350 for 50

350 fo 50_2017I am delighted to announce the 2019 winners of our annual 350 for 50 writing contest! Young writers were challenged to compose a short, 350-word story that included the sentence, “The delicate smell defied description.” Winners from each of our 3 age categories enjoyed a $50 shopping spree at Labyrinth, our local bookstore. Congratulations to this year’s talented writers!


THE SPECIAL GIFT
By Chloe Wang, age 10

the special gift_illustration by aliisa lee“Lin! Dinner!” Mama said this in English, the new language that I needed to learn. Mama wasn’t going to say anything in Chinese anytime soon. I sighed. I was dreaming of home. My home is in Xi’an, where I had friends and family close by, not 7,287 miles away. In Xi’an, I had friends. I was smart. But now, everything is different. We are in America. A strange country, far away from Xi’an.

“Coming,” I told my mom. I said this in English, too, or else Mama would have scolded me that I had to learn my new language. This was because of the grade I got in English class in my last report card. I had done well in the other subjects, especially art. Mama says that I have a special talent. Baba says that art would follow me everywhere, no matter where we are. I closed the atlas that I had been studying, rolling new words over my tongue like rolling ocean waves at the beach.

I clomped down the stairs and into the kitchen. It is a big kitchen. Mama says we should be grateful. She says now we have more space. But there is also more space for loneliness. I sat down at the table with Mama. Baba wasn’t home yet. Mama placed a steaming plate of baozi in front of me. The delicate smell defied description. It reminded me of home.

After dinner, I was studying the atlas again. Baba knocked on my door.
“Come in,” I told him. I winced, because I had forgot to say this in English. But Baba didn’t scold me. Instead, he placed an old, red, wooden box on my bed. I recognized the box immediately. It was the box that belonged to my great grandma.
“This is for you.” Baba told me. I stared at the box.
“Go on, open it.” Mama urged. She just come into the room. I opened it. Inside was a delicate bamboo paintbrush.
“Mama and I thought it was the right time,” Then he paused. “To give it to our young artist.”


PERHAPS
By Mirella Ionescu, age 12

perhaps illustration by aliisa lee

Sandra was alone. She wasn’t alone in the sense that there was nobody near her. This kind of alone was being a grain of salt within a vast sea of sugar. Nobody could tell there was a unique piece in humanity’s puzzle.

What made Sandra so different was that she just knew what would happen. But people wouldn’t believe her when she predicted the future, and so the Shrouded Beings took over Earth.

It was that kind of quiet, gradual invasion that would go unnoticed until it was too late. They came. Nobody realized because the Beings would hide themselves until they attacked (hence the name “Shrouded”). Soon, most people got enslaved and it seemed too late to get the planet back.

There was one remaining place in the world the Beings hadn’t reached, however. Sandra lived there, with other unenslaved humans, and she was desperate to make the Beings surrender. Everyone said it was risky, but Sandra was determined.

She decided to find their weak spot. Everybody had one, or some terrible, debilitating memory. For Sandra, it was the memory of her sister, Annabeth, sucked into blackness when the Shrouded army attacked…

At night, she snuck outside, clutching a flashlight. Leaves rustled beneath her feet. A Being was listening. All of a sudden, Sandra felt a jolt all through her body… Did a thunderbolt strike her? No… she was inside a Shrouded being! Surrounded by darkness, she noticed something.

She was nearing the part where the heart was, the heart that everyone said was bottomless, monstrous, straight-out cruel. But these rumors were wrong, judging by the scent it gave. The delicate smell defied description. It was… a familiar smell, that of Annabeth’s skin and hair!

Annabeth was trapped inside the Being’s heart. But Sandra could ignite the heart and de-cruelify it, making it release the humans it had absorbed. She could save Annabeth with the flashlight in her hands.

CLICK.

Sandra saw the girl, hair as radiant as the sun, her leafy-green eyes, and knew who it was.
“Annabeth…,” there was hope in her voice. “Is that you?”


JANE
By John Teti, age 14

jane illustration by aliisa leeJane could hardly believe it. She was on her way to Washington! She was so excited that she could hardly think straight. No one had been allowed in or out of the capital since the start of the war, save for a few exceptions. Last year, some people from Jane’s 10th grade class had written letters to the president’s office, asking for solutions to the problems the country was facing. Most of them had asked questions or shared demands, but Jane had just written a few ideas that she had. No one really expected a response, the president hardly gave any information to anyone, but Jane was surprised to find a green envelope in her mailbox a week later.

As Jane sat quietly on the train, she took the note out of her bookbag and read it over again, even though she had probably read it a thousand times.

