The Other Half

tiger talesQ: I’m curious about the read-aloud portion of your story times. Do you have any suggestions, advice, or tips?

Sure! Most of the projects you see on this blog are from Tiger Tales, our story time for 3 – 5 year-olds, so I’ll talk specifically about that.

Tiger Tales doesn’t require registration, so it’s first-come, first-served until we fill (24 kids maximum for the project portion of the story time). We do restrict by age range, so while everyone is free to listen to the story, only 3 – 5 year-olds can actually do the project. We bring out bins of toys to occupy the younger sibs (older sibs read or help with the project).

It’s time for story time to begin. Behold the tools of my trade!

tools of my tradeAt the very beginning of the program, kids line up to receive a name tag (I use these handy-dandy name tag stickers). I use a Sharpie to write the tags because kid-friendly markers tend to smudge something fierce.

Name tags are useful for many reasons:

  1. It helps me learn names!
  2. I ask kids to spell their names for me, so it gives them some practice with their spelling (and sometimes breaks the ice with the shy ones).
  3. Later in the program, it’s much easier to say “Pat! Stop running with those scissors!” then “Hey you! Stop running with those scissors!”
  4. I count out 24 name stickers at the start of the program and then recount at the end of the program to tally my attendance numbers. Simple. This technique is also useful at super busy story times. When my 24 stickers run out, I know the program is full!

It can be quite hectic before story time begins. Rather than trying to shout over the din, I ring a story time bell, wait for everyone to quiet down, and then I make the announcements. I ask adults to refrain from cell phone conversations and, if someone gets restless or cries during the story, to please move to the front of the gallery so we can work on our listening skills in the story time area.

Then I ask a few questions about the book (“What’s on the cover?” “Would you like a dragon for a pet?”), connect the questions to the book (“Well, this boy knows exactly what it’s like to have a dragon for a pet…”) and announce the title of the book. But before I even open it, I have everyone put on their “listening ears” and then I do…THE BIG SHUSH. Basically, THE BIG SHUSH is everyone putting a finger in front of their mouths and, all together, we count:

One (big, audible breath)
Two (big, audible breath)
Three (big, audible breath)
SHHHHHHHHHHHHHHHH!

If you think one person shushing is effective, try everyone in the room shushing! It even quiets the babies down!

Then I start reading.

My reading style involves multiple character vocalizations (and even a few sound effects). Sometimes, the book becomes a prop as I flap it like a butterfly, climb it up a tree, or jiggle it during a storm. At times, I ask kids to act things out or make sounds to match the story (“Stomp your feet!” “Let’s hear your best parrot squawk!”) Often, while I’m reading, I’ll offer a little comment on the story, ask the kids a question, or pause while a kid makes a comment on the book.

That said, sometimes I’ll read a book all the way through without very much audience interaction at all. Just character vocalizations, a steady narrative, and the riveted attention of the children. It always feels a little magical when that happens.

Story time with kids is about engagement with the text, but let’s face it – it’s also about crowd control. That’s where those name tag stickers come in handy. “OK Paul, I’m going to read again now…” or “Avery, shhh, sit down, sit down please.” Once the book concludes, I reveal the project and we proceed to the project area to get started!

project area I never reveal the project before the book, and the toys for the younger kids don’t come out until the book is finished. The focus is always on the book first.

You might notice that I don’t do songs or finger play. That’s because the Princeton Public Library features these things pretty regularly at their story times and I wanted to supplement, rather than replicate, their offerings. I don’t do flannel boards either (the folks at Flannel Friday have that totally covered!). I did, however, do a post on some amazing conductive thread that will illuminate your next flannel board story time!

If you’re wondering what book I’m reading in this post, you’ll find the answer here.

Have a question of your own? E-mail me!

Worth the Splurge III

box portraitI use a fair amount of boxes for my projects, and what wonderful boxes they are!

