, twelve simple words, which means your dictionary isn’t very big to begin with. Sometimes words repeat from book to book because novels often share crucial elements. We’ve noticed there’s a lot of dancing, running, and helping in novels!

Cozy-Classics-Moby-Dick-Find2Which story was the most difficult to adapt?

Jack: Probably Emma. You would think it’d be a tome like Moby Dick or War and Peace, but both those novels have a simple narrative arc when you boil them down. But Emma has subplots that are fairly indispensable to the story.

Some people might be surprised to learn that – at least for your Cozy Classics book series – there are no computer graphics used on the photos. Tell us a little bit about the perils of setting up the perfect shot.

Holman: You’re right. Our attitude, at least for Cozy Classics, is that computer generated images would be “cheating”. So when you see sky in a shot, it’s natural sky. If you see a forest, it’s a real forest. Shots with stars were created by back lighting card stock with holes punched in it. Trying to do everything in camera definitely creates perils. The main peril of location shooting is wind. We’ve had figures and sets blow away on us. For studio shots, the main peril is fire. In one scene, Tom Sawyer had to hold a candle, but I let it burn too long and burned his thumb off. We’ve just finished Great Expectations, and, naturally, we had to set Ms. Havisham on fire. The trick was to do it in a way that didn’t destroy her completely (and luckily we didn’t), but she’s definitely worse for wear!

les mis shootI’m particularly interested in the cover image of Huckleberry Finn and Jim on the raft! Was that actually floating in water with you madly snapping shots?

Cozy-Classics-Huckleberry-Finn-largeHolman: Absolutely. I borrowed a pair of fishing hip waders from a friend and ventured into a local slough. I tied the figures onto the raft securely with wire ahead of time so they wouldn’t fall into the water. But the big hazard was the whole raft floating away on me. So I would gently push the raft in motion, madly snap shots, and then grab the raft before it went too far ashore. Also, the whole time I was just one slip away from plunging my camera in the muddy water and destroying it.

huck finn shoot 2Your Star Wars Epic Yarns series (published by Chronicle Books) will be released this April. Amazing! Tell us how this project came to be!

Jack: Holman and I were in Italy in 2013, where our artwork was on display in the Illustrators Exhibition at the Bologna Children’s Book Fair. We struck up a conversation with a rep at Chronicle Books, who was kind enough to take some of our books back with him to San Francisco to show the head of their children’s division. When Chronicle asked us what other ideas we had for abridging classics, Star Wars was our first answer. Chronicle loved it.

StarWarsJedi_COV_1G.inddHolman: Of course, doing Stars Wars means licensing with LucasFilm/Disney. LucasFilm is very discerning when it comes to licensing Star Wars books, so we were thrilled when they came on board.

SW-Epic-Yarns_A-New-Hope_5_Rascal-©-TM-Lucasfilm-Ltd.-640x640What are you up to next?

Holman: More Cozy Classics, like Great Expectations, are coming soon, but we have other big ideas in the works, too. Unfortunately, we can’t disclose them now, but we hope that you’ll be hearing a lot from us in the future!

Cozy-Classics-Great-Expectations-Jack-and-Holman-Wang


Images used with permission of Jack and Holman Wang. All Star Wars images © LucasFilm Ltd. Star Wars is a TM of LucasFilm Ltd.

Cozy Classics’ Moby Dick was also featured on our curatorial blog. Click here to see it!

Sneak Peek: Cinderella Story

dress on stairsCinderella’s fairy godmother managed to do wonders with rags, rats, mice, lizards and a pumpkin. Local high school artist Vicky Gebert produced something just as miraculous with plastic bags, forks, chicken wire, bubble wrap, and drinking straws!

bodiceWorking over the course of 25 hours, Vicky used wire cutters, hot glue, and scissors to sculpt the dress into existence. In total, she used 5 feet of bubble wrap, 30 trashcan liners, 60 straws, 100 t-shirt bags, 25 forks, 25 feet of blue cellophane lace, 1 Styrofoam box, and 5 feet of chicken wire.

This dress is the centerpiece of a “Cinderella Story” program we’ll be hosting in April. A slew of young stylists (ages 3 – 10) will design and model their own dresses constructed of different materials. In addition to exhibiting her creation, Vicky will be on hand at the program to answer questions and lend her “fairy godmother” artistic talents. I’ll definitely post pictures in April. But I couldn’t resist a little sneak peek today…

dress in archPhotos by Minjie Chen