April 6, 2090

Jane Gonzalez,

We believe your ideas may play a large part in resolving our conflict with the Federation of Canada. On the 18th of April at 18:00, a military officer will meet you at the Washington Central Train Station. Please be punctual. Your parents may not accompany you. This is all the information we can give you at this time.

The Offices of the President of the Mexican-American Alliance

The envelope had also included some legal documents allowing Jane to enter Washington, which she stored with the letter in her bag. Jane glanced at her watch. 16:05.

After a long train ride, Jane stepped out onto the platform of the empty train station and was surprised at what she smelled. The delicate smell defied description. The air was so clean. In the cities where Jane had lived, everywhere she went she had been accompanied by a strong, dirty stench. But the air in the train station was heavenly, Jane had to take a moment to take it in. When she had gathered her bearings, Jane picked up her suitcase, and marched inside, not knowing at all what was to come.


Illustrations by Aliisa Lee

Ghostly Guppy

ghostly guppieAfter spotting the fabulous upside down goldfish ghost Marissa designed for her literary exhibit, I vowed I would find a way to replicate it as a story time project. And behold! A floating paper plate goldfish ghost marionette!

We read Goldfish Ghost, written by Lemony Snicket, and illustrated by Lisa Brown (Roaring Brook Press, 2017). Goldfish Ghost, who comes into being floating on top of his fishbowl, floats out the window to seek company. But the world is vast, loud, and bustling. Goldfish Ghost is disheartened to find no company. Until he meets the ghost of the lighthouse keeper. Now the two are the best of friends, settled in quietly together, by the lighthouse light.

You’ll need:

  • 2 paper plates
  • White construction paper
  • String or clear elastic beading cord
  • 1 drinking straw
  • Scissors and tape for construction
  • Black markers for decorating

goldfish ghost marionetteTo make the marionette, trim the outside perimeters off 2 paper plates. Use marker to draw eyes, a mouth, and scales on the plates.Next, tape a white construction paper tail and fins to the inside of 1 plate.

In the book, Goldfish Ghost floats upside down, so tape a length of string or elastic beading cord to the belly of the fish. Then tape the 2 plates together. Knot the string around a drinking straw, and your fabulous marionette is complete!

Creativity, Cleverness, and Considerable Artistry

save the cake bright owl books kane press

From Save the Cake! Bright Owl Books, Kane Press: 2019

Learning to read can be painstaking. Memorize the letters, string them together, recall the sounds, then run everything together until it makes sense. Early reader books are essential for this learning, but they can also seem a bit babyish with their simple stories and illustrations. At least, that’s what my son expressed to me as he struggled to read. And I had to agree with him.

Then I discovered Molly Coxe.

Molly has produced a terrific set of “Step Into Reading” books with Random House (Big Egg, Cat Trap and Hot Dog, are a few titles). But the series that really puts a smile on my face – and makes my creative mind go whoosh! – are with Bright Owl Books and Kane Press. With titles like Rat Attack, Blues for Unicorn, Go Home Goat, and Save the Cake, Molly presents clever, engaging stories with developed characters and perfect timing. Equally magnificent are her illustrations, which are needle felt characters photographed on live sets. Outdoor sets, to boot! With real snow, dirt, flowers, and water! Your eyes feast on the page, drinking up the colors, textures, and balance.

blues for unicorn bright owl books kane press

From Blues for Unicorn, Bright Owl Books, Kane Press: 2019

With her thoughtful stories and exquisite images, Molly’s books are the perfect building block towards growing a happy, appreciative and competent young reader.


Please tell us a little about yourself!

I grew up in Georgia during a simpler time. Lots of free, unsupervised hours on my hands, lots of trees to climb, streams to explore, simple materials to make things out of, post WW2, parents who were not intrusive or worried, said “Have fun! See you at dinner!”

How did you first start writing early reader books?

I was teaching preschool in New York City, after a year and a half in art school, following college. I loved making up simple impromptu stories for four year olds. They loved writing (dictating) simple, impromptu stories. (Shout out to Vivien Gussin Paley, who has written extensively on the magic of this storytelling process in a classroom.) When I worked on my first early readers, I had two kids in the demographic, a built in, very honest, test audience. That helped. Also, my brain thinks well in short sentences.

rat attack bright owl books kane press

From Rat Attack, Bright Owl Books, Kane Press: 2018

Early readers are obviously limited in their length and complexity. What’s your philosophy when creating your stories?

Try to tell a fresh, surprising story with very few words. Easy words! Let the images do a lot of the work. Funny is good.

princess pig interior bright owl books kane press

From Princess Pig, Bright Owl Books, Kane Press: 2018

You illustrate your books, as well as sculpt needle felt characters. Is the creative process the same? Or does it feel very different?