While said projects can be done with tissue or household boxes, I admittedly splurge on these 100% recycled gift boxes from Nashville Wraps (the “economy matte white” ones are shown above). Why? Oh, let me count the ways:

  1. They’re packed flat, which makes them super easy to store (and since my storage is limited, this is a huge plus).
  2. They offer a blank template to begin with (instead of having to cover a tissue box with white paper, for example).
  3. They hold up really well to marker, crayon, tape, white glue, glue sticks, and hot glue.
  4. These dandy boxes also come in brown, which I’ve used to make this adorable little produce stand, this fantastic boat hat, this splendid garden, this candy factory, this bouncy bed, and this creepy carrot basket.
  5. They’re 100% recycled! And I love me some recycling.

So, how much of a splurge are these boxes? Well, if you want to buy a case of the white 4 ½” X 4 ½” x 9” size (which I use pretty often – see this monster feet project, this dog project, this ice cream truck, this robot marionette, and this dragon), you can buy a case of 100 for $26.50. That’s 27 cents a box. Pretty good!

They come in different sizes of course. I used a white 4″ x 4″ x 4″ box for this dentist project, this hot air balloon project, and this floating island. You can buy a case of 100 for $15.90 or, 16 cents a box.

Shipping can add some cost. The good news, however, is that Nashville Wraps offers flat rate or free shipping (plus a small handling fee) when your order reaches certain levels. I take advantage of this by estimating what I need for a year and placing one BIG order to get a break on shipping. The cases of boxes easily stack in a closet or under a table. Nice!

Recyclable Kingdom

recyclable kingdomQ: I want to do one of your projects, but where am I going to get 30 oatmeal containers for my classroom?

Don’t start eating a mountain of oatmeal just yet!

Here at Princeton University, I have a recycling program that involves the entire library system. I send out periodic calls for recyclables (oatmeal containers, tissue boxes, paper towel tubes, tea tins, etc.) and people regularly bring these items from home and drop them off at our office. The lovely pile of goodies you see displayed above is about six week’s worth of supplies, all donated by Princeton University Library staff.

People drop off useful odds and ends as well, like old jewelry, wrapping paper remnants, plastic lids, stickers, and ribbon. Sometimes, I’ll request something specific, such as coins from foreign countries to serve as “pirate treasure,” or old neckties to transform into stuffed snakes.

People also know to contact me if they have office items they’re recycling or throwing away. I used two big boxes to create a spooky tree adventure for this post. An extra large box became a fabulous Humpty Dumpty climbing wall for this project. I used discarded white archive boxes for this miraculous mechanism project, this fast food stand, and this haunted dollhouse (and I still have some left over!). Have an overflow of legal size manilla folders? Try this camping backpack!

Another giant box became Crackenhopper Field for some creepy carrots. An avalanche of leftover brown packing paper was used for this tree project. An influx of bubble wrap was used to secure giant feet at this dance party. A friend who works at a pharmacy sends me a steady stream of tagboard he salvages from box packaging. And if you’re wondering what to do with those leftover 8oz water bottles, try this simple ship in the bottle project.

Yes, I get pretty giddy about recyclables. Not only do these materials get a fantastic second life, they allow me to splurge on other art supplies (like this, this, this and this). I even reuse the paper and plastic bags the recyclables arrive in – kids use the bags to carry their projects home.

You can do something like this too. Send word to colleagues and friends at your library, school, workplace, or neighborhood and see what you can find. There’s also Freecycle, the national network for freely getting and giving all sorts of stuff. When I was a grad student at the University of Virginia (and a Public Programs Coordinator at a children’s museum at the same time), I used a UVa listserv to request recyclables for my programs. Perhaps your learning institution has something similar you can tap into?

There’s also going right to the source to find something. I’ve circled around camera shops to collect clear film canisters, snagged branches from grounds crews, grabbed rocks from roadsides, pawed through piles of discarded spice bottles to find juuust the right ones for a project. I spent weeks repeatedly going to Starbucks to claim empty gallon milk jugs to transform into an igloo (I’m afraid I don’t have a picture of my igloo, but I pinned one like it on my “Ideas & Inspirations” board on Pinterest).

Worst case, you could buy 30 oatmeal containers and consume 1,260 ounces of oatmeal. I’ve done that too. Oh yes.

Have a question of your own? E-mail me! danas@princeton.edu