The Wizard Behind the Wands

gray magic woodworking wand 161Does the wizard choose the wand? Or does the wand choose the wizard?

If there is one person who knows the answer to this intriguing question, it is Lane O’Neil, the master wandmaker behind Gray Magic Woodworking. Lane brought his wands, tools, and expertise to our library’s recent Harry Potter Wand Works event (more details on the event to come!).

Even though Lane has been woodworking for 25 years, he didn’t take up the wand making lathe until fairly recently. Four years ago, during a hike, he picked up an oak branch. He carved the branch into his first wand – a gift for his young daughter. 291 hand-crafted wands later, Lane is still busy carving and shipping his unique pieces around the world.

gray magic woodworking wand 155Fantastically, Lane has donated 3 of his wands to our Accio Wand blog contest! If you’d like a shot at winning a one-of-a-kind Gray Magic Woodworking wand, please see the details at the end of this post.


How did you first get interested in wandmaking?

I got interested in wandmaking slowly over time. I enjoyed the Harry Potter movies, and being an artist, I was instantly drawn to the concept of each witch or wizard having a unique wand. They were made from different woods, had different cores, and were made by different wandmakers. The idea that the wand was linked to the person was wonderful. Sometimes the style fit the personality like Hermione, Sirius, or Narcissus. And sometimes it didn’t, like Ginny, Harry, or Mad-Eye. Sometimes the wand only reflected the holders shallow exterior, like Delores Umbridge, or what beauty was hidden beneath the surface, like Luna.

I had vision upon vision in my head of new pieces to create. And I got to work. I wanted each piece to be unique. I love the idea of the wand being paired to one person. It’s less of a part time job now, more of a labor of love.

gray magic woodworking wand 232What sorts of woods do you use?

When I first started, I used what was readily available, Oak, Poplar, Ash, Maple. But as I discovered, there are hundreds of species of trees. I now use Paduak, Gaboon Ebony, Birch, Purpleheart, Cherry, Bubinga, Cocobolo, Koa, Osage Orange, Mahogany, Lacewood, you name it. The more exotic and far traveled it is the better. I love the different textures, grains, colors, and figures.

gray magic woodworking wand 050Where do you acquire the wood for your wands?

I get wood wherever I can. Found pieces, traded pieces among my woodworking group, but primarily I use exotic hardwood suppliers. I got requests to craft from Holly, Elder, and Larch. And since I just couldn’t run down to Home Depot and pick up some Bolivian Rosewood, I needed to branch out and discover new suppliers.

wood piecesMy favorite place is called Hearn, they are located in Oxford, PA.  It’s like a candy store for people who craft wood. They have everything from domestic scraps to 16′ slabs of exotic wood shipped from the hearts of far away continents.

Describe the process of carving a wand from start to finish.

I start with a dried, seasoned “blank.” It’s usually about 1″X1″x16″. I drill a small shallow hole into each end to secure it in the lathe. I remove the Morris Taper spur from the lathe, tap it onto the wood blank, insert the spur/wood onto the lathe, and lock in the tail stock. I make sure I have my safety goggles and breathing respirator on, and my sleeves rolled up.

I position the guide, turn on the lathe, and use a “roughing gouge” to take the edges off until I have a smooth, long cylinder. I can then draw lines, if needed, for length or detail locations. Then I use various skews and chisels to shape the wand.

chiselWhen it’s just about fully shaped, I use sandpaper to smooth it – working to smaller grits until I’m happy with the texture. I can also stain or paint the wand while it’s spinning. I usually use a carnauba wax/ tung oil blend to finish fully.

latheWhen I’m just about done, I “part” the wand from the lathe by cutting the material away by the tip or pommel until the wand falls off. I move the piece to the work bench, saw the remaining scrap block off, sand the two rough ends, and finish with carving, wood burning, or other decorations. I tag it, give it a name, and a number.

gray magic woodworking wandsHow long does it take to make a wand?

The time it takes to make a wand depends on the intricacy. The first wand I ever turned took an hour and half…and it was kind of rough. I spent about 80% of the time carving and shaping, and 20% sanding and finishing. Now it’s more like 40% of the time carving and shaping, and 60% finishing. I under-valued the worth of the finish when I got started, but my skill improved.

I made 22 wands for my daughter’s class for Valentine’s – real simple and basic. Those took 4 minutes each. I also made one covered in carved vines that took 8 hours. But the average time would be 45-60 minutes.

gray magic woodworking wand 234What locations have your wands shipped to?