Yes, the media are different but the goal is the same: tell a story in words and pictures. Both are great fun. Some stories, like the Beginner Book for Random House, seem to call for a flat, graphic approach. At the moment, I’m enjoying building three dimensional worlds, like scenes from miniature epics.

go home goat bright owl books kane press

From Go Home, Goat, Bright Owl Books, Kane Press: 2019

What comes first, the story, or your photographic illustrations?

Depends. With early readers, the words come first. I have to make sure I can tell a lively story before I spend the time with illustrations. For my current picture book project, which has more text, the idea began with a rustic, antique dollhouse kitchen that my mom found in a rural village in France. What could happen there, I wondered? Whose kitchen is it? Your imagination, and your heart, take over.

work in progress courtesy of molly coxe

A work in progress, courtesy of Molly Coxe

Please tell us a little about your needle felt creations!

This is a process of discovery, beginning with a wire armature. It’s very exciting! As you apply wool to the armature, the character (always an animal, in my case) starts to speak to you, and you follow your intuition until he/she has a personality and starts to come alive. I know: that sounds weird, but it’s true. The character then influences the story, which is already at least partly written. You realize this character might do things differently. You aren’t totally in charge any more.

princess pig bright owl books kane press

From Princess Pig, Bright Owl Books, Kane Press: 2018

Describe the process of building a scene and photographing it.

So much fun. Imagine being a seven year old outside in the woods with a pile of sticks, leaves, rocks, dirt. It’s just like that, but with a wider range of materials, and slightly more sophisticated tools. (Only slightly: I restrict myself to low tech solutions that I can pull off alone, for many reasons. One is that it’s hard for me to stay in a flow when I am interacting with others.) Photography is all about light–once you have a decent composition, and the characters are expressing the action and the emotion. Mostly this means getting up very early, and being very patient, hanging out in a pond with minnows nibbling your legs until the morning sun comes over the hill and just kisses the characters and the foliage, and the mule shack in a way that creates magic.

molly coxe works outdoors

Molly Coxe at work, courtesy of the artist

What’s the strangest, or most difficult thing you’ve worked with when composing a scene?

A blizzard at 6,000 feet, working on Cubs in a Tub. You have about ten minutes before your fingers freeze solid, and you can’t operate the camera any more, your characters hat gets swept off a cliff by a gust of frigid wind (I climbed down and got it, by the way. Very unwise, but exhilarating). When you are trying to create dramatic images, real life drama helps. You have to snag the moment, not worry about every little thing being “perfect”.

cubs in a tub bright owl books kane press

From Cubs in a Tub, Bright Owl Books, Kane Press: 2018

How did you create the rain effects in Wet Hen? Those images are amazing, and in some cases, characters are floating on water!

A hose propped up on ladders. That was such a good time. Midsummer. Hot! But you had to get the image in the first couple of trys. Otherwise, the characters were too soaked, had to dry out for rest of day, try again next, when the light was nice again. The floating scenes were very dicey. Lots of fishing line holding things up from above. I asked my daughter, with whom I have a fair degree of mind meld, to help create the giant wave with a paddle, while I took the photo. We got it on first try.

wet hen water photos bright owl books kane press

From Wet Hen, Bright Owl Books, Kane Press: 2018

I absolutely love the Story Starters at the end of each book. Do you, or the publisher, come up with the prompts?

I come up with them, with the help of wonderful editors. Great editors make all of the text so much better. Shout out to my editors!!!

wet hen story starter bright owl books kane press

From Wet Hen, Bright Owl Books, Kane Press: 2018


Molly also does creative work with kids, and was kind enough to send me one of her fabulous “Make-A-Mouse” kits. It arrived in an adorable stitched burlap bag and included all the materials to make 2 sock mice (and did you notice the little socks came with pre-stitched felt ears?). Not pictured below was the polyester fill stuffing. Molly thought of everything!

make a mouse kit courtesy of molly coxeI won’t be able to match Molly’ magnificent sets, but I was inspired to snap a photo of my two completed mice at a local farmers market:

molly coxe's finished mouse kitMany thanks to the folks at Sprouts, who were kind enough to let me photograph their wares. And check out Isabel the farm truck. Doesn’t she look like a piece of one of Molly’s sets? I’m half-expecting a needle felt pig to appear in the driver’s seat and give a wave!

isabel the sprouts farm truck


Many thanks to Molly for the kit, and for just being so darn awesome. Both as a caring writer and an artist to look up to. May your days be full of inspiration and perfect lighting!

greedy beetle bright owl books kane press

From Greedy Beetle, Bright Owl Books, Kane Press: 2019


All images used with permission of Bright Owl Books, Kane Press, and Molly Coxe.