In The Company of Good Books

Keep company with literary luminaries this fall! The Department of Special Collections at Princeton University Library invites you to “In the Company of Good Books: Shakespeare to Morrison,” currently on display in the Milberg Gallery of Firestone Library through December 10th.

In honor of the 400th anniversary of William Shakespeare’s First Folio of 1623, the exhibit showcases Princeton’s collection of English literature, and the readers and writers who celebrated English literature around the world. Curators Jennifer Garcon, Librarian for Modern and Contemporary Special Collections, Gabriel Swift, Librarian for American Collections, and Eric White, Scheide Librarian & Assistant University Librarian for Special Collections, Rare Books & Manuscripts, have selected some true treasures.

In addition to William Shakespeare and Toni Morrison, you will find Maya Angelou, Sylvia Beach, George Lamming, James Baldwin, Gwendolyn Brooks, Carlos Bolusan, Lorraine Hansberry, Chinua Achebe, Virginia Woolf, and others! Visitors can peruse working manuscripts, archives, original cover art, portraits, and charming inscriptions, including James Baldwin’s personal copy of Maya Angelou’s I Know Why The Caged Bird Sings, signed by the author.

Maya Angelou (1928–2014). I Know Why the Caged Bird Sings. New York: Random House, 1969.

We at the Cotsen Children’s Library are always on the lookout for children’s literary connections, and we found a couple amazing ones in this exhibit! First is one of three tiny manuscripts by Charlotte Bronte. Written when she was a youth, these juvenalia concern the fictional African kingdom of Angria, and are penned on pages bound with blue Epsom salt wrappers. To give you an idea of size, and how minuscule Bronte’s handwriting is, the bound volume on the left is only about 3.5″ tall!

Also in the exhibit are the manuscript notes, sketchbooks, and original storage case of Maria Edgeworth, a prolific novelist for both adults and young readers.

An early edition of Jane Austen’s Sense and Sensibility is displayed, which reminded me of this very interesting fact. When she was only twelve or thirteen, Austen penned The Beautifull Cassandra: A Novel in Twelve Chapters, a tiny work of 465 words total. The Princeton University Press offers a delightful version, with an afterword by Princeton faculty Claudia L. Johnson and artwork by Leon Steinmetz.

Readers might not be aware that Morrison made significant contributions to children’s literature as well. Collaborating with Slade Morrison, mother and son authored nine books for children. These delightful tales were displayed in Cotsen’s previous exhibit, “They’ve Got Game: The Children’s Books of Toni & Slade Morrison.”

montage round 2 If you are interested in learning more about the exhibit, you will find a digital companion  here, and a fantastic Zoom panel with the book’s illustrators here. We also hosted a connected community gallery event this spring, which you can find here.

From now to December 10th, please plan to visit “In the Company of Good Books” in Princeton! It is truly monumental. Not able to visit in person? No problem! Virtual guests can find the exhibit here.

Hot Off The (Historical) Press!

hot off the historical pressRecently, the Department of Special Collections at Princeton University Library hosted an amazing exhibit, “Gutenberg & After: Europe’s First Printers 1450-1470,” and our library hosted a special event that featured a children’s tour and hands-on activities. If you’ve ever wanted to do something related to printing and the history of the book, read on!

The Gutenberg exhibit featured early European books that were printed on the first moveable type printing presses, including the world’s first dictionary, medical texts, law books, and the big granddaddy of ALL rare books, the Gutenberg Bible. That’s me in the above photo, leading the tour.

During my talk, I discussed hand-written books before print, how the early printing press worked, and how the growing availability of printed books evolved us into a culture of reading and writing. I had quill pens, actual 15th-century illuminated manuscript pages (thanks to this program!), vellum, and pieces of moveable type for kids to handle.

Meanwhile, in our children’s gallery, we had three hands-on activities: 1) Calligraphy; 2) A typewriter petting zoo; and 3) A pasta machine printing press.

calligraphy set upFor the calligraphy activity, we purchased both traditional feather quill pens and metal nib quill pens on Amazon, along with bottles of ink. Katie printed different examples of calligraphy so kids could replicate some letters. We also had calligraphy pens and brush pens in rainbow colors. Everyone loved trying the pens, and the calligraphy wasn’t just limited to the English language…

arabic calligraphyWe also had a massively popular typewriter petting zoo. There were 5 typewriters in all, 2 working, 2 non-working, and 1 toy for the really little kids. Kids could touch, explore, and clatter away on them! Katie and I were a wee bit worried about how loud the zoo would be, but quickly learned that the sound of multiple typewriters is actually incredibly soothing (at least to us!).

typewriter montageThe final activity was something I’ve been wanting to do ever since I spotted in on the Eric Carle Museum‘s blog (see this post for my tour of their awesome art studio). Namely, A PASTA MACHINE PRINTING PRESS! It was fantastic.

You can find detailed instructions here on the Carle’s studio blog. But basically, you’ll need foam trays, a carving tool, paint, rollers, paper, and a pasta machine. We purchased the cheapest one we could find on Amazon. It was $28. Just make sure the one you buy clamps to the table

pasta machine The steps for the activity are as follows: Firs, use a tool to carve a design into a foam sheet. The tool can be a pen, pencil, or wooden scratch art styluses. The foam sheets are the same material that meat is packaged on. We bought thinner versions on Amazon (Presto foam printing plates, a 100 pack of 6″ x 4″ sheets is $15).

foam sheetsNext, roll paint over your engraved foam sheet. We used trays to reduce the mess. They were definitely helpful!

foam traysFinally, place a piece of paper on top of your painted engraving and run it through the pasta machine printing press. Peel the foam sheet and the paper apart, and you have a beautiful custom print!

pasta printing press resultsImportant! Make sure the pasta machine is set to a wider setting. As you can see in the photo below, if the machine setting is too narrow, the paint will just squish into the lines of your engraving. The wider setting allows to white lines of your design to appear.

pasta machine settingsAlso, make sure kids know that if they want to print words, they have to carve them backwards as the printing process reverses the carved image. And you might want paper plates handy so kids can transport their still-damp prints home.

What’s really cool is that some kids started experimenting with printing in multiple colors.  Including THIS gorgeously vibrant one. LOVE!

rainbow print


Many thanks to Eric White, Curator of Rare Books, for his enthusiasm, expertise, and assistance in designing the children’s tour. And to AnnaLee Pauls, for generously loaning her beloved and amazing typewriters to our petting zoo!