Headgear with Major Attitude Problems

headgear with attitude problemsNot in the mood to say please, thank you, or wait your turn in line? Are you grabbing stuff that isn’t yours, refusing to share, and not listening to others? This rude behavior could describe you. Or it could be your HAT.

We read Rude Cakes by Rowboat Watkins (chronicle books, 2015). Rude cakes are just that. Rude. They never say please or thank you. They take things that don’t belong to them, refuse to listen, don’t wait their turn, and never share. Interestingly, giant cyclopses absolutely LOVE rude cakes….to wear as jaunty hats of course (what else would they do with cake?). When a rude cake finds itself unceremoniously hoisted onto the head of a giant cyclops, it’s feeling pretty grumpy. And get this – giant cyclopses are perfectly behaved. They say thank you and please. They share and wait their turns in line. After a day of observing nothing but good behavior, the rude cake/hat finally learns to say please (as in “Please. I’m not a hat. I’m I tired cake, and I would like to go to bed now.”).  Perhaps being polite has its benefits after all!

You’ll need:

  • 1 plastic hat
  • A strip of poster board (mine was 6″ x 25″)
  • 1 standard-sized paper plate
  • Cake decorating supplies (more on those below!)
  • cake eyes and mouth template, printed on 8.5″ x 11″ card stock
  • Scissors, tape, and glue for construction
  • Hot glue

We used “Neon Happy Birthday Derby Hats” from Oriental Trading Company ($7.50 a dozen). Oriental Trading also sells child-sized black plastic top hats ($7 a dozen). Those work too!

cake hat step 1Circle a strip of white poster board around the crown of the hat and attach it with tape. You don’t want your cake hat to be towering above your head, so our poster board strips were just 6″ tall. Additionally we offered the poster board in 3 different color choices: white, pink, or brown.

cake hat step 2Next, cut a paper plate to fit the top of the poster board circle, then attach it with tape or hot glue.

cake hat step 3Time to decorate! We cut a number of scalloped icing drips from white, pink and brown construction paper. We also offered crepe paper streamers, patterned tape, pipe cleaners, cotton balls, and assorted pom-poms.

When the decorating is done, cut a mouth from the template and attach it to your cake (you decide – is your cake smiling or frowning?). Attach the eyes as well, using a black maker or dot stickers to add pupils. Finish the look with ric rac ribbon eyebrows.

cake hat step 4We had sheets of tissue paper available for those who needed to make their hats a little more snug. But I have to share the following innovation with you – a pipe cleaner hat strap and jaunty tissue paper cape. May I present…the most dapper…Captain Cake!

captain cake

From Arwen to Zombie

from arwen to zombieGet into character with a little bit of stage magic! This winter, we hosted a fantastic hands-on (or arguably, a face-on) workshop about how actors use makeup to transform themselves into a character. The workshop was expertly and enthusiastically taught by Jenny Scudder from Youth Stages, a local arts-in-education organization.

Jenny began the workshop by sharing visual examples of literary characters – Queen of Hearts, Arwen, Tin Man, Scarecrow, Wicked Witch of the West, Dracula, Frankenstein, Count Olaf, and a few Cats from the musical of the same name (you might recall that Cats is based on poems by T.S. Eliot). There were also zombies, which might have been a stretch unless you consider Pride and Prejudice and Zombies? The Walking Dead graphic novel?

Here’s Jenny, taking the kids through examples of all the characters:

jenny scudder, youth stages 1Next, Jenny discussed how, in addition to makeup, actors can also use their voices, gestures, costumes, props, and sets to bring their characters to life. She described what stage makeup is (big, bold, and expressive) and what it isn’t (it’s not meant for close-up photography like a fashion shoot). As she was lecturing, Jenny was effortlessly applying her own stage makeup, which was Grizabella from Cats.

jenny scudder, youth stages 2Jenny also talked about the names of the different brushes, and techniques for application. Finally, she brought out some latex scars and gashes she had prepared in advance. My forearm became the test subject for a massive latex scar, some red base makeup, a loaded stipple brush, and some fake blood. Here I am, modeling the finished product in my usual subtle way.

scar demoFinally, it was time to turn the artists loose on the makeup! There was plenty of it. Jars, palettes, sponges, pencils, brushes…the works!

makeupJenny divided the kids into pairs so each pair would have someone to assist with the application of his/her makeup. I really liked this because it meant that the kids weren’t sitting passively, having their faces done by adults. They were actively involved in the whole process.

applying makeup

However, Jenny, Katie, and I did jump in to help. For awhile, I was running the “soon to be bloody flaps of skin” corner of the room.

Ready to see some results? Even though there was quite a bit of smiling and laughing, I did encourage the kids to try to stay “in character” while I was photographing them. I’ll begin with Arwen, who you saw at the beginning of the post:

We had no less than 3 Queens of Hearts…

As well as 3 Cheshire Cats.

A pair of Vampires…

Rum Tum Tugga from Cats

The Wicked Witch of the West…

And a quartet of zombies. I told them to give me their best undead look…

Do you recognize the zombie on the far left from the beginning of the blog? The funny thing was, we never planned to photograph her with her hood up. As it turned out, she had to walk home from the program in full makeup. In order to not freak anyone out, she pulled her hood up. It looked so fantastic, I had to take a photograph!

An Homage to Three Irish Poets


THE LAKE OF INNISFREE
William Butler Yeats

william butler yeats

I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made;
Nine bean-rows will I have there, a hive for the honey-bee,
And live alone in the bee-loud glade.

And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, and noon a purple glow,
And evening full of the linnet’s wings.

I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart’s core.


THE FOGGY DEW
Katharine Tynan

katherine tynanA splendid place is London, with golden store,
For them that have the heart and hope and youth galore;
But mournful are its streets to me, I tell you true,
For I’m longing sore for Ireland in the foggy dew.

The sun he shines all day here, so fierce and fine,
With never a wisp of mist at all to dim his shine;
The sun he shines all day here from skies of blue:
He hides his face in Ireland in the foggy dew.

The maids go out to milking in the pastures gray,
The sky is green and golden at dawn of the day;
And in the deep-drenched meadows the hay lies new,
And the corn is turning yellow in the foggy dew.

Mavrone! If I might feel now the dew on my face,
And the wind from the mountains in that remembered place,
I’d give the wealth of London, if mine it were to do,
And I’d travel home to Ireland and the foggy dew.


ON THE VOWELS
Jonathan Swift

jonathan swiftWe are little airy creatures,
All of different voice and features;
One of us in glass is set,
One of us you’ll find in jet.
T’other you may see in tin,
And the fourth a box within.
If the fifth you should pursue,
It can never fly from you.


Poetic portraits lovingly rendered by master crafter, Katie Zondlo.