I’ve shipped as far North as Fairbanks Alaska, as Far East as Taipei Taiwan, as far South as Singapore, and as far West as Anchorage, Alaska. All over Europe and Saudi Arabia too.

gray magic woodworking wand 251What’s the most unusual or significant wand you’ve ever made?

The most unusual wand I ever made was a hand carved series of twisted “vines.” It appears to be woven, but is actually sculpted out of a block of wood.

gray magic woodworking wand 256The most significant wand I’ve ever made is a tie. I made a Beech wand that was chosen by a young girl from the Make-A-Wish Foundation. There wasn’t anything too special about it other than the leather wrapped handle, but she chose it.

gray magic woodworking wand 055The other one was purchased by a mother in London, England. She bought a Japanese Maple for her son Harry for his 10th birthday…that was pretty cool. His mother sent me a photo.

harry and his gray magic woodworking wand


ACCIO WAND CONTEST

Thanks to Lane’s generous donation, we are delighted to offer an exclusive blog contest! E-mail us an original Harry Potter spell, be it serious or silly. Tell us the title of your spell and exactly what it does. 3 lucky winners will receive a Gray Magic Woodworking wand! Winners will be announced on the blog on Friday, March 10th.

Rules & Regulations

  • 1 spell per person, please
  • Open to readers of all ages – be you 9 or 99
  • Entries should be e-mailed to: danas@princeton.edu
  • Entries must arrive Thursday, March 9th, by 5:00pm
  • The 3 winners will be announced on the blog Friday, March 10th
  • Contest is limited to residents of the United States and Canada
  • Use of Felix Felicis potion is strictly prohibited.

Photos courtesy of Gray Magic Woodworking.

 

Happy Birthday Mr. Carroll

Today is the 185th birthday of Lewis Carroll, and we decided to celebrate with Katie’s Top 10 Alice in Wonderland cakes. And, if you need some party favors, we’ve listed a couple of our Alice-themed craft projects and activities at the end of the post!


Alice in Wonderland inspires all sorts of creativity, and I’ve definitely had a lot of fun coming up with Alice-themed projects over the years. In fact, in 2009 I coordinated a large-scale Alice event that included a giant chess set, Earl Grey chocolate gelato, a Snark Hunt, performances of Jabberwocky, flamingo croquet, Victorian history activities, giant mushroom bowling, horse-drawn carriage rides around campus, and more!

horse-drawn carriage nassau hallIf you’d like to see the event map, here it ’tis. The front of the map lists all the activities. The back features book quotes or informational blurbs tying the activities back to the books, Lewis Carroll, or Victorian England. Like all of our programs, the event was open to the public and free of charge.

On the blog, you can check out this playful, but incredibly easy-to-make Cheshire Cat grin.

cheshire cat grinOr this really cool Victorian visual toy called a thaumatrope. At the very bottom of the thaumatrope post, you can also see Marissa and I channeling our inner 80s – and I don’t mean 1880s folks.

thaumatrope demoAnd what about tea? 2016 was the 150th anniversary of the publication of Alice’s Adventures in Wonderland, and we put together an elaborate Victorian tea program, complete with big hats, mini scones, and a generous serving of history.

tea instructionThe Library of Congress went all out for the 150th anniversary as well. In this post, you can see some of their activities, lecturers, and Miss Joani in a replica of Alice’s iconic dress.

caucus race at the LoC photo by shawn miller 2016However, the award for the most whimsical Alice connection goes to the Mazza Museum of International Art from Picture Books (which I blogged about here). In their children’s loft, you can follow the White Rabbit down the hole…

rabbit-hole

And return to the main gallery via twisty slide!

mazza-gallery-slideDang. I want a twisty slide in my place of employment.


HAPPY BIRTHDAY MR. CARROLL!

Can You Dig It?

can you dig itWhile archaeology can’t always be fedoras, bullwhips, and jaunty theme music, it is a fascinating field of study. Plus, you get to dig really, really big holes! In 2013, my library had a large-scale Journey to the Centre of the Earth event, and archeology seemed just the thing to include. But we needed to be realistic about what we could do. I mean, we couldn’t set up a dig site on the event floor…or could we?

Today, I’m going to share how Katie and I built a portable archeological dig site. It has it all – grids, brushes, artifacts, scientific sketches, field notes, and a clipboard activity that got kids thinking about how all the artifacts were connected. The dig was hosted by the Historical Society of Princeton, who put their own fantastic twist on things (I’ll share what that is at the end of the post!).

Katie and I created the dig in the pre-blog days, so you’ll have to excuse me if there aren’t as many detailed process photos!

Our dig consisted of 4 different “sites.” Each site was a group of 6 corrugated cardboard boxes and a clipboard. I ordered the boxes from Uline (model S-16746). They are 15″ x 15″ x 3″. Originally, the boxes had attached lids, but we cut those off. We connected the boxes with tons of hot glue, then ran brown packing tape around the outside as well.

site boxesArcheologists use string to divide their sites into grids. We replicated this by hot gluing yarn along the tops of the boxes. We color-coordinated the sites as well. Site 4, for example, had yellow yarn, yellow stripes on the markers, and a yellow cover sheet on the clipboard. The other site colors were green, orange and red.

Since the artifacts would later be matched to a site map, we hot glued wooden craft sticks markers around the grid as well. Here’s how each site was marked:

The next step was to find artifacts to put in the boxes. We had a lot of fun with this! Among other things, we used old metal jewelry, non-plastic beads, and owl pellet bones. We used air dry clay to make cups, plates, bowls, and spoons (a couple of which we intentionally shattered and used as shards). A library contractor donated some small deer antlers, and I snagged a “stone knife” from a broken piece of paving tile.

not quite a stone knifeEach of the 4 sites had its own theme: 1) Fire Pit; 2) Pantry; 3) Treasury; and 4) Armory. We sorted the artifacts under the different themes, and then arranged them in the appropriate boxes. Because we needed the artifacts to match the site map, we hot glued them inside the boxes. And we really, really hot glued them. We even had an emergency hot glue gun at the event in case an over-eager archeologist yanked an artifact out of the box.

Next came the dirt! Except, for sanitation reasons, we used playground sand purchased from Lowe’s. Specifically, we mixed white and yellow playground sand together to give it more texture.

original image source nassau literary review

Original image source, the Nassau Literary Review

To keep the mess at a minimum, we added 1″ of sand to the boxes. It was just enough to cover most of the objects, but still left a few sticking out in a tantalizing way. Each individual box got 4 cups of sand, which meant each site used 24 cups of sand. In the end, we used 50lbs of sand for the whole dig site. For obvious reasons, we transported the prepped boxes to the event and THEN filled them with sand.

At the event, young archeologists used paintbrushes to uncover the artifacts. They were natural bristle brushes with wooden handles in assorted sizes (the widest being 2″). There were at least 4 brushes per site so multiple kids could work at once.

multiple archeologistsRemember the clip boards by each site? The clipboards contained a site map of where all the objects were buried. But before kids looked at the map, we asked them to think about what they had just uncovered. So the cover sheets for the clipboards looked like this:

clipboard cover sheet

Kids would talk about what the artifacts looked like (“That looks like a spoon!”), how some artifacts were located close together (“I saw a plate and a spoon together…”), and then make guesses as to what dwelling the artifacts were used for (“I think someone was eating here. A kitchen maybe?”).

Flip up the cover sheet, and there was the site map with the artifacts. If kids hadn’t found an artifact, they could use the grid markers to locate it. The map also had the title of the site, so kids could confirm their hunches as to how the artifacts were connected. If they excavated all the sites, they would also see how those were related (the Pantry was located next to the Fire Pit, the Armory was located next to the Treasury).

clipboard site mapBordering each site map were cool “field sketches” identifying some of the objects on the site. These were drawn by the awesome Aliisa Lee.

earring artifactAliisa even added cool little notes to some of the sketches…

clay artifactYou might have noticed that we didn’t label everything on the site map. That was intentional. Many of the objects were obvious (beads, spoons, a bracelet), but we left a few mysteries to show that, sometimes, you don’t get all the answers right away. It might take a little more research and consultation with your colleagues.

I mentioned that the Historical Society of Princeton added their own special twist to the archeology activity. YES! They displayed, and in some cases let kids handle, a multitude of artifacts that had been discovered and excavated from actual dig sites in Princeton! Some of the artifacts included broken dishware, glass piece, the base of a flowerpot, arrowheads, and a stone ax.

historical society of princetonThe two Princeton excavation sites were the Houdibras Tavern and the Updike Farmstead (where the Historical Society now houses its headquarters). They had this fantastic photo on display too. Kids at the Houdibras Tavern dig in 1969. It was the PERFECT archeology and history connection. So cool.

Hudibras Dig Historical Society of Princeton

Photographer Warren E. Kruse of the Trenton Times, from the Collection of the Historical Society of Princeton

And there you have it! An archeological dig site to spark the imaginations of budding young archeologists (with their dedicated research assistants offering a boost when needed).

young archeologist